Qing dynasty porcelain should be real! But I'm not sure about this kind of porcelain.
China Qing Dynasty Porcelain: Brilliant Qing Dynasty Official Kiln
In the Qing Dynasty, the imperial kiln in Jingdezhen, Jiangxi Province was dedicated to firing porcelain for the imperial palace. It is a link between the past and the future, and its production is more and more incisive. Porcelain made by imperial kiln is exquisite in texture, bright in glaze and rich in color, which is amazing. It enjoys a high reputation for blue and white, multicolored, pastel and multicolored porcelain.
The Qing Dynasty was the peak period of ceramic production in China, and Jingdezhen was the center of porcelain making in China. It is famous for its exquisite craftsmanship, diverse varieties and gorgeous glaze color. Its underglaze color, underglaze color and colored glaze are the three mainstream products of Jingdezhen porcelain industry in Ming and Qing Dynasties, so the official kiln porcelain in Qing Dynasty is of great ornamental and collection value. Blue and white porcelain is the underglaze colored porcelain with the most national characteristics in China. The Tang Dynasty was its initial stage, and the Yuan Dynasty was its mature stage. The blue and white porcelain of Jingdezhen kiln is of the best quality and is deeply loved by people. Kangxi, Yongzheng and Qianlong were the heyday of blue and white porcelain firing in Qing Dynasty. Tang Ying, the kiln supervisor in the Qing Dynasty, supervised the firing of the dry-dragon-green Hualien pattern, which was unique in shape, beautifully drawn and complicated in decoration, but distinct in layers and bright in color. It is a fine product in "Tang Kiln". From generation to generation, five blue and white donors in Tang Ying included flower shapes and flowers.
Achievements of porcelain making in Qing Dynasty
The Qing Dynasty was the golden age in the history of porcelain making in China, especially in the heyday of Kang, Yong and Gan dynasties, and reached the highest level in porcelain modeling and glaze color technology. Create and burn a lot of new models. In terms of glaze color, pastel, enamel, bronze and various monochromatic glazes were created and fired. It also produced a large number of exquisitely-made inscriptions on folk kilns.
Jiangxi Porcelain Company was established in the 28th year of Guangxu (1902) and put into production in the 34th year of Guangxu (1908). Its management system is jointly organized by government and businessmen, and the imperial kiln factory in Qing dynasty was placed under the porcelain company. Porcelain produced by Jiangxi Porcelain Company has long been praised as "the official kiln of the Republic of China" by collectors because of its excellent production, and won excellent medals in Nanyang Missionary Association and Panama Games. Porcelain produced by this company. Not only is the glaze moist and full, with a slightly transparent glass luster, it reflects the style of Kyocera as white as jade, but it also inherits the fine tradition of official kiln porcelain in previous dynasties, invites famous artists to make it, constantly innovates and strives for perfection in technology, and adopts advanced technologies such as machine blank making, coal kiln firing and two-white glaze. It laid the foundation for the production of porcelain in the Republic of China.
Why are the porcelains in Qing Dynasty so expensive? Contemporary porcelain is more exquisite or official kilns are more expensive, especially in the Qing Dynasty, when China reached the most exquisite era of porcelain making, the prices of some rough things in folk kilns were as high as dozens and hundreds.
How to judge a piece of porcelain as the first porcelain in Qing dynasty, after systematic study or training;
Second, it has been tempered by the market.
Third, the above two points are judgment methods.
Is Qing Dynasty porcelain valuable? It depends on what kind of kiln it is, such as the old kiln, blue and white, and it costs tens of dollars. If there are numbers on it, there are hundreds, such as official kilns, ranging from thousands to tens of thousands at least.
Qing dynasty porcelain varieties Qing dynasty porcelain
Jingdezhen porcelain in Qing dynasty not only has various crafts and varieties in Ming dynasty, but also has many inventions and creations. The color of blue and white porcelain is sapphire blue, which is more vivid and pure than that of Ming dynasty and has a unique style; Because of the invention of glaze blue and ink, glaze color is more colorful than that of Ming Dynasty, with fresh patterns and bright colors. There are also more varieties of fighting colors than in the Ming Dynasty. The green glaze firing in Yongzheng period reached the most mature stage in history. What's more, many valuable new varieties have been successfully created. For example, on the basis of Kangxi's colorful paintings, pastels with "glass white" as filler were created to make the picture soft and three-dimensional; Introduce foreign color materials, which are specially used for the color of palace imperial vessels; Decorate the golden color of porcelain directly with gold; Adding other different ingredients to the monochromatic glaze makes it flow and change during high-temperature firing, forming colorful, fantastic and mottled, colorful "kiln-changed" flower glaze and so on. Others, such as underglaze color, ink color, black gold glaze, sky blue glaze, coral red, pine blue glaze and carmine, also came into being. In addition, during the Kangxi period, the production of copper-red glaze, which had almost been lost since the middle of Ming Dynasty, was resumed, among which Lang Yaohong and Gangdouhong were the most famous.
Tang Kiln and Tang Ying
Tang Ying was a famous pottery official in Qing Dynasty. He was called "Tang Kiln" when making pottery in Jingdezhen. Tang kiln porcelain is very exquisite, and the production level and quality have reached an unprecedented height. The book "China's Porcelain" said: "China's porcelain, when it came to the Tang kiln, really gathered all the achievements made in the past. This is manifested in the decoration method, modeling design and porcelain making technology of porcelain. " There are only 57 kinds of colored glazed porcelain decorations at high and low temperatures; In painting, "landscape figures and flowers are freehand brushwork, green rendering system, four-season vision" is all-encompassing, "each has its own master's original creation"; In terms of modeling design, there are everything from "the wind of ancient miscellaneous Zunding Lujue" to lifelike works of fruits and flowers.
Tang Ying has been supervising pottery in Jingdezhen for nearly 30 years, and is the longest and most outstanding pottery supervisor in Jingdezhen Imperial Kiln Factory. He carefully studied pottery and put it into practice. He is not only experienced, but also scientifically summarizes the production skills of Jingdezhen porcelain industry and improves it in theory. He has successively compiled works such as A Brief Account of Tao Shi, A Chronicle of Tao Cheng, and A Draft of Porcelain Events.
Modern kyocera production
Flowers have their ups and downs, and there are moons. After Kangxi, Yongzheng and Qianlong in Qing Dynasty, Jingdezhen porcelain production declined from the peak, and the output, organic matter, variety and shape all shrank obviously. Especially after the Asian film war, the war was frequent, the political situation was turbulent, foreign enemies invaded, the market shrank, and the production of Kyocera was seriously pushed down. The imperial factory, which lasted for more than 500 years, also died with the fall of the Qing Dynasty. During the Republic of China, the society was still unstable, warlords were fighting and the people were struggling. During the Japanese invasion of China, Jingdezhen was bombed by Japanese planes many times, and the kiln houses in the blank workshop were destroyed in a large area. There are only 33 porcelain kilns in the town to burn, and the whole porcelain industry has fallen into a trough. There was no improvement until the eve of liberation. However, in this depressed era, the production and operation of porcelain industry have made some progress, and some technological innovations have appeared, such as pedal pulley car, manual glaze breaker, gypsum model casting blank, fog blower glazing and so on. Especially in Xuantong two years in the late Qing Dynasty, Jiangxi Porcelain Company was established in Jingdezhen, which marked that Jingdezhen ceramics industry entered the era of enterprise, and many innovations appeared, such as mechanized production, decal paper colored porcelain, burning coal instead of firewood and so on.
What are the characteristics of celadon? 1. Porcelain in Qing Dynasty is rich in content, consistent in style and unique in each.
2. Porcelain modeling in Qing Dynasty
Shunzhi, Kangxi and Gu Zhuo are plump and vigorous, while Yongzheng's delicacy is smart and meaningful, and he is neat when he is prosperous, naive and tedious after Jiaqing and Daoguang.
3. Generally, the thickness of the matrix and cutter is moderate, and the circular cutter is thick and thin. In Kangxi, the carcass was heavy, hard and thin. During Yongzheng period, fetal quality was thin, moist and white. After Daoguang, the carcass is thick and loose. In the Qing dynasty, abdominal and neck cutting was extremely rare. Flint red spots often appeared in the exposed parts of containers in Ming Dynasty, but basically disappeared in Qing Dynasty.
4. Glaze is not as bright as Ming Dynasty, with thin glaze and slightly bluish white color. During Shunzhi and Kangxi periods, the glaze was smooth and delicate, and the fetal glaze was closely combined. Glaze is blue-white, pink-white, sauce-white, hard and bright blue. During the Yongzheng period, the glaze was delicate and the orange peel was wrinkled. It was flat and green when it was dry, but the flat and waves after jiadao were obvious. In the late Qing Dynasty, the glaze was thin, loose and not strong enough.
5. Decorative patterns are deeply influenced by paintings of the same period. Freehand brushwork and realism coexist in folk kiln porcelain, and the pen is unrestrained. The kiln coupler tends to be standard in design, meticulous in brushwork and inflexible and complicated in composition. In the early ornamentation, mountains and rivers and trees were mostly chopped with axes and plated. The ancient costume is tall and beautiful, and the soft flower painting has no bones. The characters in the late decorative patterns have dim faces and large noses. The dragon patterns in this period have different shapes, such as big head, strong and slender. Generally, it is a lion's head, with more dragon hair, prominent dragon feet, strong three-dimensional feet and clumsy dragon body. They are usually painted with four claws and five claws, just like chicken feet.
6. In the Qing Dynasty, because the porcelain craft was influenced by western painting art, patterns with western painting style appeared on porcelain. For example, on enamel porcelain and some export porcelain, you can often see some patterns depicting western figures, buildings, boats and dogs.
7. The patterns of the eight treasures in Qing Dynasty include wheels, snails, umbrellas, lids, flowers, cans, fish and intestines.
8. Large artifacts and early artifacts are mostly smooth sand bottoms. During Shunzhi and Kangxi periods, there were many kinds of porcelain feet. There are double-ring bottom, inclined bottom, double-layer table bottom, lying feet, round loach hind feet and so on.
9. Jingdezhen official kilns mostly belong to the year of the emperor, while private kilns have official years, auspicious words, private money, maps and so on. There are printing, engraving, blue and white, red glaze, gold color, material color and so on. All these are open and sealed. Kangxi seal more than seal, Yongzheng seal and seal, after Qianlong seal more than seal. In Tongzhi, Guangxu and Xuan Tong, regular script was the most, and the periphery was in circle or box format. Folk kilns are often scribbled at will, and the fonts are scrawled.
Bao Guang Bao Guang on porcelain in Qing Dynasty generally refers to a special kind of light formed on old porcelain over the years, that is to say, light similar to Bao Guang can only be seen on official kiln porcelain in Ming and Qing Dynasties and folk kiln porcelain on the road, and it is beautiful but not dazzling when refracted in the sun. thank you
How to collect Qing dynasty porcelain? The first choice for collection is Three Generations of Qing Dynasty.
The production years of blue-and-white porcelain plates in folk kilns in Qing dynasty span a long time, so collectors should choose the varieties with earlier years for investment and collection. The Qing dynasty * * was founded in 1644 and died in 19 1 1. After more than 260 years, the production of blue and white porcelain plates in folk kilns has been uninterrupted. The early Qing Dynasty, especially the years of Kangxi, Yongzheng and Qianlong (referred to as the "Qing Dynasty"), was the last prosperous period of China feudal society, with economic prosperity and social prosperity, and the development of porcelain industry reached a new peak. The production of blue and white porcelain plates is very particular, with excellent materials, fine workmanship, moist glaze color, vivid painters and naturally high value. In addition, the older the collection, the more difficult it is to spread to the present, and the less it is handed down, the greater the appreciation potential.
Look at the patterns to collect.
There are many kinds of decorative patterns on the blue-and-white porcelain plates of folk kilns in Qing dynasty, so it is advisable to choose the varieties with fewer decorative patterns for investment collection. Blue-and-white porcelain plates in Qing Dynasty are rich in painting patterns, including figures, animals, fruits and vegetables, landscapes, flowers and text decorations. These decorative patterns not only reflect the social culture and folk customs of that era, but also reflect the aesthetic and appreciation ability of people of different classes and identities. For example, at that time, bureaucratic families and elegant people loved to choose the blue-and-white "a bunch of lotus" market, because blue-and-white lotus was homophonic with "incorruptibility", which meant mud but not dye; Some wealthy families like blue-and-white dragon plates and Liu Xia's double-jun plates, hoping that their children and grandchildren will have a bright future and get ahead; Common people often use blue-and-white glazed red fish plates, hoping to have money at home and spare more every year. Different decorative varieties have different generations, such as "a bunch of lotus", Liu Xia's double monarch figure and other decorative varieties have been handed down from generation to generation, while chrysanthemum patterns, blue and white glazed red fish patterns and other decorative varieties have been handed down from generation to generation. The market prices of different decorative varieties are also quite different. The decorative varieties that have been handed down from generation to generation are not only faster in appreciation and higher in price, but also have greater appreciation potential, which is the reason for the great price difference between the double lion pattern market and the chrysanthemum pattern market mentioned at the beginning of this article.
Large size and high value
The size of blue and white porcelain plates in folk kilns in Qing Dynasty is quite different, so it is advisable to choose large-size varieties for collection investment. From the point of view of survival, the output of large-size plates was originally small at that time, and the larger the plates, the more difficult it was to pass on. Therefore, large-size plates are rare and more precious.