As a traditional folk art in Ningbo, Yong Opera naturally has cultural value and appreciation value. It can also give people spiritual encouragement and enjoyment.

The characteristics of Yong Opera:

Yong opera has a unique beach spring singing style, which is smart and reflects the reality of fashion.

The history of Yong Opera:

As a local opera that was born in Ningbo and grew up in Shanghai, Yong Opera has really jumped from "Tanchun Opera Troupe" to a new type of opera with comprehensive artistic development conditions. It was gradually formed after accepting the leadership of the party and the government in the early days of the founding of the People's Republic of China. Someone in the industry once described Yong Opera as "a history of nearly 200 years", but I really beg to differ, because it is easy to cause misunderstanding.

The present situation of Yong Opera:

Shanghai was liberated in May. 1949. With a strong sense of turning over, the vast number of Yong opera artists are actively involved in the new world of traditional Chinese opera. Wang Baoyun, Zhou Tingfu, Qiu and other leading actors and directors attended drama classes organized by the municipal cultural department to learn the principles and policies formulated by the central authorities. In June 5438+in the same year 10, Zhang Xiuying officially renamed his Zhang Jiaban as Liqun Yong Troupe. Yong Opera This is the first folk professional Yong Opera Troupe in Shanghai. In April of the following year, Yong Opera Improvement Association was established. In June+10, 5438, the association founded the Zhengfeng Yongxi Research Association, trained 24 actors and expanded the Yongxi team. 195 1 In August, the Golden Troupe (founded in 1950) re-edited and performed the whole book "Golden", with the new pitch as the main singing part, and some western musical instruments were added to the accompaniment to enhance the expressive force, which was welcomed by the audience. In the following years, performing groups were reorganized and merged from time to time. 1955, Xu Fengxian and He Xianmin quit Shengfeng and joined the Violet Wing Troupe, which strengthened the performance power of Violet. During the period of 1958, Shanghai reorganized the literary and art team and the Yong Opera Troupe was greatly adjusted. Some troupes support other provinces, and the artistic strength left in Shanghai has been adjusted and enriched to Zifengyong Troupe. Due to the strengthening of artistic strength, traditional dramas such as Half a Scissors, Two Jade Cicadas, It's going to rain, Mom is getting married and so on have been staged one after another, while modern dramas such as Noble People and East Wind Blows Spring. Jin Yongyong Troupe attaches great importance to the quality construction of the troupe. In addition to performing in various theaters, I also insist on going deep into factories, rural areas and military units for two to three months every year. 1958 In the second half of the year, the troupe toured in eastern Zhejiang and was warmly welcomed and praised by the audience. Shanghai Wen Wei Po also published a long article entitled "March in East Zhejiang" to report their advanced deeds. 1960, the troupe was rated as the advanced collective of Shanghai Cultural and Educational Association, and the main actor and head He Xianmin was also rated as the advanced worker of the city. 1In March, 962, the troupe was invited to Beijing for the first time to perform three plays, Half, Double and Heaven, which attracted the attention of the literary and art circles in the capital. During the performance, Publicity Department of the Communist Party of China, the Ministry of Culture and the leaders of the National Dramatists Association, Zhou Yang, Xu Pingyu, Ma and Liu Housheng, successively watched the performance, which was praised by drama critics. Shanghai Wen Wei Po published an editorial "An Example of Learning Violet Style". Violet attaches great importance to cultivating successors. 1960, the Yong Opera Troupe was established in Jing 'an District Opera School, which was taught by Zhang Xiuying, the vice monitor, and a group of main actors. This stage was not only the golden age of Zifeng and Yong Opera Troupe, but also the peak of Yong Opera's development in the past 200 years. From 65438 to 0966, when the Cultural Revolution began, the main cast members were "criticized" and He Xianmin was persecuted to death. The troupe was dissolved on June 1972, and its employees were transferred. 1976 After the crushing of Jiang Qing's counter-revolutionary clique, the unjust cases of He Xianmin and others were completely rehabilitated. However, the troupe was severely destroyed during the Cultural Revolution, and finally it could not be restored due to uneven actors and aging personnel. Nevertheless, the professionalism of Yong opera artists remains the same. 1980, Xu Fengxian and other organizations organized amateur Yong Troupe to perform traditional plays such as "Half Scissors" in Huangpu District Cultural Center; At that time, Fan and I went to Ningbo, Zhejiang Province to train new people in Yong Opera and contribute to the recovery of Ningbo Yong Opera Troupe. 1983 March, and others attended the Tan Chun Opera Seminar in two provinces and one city, and went to Hong Kong to perform 1987. 199 1 year 10, Liu Center and Fan performed "Birthday Cake" in the cultural system festival for the elderly in Jing 'an District, which was well received by the audience.

The present situation (in my words: to sum up, it was valued and revived by future generations o(╯□╰)o after the reform and opening up).