One afternoon in early winter, I walked through the bustling block and walked into Ji Jun's home. The warm sunshine shines on the spacious mahogany console table through the tiger orchid which is more than one meter high, and the cold leaves outside the window are bleak, and people and cars are constantly flowing; The room is warm and fragrant with paper and ink. It is a quiet and comfortable calligraphy world.

The word "Zi" was written with that strength.

Ji Jun's love for calligraphy began in his youth. At the age of ten, he picked up a brush, and in the early morning and evening, his mind was slowly attracted by the mysterious black and white world. He studied Yan Ti, Wei Bei and Erwang, and made great efforts in official script and regular script. He has never stopped working for decades. Thousands of calligraphy works written by him are treasured in a mahogany bookcase on a whole wall at home. How tall is the character? Albums, banners and couplets are all his hard work for many years.

Ji Jun's writing is very attractive, not rigid and rigorous, but presented to the public in a seemingly casual way, natural, frank and casual. Sometimes it's a little childish as children write, but the sparse place should not be too sparse and the dense place should not be too dense. I just feel that every pen falls in the most suitable position and can't move. Ji Jun's calligraphy is also very attractive. He wrote nursery rhymes: "the stars in the sky don't talk, and the dolls on the ground miss their mothers." "A flock of ducks passed by the lower reaches of the front bridge. Let's count, 24678 "and" the butterfly has fallen, and I will sit on the bench for you ",which is naive and full of fun; His Crane, Dragon, Dance and Surfing the Shore are abstract and three-dimensional, which are the understanding and generalization of nature and life and the confession and expectation of the inner world. What he wrote was "Scar". The dribs and drabs where he put pen to paper and the road lines are clearly blood and tears, which people can't forget at a glance and go all the way to your heart.

Calligraphy is about a person's knowledge and cultivation. The artistic achievement of calligraphy creation depends on the calligrapher's own understanding of art and rich knowledge reserve. The wider a person's knowledge, the richer the cultural background, and the higher the taste and realm of his works. The formation of Ji Jun's book style benefits from his extensive interests and strong thirst for knowledge. Ji Jun not only dabbled in poetry, painting, photography, dance, drama and music, but also made extraordinary achievements. Poetry, for example, Ji Jun published his own collection of poems. He will write poems about his feelings about famous paintings and calligraphy, and also express them in the form of calligraphy. His calligraphy goes hand in hand with his poetry. There is a well-cultivated poetic soul in his heart, which will naturally be in the depths of his pen and ink; For example, painting, in Ji Jun's study, hangs a self-painted ink painting called "He Chun". After a cold winter, an old tree bent its branches all winter, became soft in early spring, and its teeth waved like claws. It seemed to be only slightly green last night, but it turned green this morning, and even the peach blossoms burst into red buds ... the painter's delicate and clever feelings. He wrote "Sit" in big letters, and the above two words "Man" borrowed the painting method of art, like two backs of a man and a woman, which had a new meaning in structure.

Seeing Ji Jun's handwriting requires deep thought. His calligraphy is not written to satisfy anyone. He is interested, addicted and competing with himself. He also pondered all day, not the market, but the meaning of the word, melting himself in, making people love and looking relaxed. Every word he says is full of passion. You see, you will cry and laugh, and you will put it down.

Dance with the shackles of calligraphy

As a famous calligrapher and one of the young and middle-aged leaders in Shandong calligraphy field, Ji Jun's calligraphy has a unique and distinctive personality. More than 20 years ago, Ji Jun paid attention to China's calligraphy modeling, font changes and the affinity between Chinese characters and human images, and on the basis of tradition, he introduced the new and expressed the meaning and heart of the book. Some experts believe that Ji Jun's calligraphy creation is rooted in the deep soil of China traditional culture. He can fully mobilize and make use of the rich resources of China's calligraphy, widely use resources, comprehensively arrange and use rich pens to create an outstanding "Ji Jun style".

Innovation is bound to cause controversy. Ji Jun will always be an artist full of youth and vitality, and also an artist that constantly arouses people's controversy. Many times, Ji Jun's writing style is regarded as a "target" by some busybodies. Some people don't understand him, even cynically. Some people don't even understand it at all, so they judge it out of context. Ji Jun will laugh off the criticism. For more than 20 years, he has held exhibitions, lectures and exchanges at home and abroad for more than a dozen times, and his calligraphy works have already formed a unique creative personality and unique style.

Ji Jun's greatest character is persistence. He said: "People should stick to one thing all their lives. I have been insisting since primary school, and I will insist on what I think is right. " He doesn't care about other people's comments, he cares about his own feelings. Because he knows that art needs creativity. For example, painting, the same scenery, what you see, what I see, the effect is completely different. So is calligraphy. Most real art begins with imitation and ends with originality. If you don't imitate, you can't afford to lay the foundation. If you imitate for a lifetime, you will lose yourself and have to follow others forever. Degenerated from copying, art has gained a new life-not behind closed doors, not sticking to the rules. Maybe you can't surpass the master, but you can surpass him, that is, build another style from another angle, so as to achieve transcendence. Ji Jun's calligraphy in recent years can be said to have achieved this. "At first glance, this work was written by Ji Jun, and Gu Zhuo is strong, which is in line with the statutes. His personal style is obvious. I can see it even if his name is covered. " A calligraphy expert commented on Ji Jun's works.

Ji Jun's artistic creation comes from his feelings about life, and also from the unintentional inspiration of generate. The feeling in life is praise, sadness, a bright future and a sunny circle. He will seize this feeling, write it on paper and use it between pen and ink. Pinjijun's calligraphy, from which we can see his transparent and concise calligraphy stirred up by the seamless blend of experience, knowledge and literary talent. Reading between the lines, you can know how much effort he spent in private, and from his seemingly handy quips, you can get a glimpse of his extensive life experience. Every word of Ji Jun's calligraphy was steaming, and he devoted himself to it.

All rivers run into the sea, realizing the true meaning of drawing hourglass marks.

Ji Jun's friend said that the boy was a saint. Graduated from the Institute of Physical Education and used to be a basketball player and coach; Going abroad to hold calligraphy exhibitions in his twenties; It is the first time in Weifang to hold a photo exhibition in his thirties. I have worked as a TV director, trained as a model, liked painting, collected mahogany, published a collection of poems and calligraphy, and played whatever art I wanted. Calligrapher, photographer, collector, poet ... Ji Jun has won numerous praises.

Ji Jun in front of everyone, burly figure, elegant long hair, unsmiling expression, cold and awe-inspiring appearance. Some people have always praised him as a genius, while others say that he is unruly and extremely clever. Having been immersed in the complicated art circle for many years, he may have been frivolous and detested evil, but Ji Jun prefers Master Hongyi whom he admires and his calligraphy: "He is like a gentle and humble gentleman, sitting there and talking calmly", which is also his life rule. Ji Jun is idle, studious and thoughtful. He doesn't pretend to be arrogant and authoritative. Anyone who knows him will be infected by his peaceful and approachable temperament. As a professional calligrapher, the executive vice-president and secretary-general of Weifang Calligraphers Association, the executive vice-president of Weifang Painting and Calligraphy Institute, and concurrently hold other social positions, Ji Jun is busy with official business and social activities. In this busy rhythm, he has his own rules, and he does things in an orderly way. Quiet nights are his time alone. Make a pot of hot tea, calm down and read, write poems and immerse yourself in his calligraphy world.

Mr. Ouyang Zhongshi once said: "For a pursuer who is committed to the art of calligraphy, it is far from enough to focus only on pen and ink. He must work harder on his inner temperament such as knowledge and morality in order to get a glimpse of profound truth and climb to the height of dust. " Growing up in Weifang, a fertile land, Ji Jun has always been nourished by China's traditional culture and art, and he will not force himself to learn anything, such as poetry, music and painting. He is naturally interested in these. "Trees seven or eight hundred years ago and works three or five hundred years ago are all classics today." This is a passage from Ji Jun's poetry collection, and it is also his true feelings about his collection of mahogany furniture. Ji Jun likes to collect, mahogany furniture, celadon pots, painting axes, purple teapot ... are his favorites. Collection needs persistence and calmness, and needs to be slowly tasted and interpreted in staggered time. Although these collections can't have a direct impact on his calligraphy, like music, painting and dance, they will gradually precipitate into his calligraphy works over time. Sedimentation into this man's character makes him calm, confident and profound in life.

The gorgeous rainbow can only be seen after the storm, the charm of life can only be revealed after the painful struggle, and the maturity of calligraphy can only be shown after the hardships of life and the profound skill. Ji Jun can grasp his own understanding, get the wonderful method of calligraphy from the works of his predecessors, and get the essence of calligraphy from the accidental revelation of nature. If Ji Jun's calligraphy shows a vigorous, broad and ups and downs temperament and a simple and honest character, it is better to say that he is full of talent and natural and unrestrained literati temperament. We believe that calligraphy is the life and dance of his long life, and it will accompany this young calligrapher to create miracles: it is his "cone painting sand", his "leakage mark" and his "snow mud leaving claws".

Mr. Wang's words are graceful and affectionate, such as seeing a beautiful woman and seeing a dream of Zhao Wuhan Palace. Cherry blossoms and plum blossoms are brilliant, and snow is a sentient thing, raging in the holy land. Why don't people fall in love? Red, white and black blocks are extremely modern and elegant. If you see a modern gentleman, you don't want to live in the present world. You don't hesitate to buy a treasure knife, your mink fur can be exchanged for wine. Such a romantic work. It seems that it is not suitable for respectable people. True temperament is artistic truth. Is the true state of life. Who can do that?

Love hurts the body and fears beauty. Just like Mr. Wang said, there are traditional rules. It is hard to hide his romantic and uninhibited feelings. When introducing the sculptor Rodin as a bosom friend of different eras. Balzac is really a masterpiece. It's a pity, it's a pity, it's sad, it's hateful and it's ridiculous. It was exhibited many years after Rodin's death.

Fly and be lonely. Is this a hero's tragedy

Ji Jun: Ramu's Poetic Heart and Quality

When modern high-rise buildings and home decorations full of modern art come into people's lives one after another, some people will feel a deep attachment, be attracted by it, be obsessed with it, and reunite with it as if they had used it in their previous lives. Ji Jun, a famous calligrapher in our city, is one of them.

Good eyesight, good furniture hidden.

Ji Jun's home is in a large residential area in the city. It is a duplex room of more than 200 square meters. Upstairs and downstairs are all classical furniture, from sofas to exquisite mahogany ornaments. It is gentle and quiet, which makes people feel that they are in the scholarly family of the Ming and Qing Dynasties.

In the field of calligraphy, Ji Jun's works are famous for their unique style and personality, and his eyes on the choice of classical furniture are equally unique and keen. "I am very happy.

Huan classical furniture, especially old mahogany furniture, is not completely recognized by many people as a hedge, but a unique aesthetic value and sense of beauty of classical furniture.

Patterns and warm texture can make people have infinite reverie. "Ji Jun collection of classical furniture, in addition to a small amount of old mahogany, and chicken wings and red.

Sour branches, Burmese rosewood, Vietnamese rosewood and other materials, the style is informal. Ji Jun has a comb chair in his study, which he bought in a furniture store.

I found it by accident. The front of this chair is in the shape of a high-armrest official hat chair, with comb backs under the armrests on both sides, and seven round sticks are arranged vertically at equal intervals.

The whole chair is novel in shape, simple and generous, and very attractive. Ji Jun searched many maps of Ming and Qing furniture, but found no relevant examples.

In Ji Jun's numerous collections, some of them were made by himself. The two-meter-high mahogany bookcase in the study is full of the whole.

The whole wall has a solemn shape, delicate and smooth patterns, which are very eye-catching. It is convenient and practical to set up partitions according to the needs of your own books.

Use; The big book with a length of 2.4 meters and a width of 1.2 meters was also designed by himself. After the drawings were finished, he found several furniture processing factories.

I gave up because I didn't have such a big piece of wood. Finally, a master was invited to order it from Dongyang, Zhejiang Province, which has the reputation of "the hometown of woodcarving in China"

He waited for a whole year from paying the deposit to transporting the box home.

Taste the classics with poetic heart.

General collectors pay attention to the beauty of form and quality when collecting, but few people discuss the natural beauty of materials. In Ji Jun's classical furniture, besides some round-backed chairs, top chairs, bookcases and desks, there are also some small tables and knickknacks with beautiful wood grains. Their craft is not complicated, but God

Natural wood grain, in the years of washing and tempering, presents a different moving appearance. "Maybe so, mahogany furniture has such charm, no matter

It is the elegance and exquisiteness of red sandalwood, the beauty and significance of Huang Huali, and the mysterious beauty of chicken wing wood, which is enough to make people feel emotional and can't put it down. "

Ji Jun expressed his feelings for mahogany furniture to reporters. "It's so beautiful, some are like landscape paintings, some are like birds and beasts, and the texture is vivid and changeable."

, or hidden or now. Appreciating its patterns and crafts, including smelling it, is a pleasure. "The fun of collecting is mainly appreciation and taste.

Ji Jun made a poetic interpretation of those exquisite classical furniture with the unique feelings of calligraphers and the rich and delicate imagination of poets.

On the bright mahogany hanger in the bedroom, there are simply a few clothes. Ji Jun leaned down, touched the seat next to him and said, What a wonderful thing! It could have been on it.

Put clothes, but I don't want to put them, so I can't see their patterns. On the wall of Ji Jun's study, there is a photo he picked up decades ago.

The mahogany frame is two meters long and less than 30 centimeters wide. Some friends said it was a waste, narrow and long, and useless. Some friends also suggested that he write a few

Large letter inlay. Ji Jun painted a picture for him, named "He Chun": The branches bent for a winter, and in the early spring, they were furry and dancing, as if slightly.

Slightly green, but there are many green spots, and even peach blossoms bloom with red buds ... This painting makes an old mahogany frame fresh, elegant and full of vitality.

There is really no spiritual kung fu outside poetry.

"Trees seven or eight hundred years ago and works three or five hundred years ago are all classics today." This is Ji Jun's praise of classical furniture in his own poems. Zhenmu

A energetic and energetic classical wood will tell people about its past lives in its own unique language. To understand it, you need to read more.

Think carefully and keep discovering. Ji Jun said that through the appearance of rare wood, you can see its magical interior. Fine textures pervade the distant life.

Breathe, touch with your hands, you can feel a little warm humanistic breath, and feel the influence of traditional culture on your heart, which is the culture of your ancestors.

An unforgettable memory. Although it has only been attached to classical furniture for more than ten years, Ji Jun has a deep understanding, which benefits from his years of literature and beauty

In the study and research of science, mechanics and many other disciplines, the concept of China's classical aesthetics has been subtly integrated into his bones, as the saying goes, "Kung Fu is beyond poetry."

"。

The collection of mahogany furniture, celadon pots, painters' scrolls and purple teapots ... needs fate, but also needs persistence and calmness. In a quiet night

In the evening, after the creation was completed, Ji Jun made a pot of hot tea, savored and interpreted it carefully, and reveled in this delayed pleasure. although

These collections can't have a direct impact on his calligraphy, but like music, painting and dance, they will gradually precipitate with the passage of time.

Into his calligraphy works.

Ji Jun: A Legendary Artist

Liu

Ji Jun is a legend.

His main cultural identity is "calligrapher". The name "Ji Jun" has been familiar to many people in contemporary China book circles. Many formal and informal names, such as "Famous Calligrapher", "Young and Middle-aged Calligrapher in Shandong Province" and "National Bai Jie Calligrapher", as well as his experience of participating in various exhibitions organized by China Calligraphers Association and winning prizes, have brought him popularity.

The above achievements are glorious enough for many people, but "achievement" does not mean "legend". Ji Jun's "legendary color" lies in his rich life experience and an artist image with various interests;

He graduated from the Institute of Physical Education and worked as a basketball player and coach. Holding calligraphy exhibitions abroad in his twenties; It is the first time in Weifang to hold a photo exhibition in his thirties. I have worked as a TV director, trained as a model, liked painting, collected mahogany furniture, teapots, porcelain, ink cartridges and published poems. Such a rich life "experience" has already taken on the color of "legend". It is easy to see that he is a "saint". The "sage" is not "strange", but his "miscellaneous" has priorities! Something fishy! Achievement! In Ji Jun's various arts, the order can be divided into "calligraphy first, photography second, painting third, poetry fourth, collection fifth ...". I wonder if he shared it himself. ! His calligraphy has a wide influence in society, however, his photography is also extraordinary! His works were selected for the "Palm Tree" Cup International Photography Exhibition in France, the first national human body photography exhibition, the national classic human body photography, and the collection of Russian customs. His film "Residual Lotus" is bitter and reflective, which in turn evokes the power of life. His paintings are also very aura. I have seen two of his ink paintings. One is "He Chun", which is dotted with countless red, yellow, blue and green dots among thousands of upside-down branches, reminiscent of dazzling flowers and bright green leaves, and abstractly expressing vibrant spring; The first is Autumn Fruit, which abstractly shows autumn scenery and huge lotus flowers in the lotus pond, symbolizing the joy of harvest. It's not over yet! His poems are also very good. For example, in Commemorating the Sixty-fifth Anniversary of Master Hongyi's Death, he wrote: "The combination of stunts and Buddhism is everywhere. Rare and dazzling, the spirit shines on my heart. " The combination of poetic heart and Buddhist heart not only writes the compassion of Master Hongyi, but also writes the poet's profound thoughts.

After all, Ji Jun is a poet. Therefore, his life and art are not "interesting". This is also reflected in the text content of his calligraphy. Unlike most calligraphers who are used to copying ancient poems, Ji Jun's writing is full of interest. He wrote a slogan: "add iodine to supplement calcium"; He wrote philosophical thoughts: Black and White World; He wrote down his feelings: "seasickness", "bitterness and sadness"; He wrote a song: "Outside the pavilion, beside the ancient road, the grass is blue and the sky is blue ..."; He wrote a poem himself: "You can dye a lot of money and hang it in a spring waterfall." Poor management is hard, and Mr. Niu Tang is self-motivated. ""Mo Xiang is full of water, and it is a lotus pond. Like a dream, like a holy land, inexplicable bitterness and sadness. " He wrote down the scene before him: "Xue Mei Piao" ...

This choice of writing content reflects his calligraphy thinking. The color of "legend" adds a lot of color to Ji Jun's story. Some people say that he is a genius, some people say that he is unruly and extremely intelligent, and some people say that his temperament is romantic and uninhibited. ...

Ji Jun's calligraphy is best in official script and regular script. His official script, based on Han Li, integrates the elements of regular script, which can be called "official but close to truth". For example, the official script "Feng Zikai's Poems on Paintings" (the beautiful flowers have been destroyed and used to be very fragrant. That gaunt and disabled posture, the Ming Dynasty abandoned the Tao. As shown in figure 1), the basic spatial framework is flat, which conforms to the conventional form of Han Li's writing, but the basic "strokes" have increased changes, absorbed the elements of "regular script", and at the same time contained some original pen and ink vocabulary, which is full of modern flavor. Among them, the characters such as "Destroy", "Fold", "Chao" and "Ming" are regarded as prototypes, and the "strokes" have not changed much, but there are many words such as "Zeng" and "Bian", which obviously combine the "strokes" form of Beibei Harmony. This kind of "standardized" official script is essentially a "official script eight points" with distinct creative nature.

Different from the downward route of "official script" which combines elements of "regular script" for innovation, Ji Jun's regular script takes an upward route, which combines elements of "official script" on the basis of "regular script". Therefore, his "official script" and "regular script" are both "the combination of official script and regular script" The difference is that the proportion of constituent elements of official script is smaller, and the proportion of constituent elements of official script is smaller. Therefore, although his official script and regular script tend to be "the combination of official script and regular script", there is an obvious "boundary" between official script and regular script because of the difference in quantity.

Generally speaking, Ji Jun's regular script has two squares. The first case is the combination of Zhang Menglong's tablet and official script, such as an ancient poem of Li Bai's regular script (master, I salute you from the heart, and your reputation has risen to the sky). Figure 2) That's it! This work is based on Zhang Menglong Monument, which is not far from Zhang Menglong Monument in terms of word form and basic vocabulary. However, the words "Fu", "Jun" and "Bu" obviously contain some official script strokes, such as the long stroke of the word "Fu" and the long horizontal stroke of the word "Jun". This regular script style also includes Ji Jun's poem "Reading Li Keran's Paintings and Making Sentences" (Figure 3) and Sikong Shu's poem "Jiangcun is a Thing" (Don't tie the boat when you come back from fishing, Figure 4). Among them, the words "He", "Quan", "Bu" and "Xi" in the previous work are relatively flat and full of official meanings, while the official meanings in the latter work are less. The second case of Ji Jun's regular script is Qian Nanyuan's regular script. In this way, regular script and stippling are thick, solid in texture, and have a wide knot, which means Gu Zhuo. For example, The Unnamed Don't Admire the Mountain (Figure 5) has a firm and heroic vertical axis, a high rhyme and deep affection, and a lofty style, which can be described as "parting from God" and "being beautiful because of life". Ji Jun's "Walking Grass" is unique and has opened a certain distance from the ancients and contemporary people. Strictly speaking, his lines and brushwork belong to the "regular script style", which is further developed on the basis of his own official script and regular script, and rarely relies on the ancients and contemporary people. Only by dealing with long lines can we see the shadow of Lin Sanzhi's calligraphy. The advantage of avoiding the past and the present is that it is easy to form its own characteristics, but it is difficult to achieve formal perfection without a deep understanding of the basic laws of calligraphy and cursive script. However, Ji Jun's writing style and cursive script are free and easy, his brushwork is correct and his rhythm is changeable. Although he relies less on the ancients, he has won the spirit of cursive script. For example, the banners of farewell songs (Figure 6) and floating banners (Figure 7), as well as his favorite postscript, are all written with natural charm and full of interest. For example, the word "Mei Xuepiao" in the banner of "Mei Xuepiao" and the word "Plum Blossom" in the postscript are closely related to Lin Sanzhi's handling method, but the rest of the words are mainly the logical development of Ji Jun's own official script and regular script, which is the result of deducing the basic elements of his official script and regular script with lines, cursive scripts, strokes and rhythms. Ji Jun's calligraphy exploration is a two-way excavation from "supplementing calcium and iodine" and "black and white world" to "scar", "bitterness and sorrow", "umbrella", "tiger", "yue", "sitting", "sea" and "seasickness", and is influenced by the theme calligraphy creation of "Less Words School" and "Ink Elephant School".

The overall style of Ji Jun's calligraphy is "magnificent". This has several manifestations:

First, he likes to write big characters, bold and powerful. His "modern calligraphy" works are often written in a big way, giving people a great sense of beauty. In traditional aesthetics, this is "the beauty of masculinity", which is close to what Kant called "the sublimity of mechanics" and "the sublimity of mathematics" to some extent.

Second, his pen is vigorous and powerful, and there is no weak pen. Ji Jun's calligraphy is mainly from the northern school of France, so as to avoid the softness of the latter school. Judging from his brushwork, he makes good use of Fang Bi, and his works are vigorous and powerful. But he also used a round pen to go against the trend, which made his brushwork rich and vigorous. The profundity of "pen power" shows the spiritual character of "atmosphere".

Third, his handwriting is dense. "You can walk in sparse places, but don't let the wind out in dense places." He often uses the technique of "overlapping stippling and relaxing a corner", such as the word "scar", which tightens the upper part and loosens the lower part, reunites the upper part with the spirit, and the lower part stippling radiates, with appropriate density and complement each other. The word "sorrow" of "bitterness and sorrow" is combined into one stroke, leaving only a large clearing in the middle, while the words "astringent" and "cool" are extremely spacious and sparsely structured in the middle palace. This kind of writing is based on "density" and supplemented by "sparseness", which makes the whole work vivid and reunion, and the trunk is deep and stable.

Judging from the concept of calligraphy, Ji Jun was deeply influenced by Li Shutong. Among the masters of ancient and modern art, he has a special liking for Master Hongyi. Before becoming a monk, he wrote Master Hongyi's "Farewell Song" for many times and wrote the postscript:

Li Shutong was born in Tianjin. He is not only a generation of eminent monks, but also an outstanding art educator. He combines poetry, calligraphy and painting, seal cutting, music, drama and literature, and is the first in many fields. I have written poems to him many times. Especially this "Farewell", fresh and elegant, sincere and beautiful, gentle. The lyrics are uneven in length, and the sentence patterns are changeable, picturesque and poetic, which complement each other. The next two works were written ten years apart.

From this, it is not difficult to see his admiration for this master of art! Li Shutong has an artistic concept of regarding calligraphy as "art" and "picture", and Ji Jun's works also reveal similar aesthetic consciousness. His calligraphy not only pays attention to the writing essence of calligraphy, but also attaches great importance to the picture composition of the whole work. This is most obvious in his exploratory "modern calligraphy" works.

Rich life experience and various artistic achievements set off the image of a three-dimensional artist, and his efforts were recognized and rewarded by the society. However, Ji Jun is not proud. He is very modest. He always said that the art of calligraphy is extensive and profound, and there is still a long way to explore by himself. Maybe, in some ways, he can do better, and we look forward to it. ...