His works are elegant and beautiful in style. He is good at painting "God" into the image of "human", and the Madonna he painted is the image of an ordinary mother who is graceful and kind-hearted in life. His masterpiece is the mural Our Lady of the Sistine Chapel. This work embodies Raphael's unique painting style and humanistic thought.
Raphael (1483 ~ 1520)
Italian painter. 1483 was born in urbino on April 6th, and 1520 died in Rome on April 6th. Formerly known as Raphael St. George. He studied painting with his father (the court painter of the Duke of urbino) since childhood, then transferred to the school in perugino and started his career at 1500. Raphael's early works show extraordinary genius. The Wedding of the Virgin was painted at the age of 2 1 year, which not only shows that he fully absorbed the artistic essence of perugino, but also came from behind and made innovations in composition and image-building. In particular, the balance of the picture, the description of the background, and the dignified and elegant images of the Virgin Mary and her husband Yue Se are all rare in previous painters' works. From 1504 to 1508, he lived in Florence, where he was restored and influenced by politics, democratic spirit and humanistic thought. At the same time, he carefully understood the artistic characteristics of the masters of various painting schools, learned from others, especially devoted himself to studying Leonardo da Vinci's composition techniques and Michelangelo's human body performance and heroic style, which made his beautiful style with unique classical spirit mature day by day, thus quickly achieving great achievements on par with Leonardo da Vinci and Michelangelo. His series of portraits of the Virgin Mary are different from similar themes painted by medieval painters, and all of them embody humanistic thoughts with maternal warmth and youthful bodybuilding. Among them, Notre Dame de Orioles (Uffizi Art Museum in Florence), Notre Dame de Grasses (Vienna Museum of Art History) and Notre Dame de Gardens (Louvre Museum) are the most famous. 1512 ~1513 painted a large oil painting "The Sistine Madonna". The figures are similar in size to real people, and the triangle composed of the virgin and saints is solemn and balanced. The Madonna and Jesus are strong, showing the happiness and greatness of maternal love. The other, taller, is the statue of the Virgin of Frino in the form of an altar painting, as well as the statue of the Virgin of Chair and the Madonna of Alba later created, all of which are his perfect works. After 1509, he was invited by Pope Julius II to paint the murals of the Vatican Palace, among which the murals of the signature hall were the most outstanding. These paintings all over the walls and roofs of the hall represent four aspects of human spiritual activities: theology, philosophy, poetics and law. In addition to his unique painting style, his works also pay special attention to the full harmony between painting expression and architectural decoration, giving people a solemn and rich feeling. Other important works in this period include: Eliodoro was banished from the Temple and Bolshenna Mass in Eliodoro Hall, Fire of Porgo by the Fire Department, and Victory of Galatia by Fanesina Villa. The image-building and the use of light and color in these works have reached a new level, and they are known as the pinnacle of ancient and modern mural art.
His portraits have also achieved great success. Both form and spirit are full of charm. Most of them use the micro-side half-length posture to hide the background, and only the natural and friendly manner of the characters stands out in the picture. Representative works include The Image in Castiglio and The Image of a Woman in a Yarn. The former describes a scholar, personable, knowledgeable, and vividly displayed. The latter depicts a girl whose appearance is similar to the image of the Virgin in the author's works, but her elegant dress and strong figure appropriately represent the women in life. /kloc-in the spring of 0/520, he was seriously ill and was still painting the transfiguration of Christ. Although it was not completed, the part from his hand was still magnificent, indicating that he was still exploring, enriching and perfecting his own style at the last moment of his life.
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Data 2: Just as Michelangelo put his famous bronze sculpture "David" in the square of the government hall, while Leonardo da Vinci was carefully creating his masterpiece "Mona Lisa", another young man came to Florence. Soon, with his unique artistic acumen, he absorbed the strengths of the masters, Michelangelo's grand momentum, Ma Saqiao's inner richness, and Leonardo da Vinci's agility and femininity, and found a new way to depict the gentle and beautiful virgin infant, which won the praise of Florence painting circles. This young man is Raphael, the third giant of the Italian Renaissance. Raphael's Madonna can be said to be a blank work that includes all the Madonna statues in the Renaissance. It is said that the Florentines were eager to see the Madonna painted by Raphael and feasted their eyes. Every work can make the audience linger, so that hundreds of years later, a word praising women spread all over Europe: "Like the Madonna of Raphael".
Raphael (1483 ~ 1520) (Raphael Sanzio) (1483- 1520) is a great Italian painter. Formerly known as Raphael St. George. 1483 was born in urbino on April 6th, and 1520 died in Rome on April 6th. My father is an ordinary painter in the local court of the Duke of urbino. Raphael was influenced by his father since he was a child. Unfortunately, he lost his mother at the age of seven, and his father died at the age of 1 1. The Duchess of urbino adopted him. First, he was sent to his father's colleague Vitti to study painting, and soon he was transferred to the studio of perugino, a famous painter of Moby Dick School, where he began his 1500 painting career. The teacher's gentle, clear, calm style, profound free from vulgarity and meticulous poetic sentiment have great influence on Raphael. Raphael followed his teacher to practice smooth crochet and balance the overall structure of the picture. Raphael's early works show extraordinary genius. 2 1 year-old Wedding of the Virgin Mary, with its solemn and sacred atmosphere and lyrical and elegant painting style, not only shows that he fully absorbed the artistic essence of perugino, but also came from behind and made innovations in composition and image-building. In particular, the balance of the picture, the description of the background, and the dignified and elegant images of the Virgin Mary and her husband Yue Se are all rare in previous painters' works.
From 1504 to 1508, he lived in Florence, where he was restored and influenced by politics, democratic spirit and humanistic thought. At the same time, he carefully understood the artistic characteristics of the masters of various painting schools, learned from others, especially devoted himself to studying Leonardo da Vinci's composition techniques and Michelangelo's human body performance and heroic style, which made his beautiful style with unique classical spirit mature day by day, thus quickly achieving great achievements on par with Leonardo da Vinci and Michelangelo. His series of portraits of the Virgin Mary are different from similar themes painted by medieval painters, and all of them embody humanistic thoughts with maternal warmth and youthful bodybuilding. Among them, Notre Dame de Orioles (Uffizi Art Museum in Florence), Notre Dame de Grasses (Vienna Museum of Art History) and Notre Dame de Gardens (Louvre Museum) are the most famous. 1512 ~1513 painted a large oil painting "The Sistine Madonna". The figures are similar in size to real people, and the triangle composed of the virgin and saints is solemn and balanced. The Madonna and Jesus are strong, showing the happiness and greatness of maternal love. The other, taller, is the statue of the Virgin of Frino in the form of an altar painting, as well as the statue of the Virgin of Chair and the Madonna of Alba later created, all of which are his perfect works.
1508, Raphael went to Rome on the recommendation of architect bramante, and was invited by Pope Julius II to paint a large mural of the Vatican Palace. Here, he studied the rigor and simplicity of ancient Greek and Roman art, gradually formed his simple style and became an outstanding mural master. During this period, he painted a lot of murals, among which Athens College is the representative work. Among them, the murals in the signing hall are all over the walls and roofs of the hall, which respectively represent four aspects of human spiritual activities: theology, philosophy, poetics and law. In addition to his unique painting style, his works also pay special attention to the full harmony between painting expression and architectural decoration, giving people a solemn and rich feeling. Other important works in this period include: Eliodoro was banished from the Temple and Bolshenna Mass in Eliodoro Hall, Fire of Porgo by the Fire Department, and Victory of Galatia by Fanesina Villa. The image-building and the use of light and color in these works have reached a new level, and they are regarded as the pinnacle of ancient and modern mural art, and his portraits have also made great achievements. Both form and spirit are full of charm. Most of them use the micro-side half-length posture to hide the background, and only the natural and friendly manner of the characters stands out in the picture. Representative works include The Image in Castiglio and The Image of a Woman in a Yarn. The former describes a scholar, personable, knowledgeable, and vividly displayed. The latter depicts a girl whose appearance is similar to the image of the Virgin in the author's works, but her elegant dress and strong figure appropriately represent the women in life.
15 14, Raphael presided over the construction of St. Peter's Church at the request of Pope Giovanni di Lorenzo de' Medici, during which he painted the Sistine Chapel Madonna, which is famous for its sweet and lyrical style. It is considered to be the epitome of all Raphael's Madonna statues and one of his most successful ones. If the Madonna in Raphael's early days still tends to be civilian, the Madonna in this painting has already ascended the queen's throne.
/kloc-in the spring of 0/520, he was seriously ill and was still painting the transfiguration of Christ. Although it was not completed, the part from his hand was still magnificent, indicating that he was still exploring, enriching and perfecting his own style at the last moment of his life.
1520 On April 6th, the painter passed his 37th birthday and came to the end of his great and short life. It is said that the quack who treated him bled him and pushed him to death. A great young talented artist died like this. Italians are deeply saddened by his death. In order to commemorate his short and extraordinary life, a grand burial ceremony was held, and his body was buried in the Sage Hall of the Pantheon in Rome.
Raphael (1483 ~ 1520) Raphael Italian painter. 1483 was born in urbino on April 6th, and 1520 died in Rome on April 6th. Formerly known as Raphael St. George. He studied painting with his father (the court painter of the Duke of urbino) since childhood, then transferred to the school in perugino and started his career at 1500. Raphael's early works show extraordinary genius. The Wedding of the Virgin was painted at the age of 2 1 year, which not only shows that he fully absorbed the artistic essence of perugino, but also came from behind and made innovations in composition and image-building. In particular, the balance of the picture, the description of the background, and the dignified and elegant images of the Virgin Mary and her husband Yue Se are all rare in previous painters' works.
From 1504 to 1508, he lived in Florence, where he was restored and influenced by politics, democratic spirit and humanistic thought. At the same time, he carefully understood the artistic characteristics of the masters of various painting schools, learned from others, especially devoted himself to studying Leonardo da Vinci's composition techniques and Michelangelo's human body performance and heroic style, which made his beautiful style with unique classical spirit mature day by day, thus quickly achieving great achievements on par with Leonardo da Vinci and Michelangelo. His series of portraits of the Virgin Mary are different from similar themes painted by medieval painters, and all of them embody humanistic thoughts with maternal warmth and youthful bodybuilding. Among them, Notre Dame de Orioles (Uffizi Art Museum in Florence), Notre Dame de Grasses (Vienna Museum of Art History) and Notre Dame de Gardens (Louvre Museum) are the most famous. 1512 ~1513 painted a large oil painting "The Sistine Madonna". The figures are similar in size to real people, and the triangle composed of the virgin and saints is solemn and balanced. The Madonna and Jesus are strong, showing the happiness and greatness of maternal love. The other, taller, is the statue of the Virgin of Frino in the form of an altar painting, as well as the statue of the Virgin of Chair and the Madonna of Alba later created, all of which are his perfect works.
After 1509, he was invited by Pope Julius II to paint the murals of the Vatican Palace, among which the murals of the signature hall were the most outstanding. These paintings all over the walls and roofs of the hall represent four aspects of human spiritual activities: theology, philosophy, poetics and law. In addition to his unique painting style, his works also pay special attention to the full harmony between painting expression and architectural decoration, giving people a solemn and rich feeling. Other important works in this period include: Eliodoro was banished from the Temple and Bolshenna Mass in Eliodoro Hall, Fire of Porgo by the Fire Department, and Victory of Galatia by Fanesina Villa. These works have reached a new level in image-building and the use of light color, and are regarded as the pinnacle of ancient and modern mural art. Raphael painted the Sistine Madonna at the age of 23, and his portraits have also achieved great success. Both form and spirit are full of charm. Most of them use the micro-side half-length posture to hide the background, and only the natural and friendly manner of the characters stands out in the picture. Representative works include The Image in Castiglio and The Image of a Woman in a Yarn. The former describes a scholar, personable, knowledgeable, and vividly displayed. The latter depicts a girl whose appearance is similar to the image of the Virgin in the author's works, but her elegant dress and strong figure appropriately represent the women in life. /kloc-in the spring of 0/520, he was seriously ill and was still painting the transfiguration of Christ. Although it was not completed, the part from his hand was still magnificent, indicating that he was still exploring, enriching and perfecting his own style at the last moment of his life.
One of the greatest painters of the Italian Renaissance; Raphael was deified with his superb artistic attainments, representing the highest peak that artists could reach in the cause of ideal beauty during the Renaissance.
Although Raphael's life is as short as Mozart's (there are many similarities in their lives), there are many legends and examples about him. On the one hand, these legends and examples affirm the undisputed talent of the painter, on the other hand, they may hinder the understanding of the painter. When it comes to Raphael, Raphael's artistic style is always inseparable from the adjectives "extraordinary" and "perfect", which started from vasari. This makes it impossible for the general public to deeply understand Raphael (one of the greatest painters in the world art history) and communicate with him, and it is also impossible to immediately distinguish Raphael's works from those crappy works that always want to publicize with words such as "genius" and "genius expression", so as to appreciate life in his works.
Raphael's works fully embody tranquility, harmony, coordination, symmetry and perfect and quiet order-in this sense, his works can indeed be called "the peak of humanism and Renaissance world". What people often forget or ignore is that Raphael reached the peak in the center of history, in a series of major events and some ideological trend that only lasted for a short time. The creator of this miracle is a young man, and this young man can't compete with the two greatest masters-Da Vinci and Michelangelo. These three people live in the same era. Raphael found the "third way", which is a synthesis and transcendence of all artistic achievements of his time. This is Raphael's glory and historical role through unremitting examination, experience and thinking with his art and thought, hard work and rationality. His success is attributed to his extraordinary talent: refining and digesting any kind of inspiration and enlightenment from the lofty revolutionary era of art (from the end of 15 to the beginning of 16). This shows his great wisdom and superb harmony creation. This ability is really unusual.
1. The Sistine Madonna is now in the Dresden Museum.
The Sistine Madonna is the masterpiece of Raphael's Madonna, which is famous for its sweet and carefree lyric style. This painting is a gift from Pope Julia II to the black monks in the Sistine Chapel in Piacenza. Raphael was entrusted to paint the altar of this church, hence the name "Our Lady of the Sistine Chapel". This painting depicts the virgin coming down from the clouds with her son in her arms. A man and a woman are painted on the curtains on both sides. The male elder in a golden robe is Pope Sisco, who made a welcome gesture to the Virgin. The young woman kneeling slightly is a disciple of the Virgin Mary, Vowala. She hung her eyes devoutly and bowed her side face, showing a little shyness and showing respect and obedience to the son of the Virgin Mary. The virgin in the middle is plump and graceful, with dignified and serene facial expression and beautiful and quiet. The two little angels crouching below looked up at the arrival of the Virgin with their eyes wide open, and the innocence was vividly painted. Raphael's famous paintings properly grasp the beauty and sacredness, admire and admire, and show elegant, gentle and lovely, harmonious and lively style, thus giving people fresh, pure, noble and sublimated spiritual enjoyment.
2. Mothers and sons, National Art Collection, Washington, USA
Raphael gave new life to ancient beauties. In his paintings, ancient art has been reborn and developed into a new and different perfect form. Raphael's achievements represent the highest level of painting in the Renaissance.
This portrait of the Virgin Mary was painted by 1505, entitled "Mother and Son". We saw the Virgin Mary sitting on a stool with tenderness and scenery behind her. On this sunny day, we can see the distant mountains merging into the light blue sky.
The bushes on the right attracted our attention to the small church on the mountain. This reminds us that the young mother and her baby belong to the religious world. The two auras around the heads of mothers and children are their sacred symbols. Raphael doesn't need this sign to express what he wants to express. He painted his young mother so sweetly and his dreamy face so tenderly that when we look at her, we can only think of the Virgin Mary.
Her big eyes didn't see anything at all because they followed her thoughts. She was so lost in thought that she didn't seem to notice the baby Jesus putting his little feet on her knees. Her other hand is holding the baby.
When we put her hands and face together to understand, we feel that she seems to have forgotten the existence of the baby, and she is thinking about Jesus and his future.
Compared with his mother, it is natural that little Jesus is older than boys of his age. The way Raphael created portraits of children established the important position of Jesus in the painting.
Looking at the face of the Virgin Mary, we can find the soft outline, big eyes, straight nose and small mouth, which are strikingly similar to the head of Venus created by the outstanding Greek sculptor Plasi Torres. This is because Raphael is a Renaissance artist who has been studying ancient art. But there are also differences. Raphael painted the face of the Virgin more gently. He painted the expression of the ancient goddess more delicate and soft, giving an ancient pagan art work new Christian significance.
3. Athens College
One of the three giant murals painted by Raphael for the Vatican Palace. In the picture of Athens Academy, the author brings together famous philosophers and thinkers since ancient Greece, including Aristotle, Socrates, Plato, Pythagoras and the artist himself. The whole mural is permeated with a strong atmosphere of academic research and free debate. All people are doing activities according to their own will and personality. They either talk together in Kan Kan or think alone. These characters either stand or sit or walk slowly. Humanist artists always try to let the characters on the screen enjoy full freedom. If Michelangelo's frescoes are praising people's infinite strong will and creativity, then Raphael's Academy of Athens is a conscious and sober hymn. In this painting, Raphael not only created the typical images of those thinkers, but also revealed their different personality characteristics and rich mental outlook. Moreover, he skillfully used the characteristics of architecture in composition, connecting the background and perspective of the building with the semicircular arch of the real building in front, expanding the spatial effect of murals and making the building look more spacious and magnificent.
Raphael, born after Leonardo da Vinci and Michelangelo, died more than 40 years before Michelangelo, only one year later than Leonardo da Vinci. He is a rather short-lived artist.
If you want to describe Raphael in a few words, it is harmony, harmony, happiness, beauty and gentleness. This is not only the style of painting, but also the treatment of others. Like Leonardo da Vinci and Michelangelo, he was under the majesty of Pope Julius II who loved art and culture, but Raphael and Julius II got along well. Later, Giovanni di Lorenzo de' Medici also liked Raphael best. He is a young man that everyone loves.
This characteristic certainly influenced his painting style.
1. The Virgin Mary-the concept of absolute beauty exists in this world.
Raphael is most famous for his Madonna. The Madonna in his works is sublime to ordinary, a mother in cloth, simple, kind and amiable, full of maternal love and human touch, and the background of the Madonna is often beautiful pastoral scenery. The two children are playing at their knees, without any asceticism, praising the beauty of ordinary women. He expressed his humanism through the Madonna.
Raphael's Madonna is extremely beautiful. This kind of beauty is the characteristic of all beautiful women. In any beautiful woman, it is impossible to find such a perfect form. So Raphael expresses his belief through the Virgin Mary: he believes that there is an ideal beauty and an absolute beauty in this world.
This harmonious and ideal humanistic quality is presented to Raphael with another theme when he deals with the murals in the Vatican's signature hall.
Renaissance, through the study of Greek and Roman art and culture, walked out of the medieval aesthetic concept. At that time, it became a trend for scholars to collect ancient cultural relics, especially works of art in Greek and Roman times. However, in this way, many Greek and Roman myths and Greek and Roman philosophy have followed into Christian society. For many Christians, the influence of paganism and Greek and Roman culture on Christianity must be very strong.
I don't know whether it is influenced by the times or his own characteristics. In short, Pope Julius II is actually a pope who loves Greek and Roman literature. He must properly handle the situation that this belief meets faith and culture meets culture. Although Julius II is famous for his arbitrariness and belligerence, his tolerance for art and culture is surprising.
2. Athens Academy-theology, philosophy, myth and belief, all inclusive.
When Raphael was 25 years old, Julius II invited Raphael to paint murals for the signature hall of the Vatican Palace.
What should be painted on the murals in this solemn place? After exchanging views with the Pope and scholars for a long time, Raphael decided to paint based on the poems of the poet Della Sinyadur, praising theology, philosophy, poetry and law.
Raphael painted four murals on four walls: the sacrament dispute of theology, the Athens School of Philosophy, the Mount Panabas of poetry and the three virtues of law. The debate on sacraments is a mural cut by Raphael into two parts. The first part is God, Jesus, dove, John the Baptist, Mary and the apostle, the middle part is the little angel who opened the Gospels, and the second part is the saints who argue about the Eucharist, including Dominic, Francis, Thomas Aquinas, Dante and so on. There were also fathers of four churches who formulated doctrines: Jerome, grigori, Aphrodite and Augustine. Raphael expressed the formation of theology and doctrine through the gathering of figures in different times, which is the wisdom gathered in history and the participation of various sages. They include various processes of studying the Bible, thinking, praying, believing in practice and debating. And this whole historical process, God is involved.
The "Sacrament Debate" is directly opposite the "Athens College". The two paintings are symmetrical to show the balance between "the truth of revelation" (theological doctrine) and "rational pursuit of truth" (philosophy).
In the painting "Athens Academy", Raphael concentrated all people in different periods in one space, and more than 50 philosophers, artists and scientists from ancient Greece, Rome and contemporary Italy gathered together to show their belief in human wisdom and harmony and admire them. With so many philosophers concentrated in one painting, Raphael skillfully drew different characters in the most understandable and sensible way according to their personal ideological characteristics.
On the left are the statues of Athena, the goddess of wisdom, and Apollo, the god of literature and art. In the middle are Plato (with the finger of Timaeus under his arm) and Aristotle (with the finger in front of ethics in one hand). This is a dispute between idealism and materialism in ancient Greece. Raphael painted Plato as the face of Da Vinci to show his respect for Da Vinci. There are also scholars in the picture, such as Pythagoras, Epicurus, Heraclitus (he is the first outstanding representative of "simple dialectics" and "materialism" in the West), ancient Greek cynic philosopher diogenes, Socrates, Alexander, Stoic philosopher Zhi Nuo, Euclid and Ptolemy, and then Raphael also hides himself in the painting to express his desire to enter this place where people gather and participate.
From the theme of theology and philosophy alone, we find that this is a consistent Raphael style, just like his Madonna, showing his harmonious and ideal humanistic characteristics through theological and philosophical murals.
The theme of the third wall is poetics. Raphael painted Mount Panabas centered on Apollo, the patron saint of art and literature, surrounded by nine literary goddesses and ancient and modern poets in charge of literature, art and science.
The last wall method, Raphael painted "three virtues", including the truth "A woman looks at the mirror", power "Step on the lion and hold the branch representing the law", and temperance "Look at the sky with a rope"). In addition, the murals on both sides of the window are "Emperor Justinian issued a code" and "Pope grigori issued a fatwa", indicating that political power and religious power should be equal, but the difference is one. This once again shows the characteristics of Raphael's humanism.
3. The Sistine Madonna and the Lord are deformed-God has mercy on our suffering.
Many painting connoisseurs think Raphael is too happy. Compared with Leonardo da Vinci and Michelangelo, he solved the inner conflict at a very young age, so he rarely showed superhuman strength to promote the great soul. His paintings are very skillful, but not works with deep feelings or beliefs.
He complied with the needs of the Pope and pleased him, swinging happily between the Virgin and his mistress, and reconciling pagan and Christian beliefs. He didn't delve into the mystery and conflict of life or belief, but only wanted the lust and joy of life, the creation and possession of beauty, and the loyalty of friends and lovers. He brings us peace, does not ask questions, does not create doubts and fears, does not conflict with reason and emotion, and does not conflict with body and soul. What he sees is the coordination of opposites. His art idealizes everything, religion, women, music, philosophy, history and even war, and his own life is too smooth and happy. Is this comment completely correct? Raphael's late paintings reveal some clues that are different from previous styles.
One is his Sistine Madonna (named after Pope Sistine II). The Sistine Madonna is different from the previous Madonna. Raphael let the Sistine Madonna walk slowly towards people. In order to make the Madonna on the altar feel like walking towards people, Raphael made his painting have three horizontal points (cherub, saint and Madonna), so the closer the viewer is to the painting, the more the Madonna walks towards people. In addition, the general distance method is abandoned, which makes the distance between people in the painting very vague and unreal, and the elliptical movement melody (through clothes folds and color arrangement) is added to the stable composition of the pyramid.
This abandonment of the most important form of the Renaissance shows that the Madonna is not only a concept of absolute beauty, but also a Madonna that people can rely on closely.
What does the crying virgin mean in her body?
Let's take a look at his last work. It is said that Raphael asked to put it at the end of the bed before he died, so that he could watch him die. It can be said that it is the painter's last words.
The theme of the work is "The Manifestation of the Lord", which describes that Christ once revealed the glory of his Son of God. Raphael painted two disciples gambling in this scene beside the glory of Christ. However, under this painting, he painted riots in the world: prostitutes, criminals, paralyzed patients, epileptic patients ... they all pointed at their hands or looked up at Jesus. For them, the emergence of the Lord is not just a historical story, but an urgent need that they are eagerly looking forward to every moment of their lives.
4. The significance of later works-unspeakable mysterious experience
Why did Raphael move from harmony, joy, balance and tolerance to the grandeur of reason, sensibility, knowledge and belief in his later years, and to the description of people with pity and suffering? The theme of painting has also changed from beauty to hope in suffering? It even led to the division of art history and attributed Raphael's late works to the enlightenment of another era. No matter what significance this change of painting style has on the staging of painting history, even if the painting style changes again, it will still be Raphael-style, but it is undeniable that Raphael is moving from painting theme to another mysterious experience. This is Raphael's unspeakable mysterious experience. So Raphael does not ask questions, does not conflict with reason and emotion, and does not conflict with body and soul. What he sees is harmony. This statement is not completely fair. On the contrary, Raphael dealt with the conflict and struggle of the soul, and finally he put the solver on Christ and the virgin Mary who entered the suffering world. Because it is an unspeakable mysterious experience, he left his last words through painting!
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