The art of sound should be divided into two kinds, one is singing, the other is to say, from the perspective of sound production, the skill similarity is relatively high, but there are great differences in application and operation. A good singer may not be worthy of a good voice, and a good dubbing may not be able to sing a good song.
Please read the notes before reading the article: the vibration mentioned here refers to the vibration of airflow, not the vibration of vocal cords. The * * * sound mentioned here refers to the coordination of nasal cavity, oral cavity and chest cavity, and sound is sound. 1. The use of breath, if you want to be proficient in dubbing, broadly speaking, proficient in pronunciation and experiencing * * * vibration * * singing, you must understand breath. In fact, in the previous article, recitation learning has been mentioned there, and I will talk about it again here. Inhale through your nose, pay attention to smell the flowers on the hillside in the forest slowly, and feel your belly bulge at the same time. This is the process of inhaling. Exaggerate and experience the spirit of Tian Chan. Then exhale through your mouth, slowly exhale, and do this repeatedly. Even when walking, going to work, and doing light exercise, breathe in fresh air through your nose and exhale polluted air through your mouth. After practicing skillfully, you can inhale through your nose and practice speaking. It is important to feel the airflow exhaled from your mouth when you speak, and it is also the premise for us to learn airflow vibration. In physics, it is the same basic theorem to say that the sound should vibrate and honk the horn, and put it into vocal music training. 2. Oral exercise exercises the flexibility of your oral muscles and trains your breathing and vibration through vocalization. Simply put, only by mastering the oral muscles flexibly can you make more accurate sounds and use your mouth. Pay attention to oral practice, practice frequently and persist. This website has relevant information, so I'll explain it carefully here. The oral practice part is my supplementary explanation, and the others are reproduced materials. Bubble sound: the lower the sound part (cervical fossa), the better, and the bigger the bubble, the better. Take it easy. It is best to practice in bed. Pillow relaxation is the feeling of spitting bubbles deep in the neck. Giggle, feel for yourself, and be careful is like brushing your teeth, lifting your neck and gurgling water. Pay attention to practice the bubble sound without water, just understand. Sounds like goo, goo, goo, goo. . It can be sent continuously. Some people say that audio and video are right. . Mainly practice, don't worry about making any noise. . . Pursed lips: Pull out as far as possible. 20 at a time is pouting recycling. The bigger the action, the better. Lick your lips: try to pull to both sides. 20 actions at a time are similar to those after using lipstick, but pay attention to traction, which means sticking your lips to the roots of your ears while sipping: try to make the upper lip buckle the lower lip. The upper and lower lips make a sound, and the upper lip is buckled to the lower lip as much as possible. A simple understanding is to use the power of lips to experience the power of wrapping up and down, not to mention that you don't know the top tongue: try to push the left and right faces with the tip of your tongue. A force of 20 arbitrary moments at a time is to simulate the swelling feeling of food on the left or right side with the tip of the tongue: try to draw the largest circle in your mouth with the tip of the tongue. The tip of the tongue starts from the maxillary cavity and bypasses the oral wall. You can play the tongue clockwise and counterclockwise at will: the sound made by the tip of the tongue and the hard palate of the palate is the "de" position. It is the action of hitting the tongue up and down, such as playing a rattle when I was a child. You use your tongue to simulate the sound of throwing your chin: lean forward 45 degrees, relax your upper body naturally, and intend to feel your chin fall off. Shoulders and arms are naturally relaxed, fingertips are relaxed, and the tongue is shaking: the body leans forward 45 degrees, and the upper body is naturally relaxed, feeling that the tongue is about to fall. Relax your shoulders and arms naturally, relax your fingertips, raise your head and open your mouth: your chin is fixed and you try to open your mouth upwards. The feeling that the back of the neck can pinch your fingers. Once every 5 seconds, once every 5 seconds, close your breath and practice vibrating until you have no strength. Simply put, you can use the speed of exhalation to make your upper and lower lips vibrate and beep. You can imagine that you are going to imitate the snoring of tractor interruption and continuous combination. After a simple practice of tooting, you should practice tooting. Take a breath like smelling flowers, and then hold your breath. Don't hiss, the hiss is thin, long and even, similar to a flat tongue. Smell the flowers slowly, smell them slowly, suck them slowly, practice humming, and raise your position with a smile, similar to music lessons. Yeah, yeah, yeah, yeah, yeah, yeah, hum, hum, keep smiling. Hehe, when humming and Tian Dan are in a straight line, send an "A", that is, when the abdomen is closed. . . ! ! ~ ~ ~ ~ 800 pacesetters ran north side by side and practiced tongue twisters on tiptoe. This is the energy to practice lips. Hehe, no wheat spraying. Look at those two tongue twisters. Note that the words that are sprayed here are related to P and B initials that are easy for everyone to encounter, and you may encounter other words. You will understand it in practice, or you can search for related tongue twisters yourself. I won't go into details. The key point is to understand the problem of spraying wheat by yourself. Before reading, take a breath like smelling flowers. Practice J Q X. After reading it, people can still smell the flowers. Most of the pop sounds in the microphone come from j q x (here is the original material, please refer to the resources if you have any questions, see the end of the article). J q x is the initial of Chinese pinyin, so don't say you don't know. Practice the "hey" sound, that is, pronounce it continuously and intermittently, and then pronounce it in one tone. Use it. ), loudness (volume), the so-called coordination is the elasticity of the sound, and to put it bluntly, it is the proficiency of the sound change state. (Refer to Scientific Vocal Training and Voice Protection) Practice the "ha" sound, that is, pronounce "ha ha ha ha" as loudly as possible. At this time, when you put your hand under your neck, you will feel the vibration of your chest. This is the practice of * * * vibration of your chest (here you can experience the vibration of your chest by pronouncing the word "ha", not the breath practice of H, but refer to the "scientific vocal training" to practice nasal vowels, such as an, ang, en, eng, in, ing, and you can find tongue twisters yourself. Simply put, you can practice nasal sounds first and then nasal sounds to experience the vibration of the nasal cavity. When using these * * * vibrations, the sound will become very gorgeous, very gorgeous (note that the gorgeous here is based on the potential of the natural voice, practice more, after the above practice, you will have a certain understanding of your own voice, and you can practice more. The second part, the difference of sound application. Sound has many applications, different directions and different styles. I divide sound applications into the following categories: radio, radio drama, news, host, drama, recitation, animation, translation, TV series, special advertisements, and finally cross talk.
Radio and radio drama.
In fact, radio drama and broadcasting are inseparable. What matters is the art in the ear. Apart from songs, how to impress people who listen to the radio is the greatest glory. The radio host is very relaxed and likes to chat with you in front of your eyes. The same is true of radio dramas, which require naturalness, soft voice and outstanding sound characteristics. Character is expressed through sound, and only sound. Pay special attention to this, in fact, the emotions of the characters are actually the simulated Eden in your mind, or the battlefield scene. Natural and fluent, outstanding personality is a very important feature. It is also a stylized voice charm (note that the host here refers to chat programs or entertainment programs, interactive programs, etc. And the carrier of radio drama must be broadcast, so the house is said together).
2. News or hosting
Presence is a very important feature. News broadcast should be accurate in speech speed, standard in Mandarin, soft and pleasant, and the breath can be hidden quickly. Here we can see the action of using breath (it must be clearly understood here that breath training only refers to inhaling through the nose, and exhaling through the mouth is a process of experiencing breath, but after proficiency, we must understand the flexible use of the nose and mouth, that is, the process of the owner "stealing gas", and also observe and learn the nose and mouth at the same time), as well as expressions. In order to reflect the needs of interaction, the stage host should ask Mike to adjust the atmosphere at most, which is inflammatory and has special appeal, such as sensational, such as live game interaction, and now, for example, calling stars to appear and causing the audience to sing. This kind of sound application must have practical experience, otherwise it is difficult to simulate through imagination, experience and practice.
3. Recitation and drama.
These two prominent words are * * * Ming, which not only let you blend in with the role, but let the audience and audience blend in, cry thoroughly and be fascinated by beauty. Moreover, as the basis of stage art, the cadence and climax of sound are the basis of performance. In other words, what is emphasized here is not nature, but also forceful and clear-cut. It's like awakening the mind and soul of the audience. Of course, to do this, you must have literary literacy and reading ability, and you must master the humanistic background of the times to adjust your emotions. This is an artistic feature, and it is also a key point worth cultivating.
4. Animation, translation and TV series.
In fact, it is because of the sense of picture that these three talents speak as a family. Animation emphasizes the prominent characters and scenes in the picture, exaggerates to the extreme when necessary, and does not lose humor, and can hear the basic characteristics of the picture. The dubbing system is more advanced, and the voice corresponds to the people in the play, representing the life, environment, background, character relationship and so on. The translated dubbing director is equivalent to interpreting the stories of other countries in our language, with a heavy workload and a rigorous voice, which is basically the same tone (the tone here refers to the tone of the voice, what it means, that is, the national style in the same film). As for TV dramas, between the two, it is important that the pictures and appearances of the characters are in harmony with the voice, and the expressive force is stronger, which can be said to be the performance of the actors with their voices. (Note that the focus here is on the "background" of the characters. To put it bluntly, it is the characteristic of intonation context. Speaking Chinese can hear foreign flavor, so it is called translation. )
5. Theme dubbing and advertisement dubbing.
This restriction is relatively large, and the focus needs to be gorgeous, professional, stable and professional. The main features need to be measured by listening to the dubbing samples of TV advertisements. You can see the waveform when recording. When watching advertisements and special dubbing, the waveforms are consistent, stable and powerful, and even professional smiles can be heard. When we hear the advertising samples again, we will understand the application of sound here, such as * * * ringing, * * vibration, honest voice and so on. These are all well used, so we must study and train carefully. 6. Crosstalk and others. Needless to say, crosstalk covers almost all the above arts. It is omnipotent, hehe, but it still belongs to the category of stage art, so humor is the main focus, with emphasis on baggage, what is baggage, what is punch line, and what is punch line and humor contrast, hehe. Others are some special applications, such as color ring tones, entertainment programs, horror stories and so on. These are your supernatural, exaggerated and bizarre specific phonetic applications, which you learned from practice. The third part, voice change analysis (voice change is mainly analyzed from the voice characteristics and voice position of age). In fact, the voice change can be judged by age analysis logic. 1. Children, such as Loli and Zheng Tai. In fact, before the voice changes, the child's breath must be immature, short, short and immature, so this is the age characteristic. Changing the voice also controls the slight change of airflow through the change of the mouth. The mouth is round, but the gas is small, realizing the child's tone and voice. 2. Youth. Usually at the beginning of physiological voice change, so the Adam's apple of the throat has just grown out, so the sound preposition will be very suitable for this age group, that is, the middle and front parts of the mouth and the nose cooperate with each other to make the voice look young and gorgeous. 3. Middle age. When people are not confused and know their own destiny, their voices will be calm, heavy and even have a shrewd feeling. Their voices should be more neutral. In order to control the change of this kind of sound, the vibration of airflow should be placed in the middle and back of the mouth, and the sound should be stable, and the speech speed should be moderate and beautiful. 4. Old age. The sunset is the sunset. Lack of breath is a big feature, because the vocal cords and organs are old, so we should put the sound very flat, focus on the control of the back of the mouth, and then put it away weakly, so that we can have the feeling and timbre of old age. 5. Special sound changes, such as lewd, eunuch, false mother, etc. , need to be creative. Of course the eunuch's voice is more interesting. Most of them are nasal, releasing women's whispers, but they are close to men when they are taken back. All these require a lot of experience and listening to actual TV dramas to practice. 6 proficient in Chinese art. These are the above points. After practice, learn to pronounce with * * * vibration. For example, if you use prepositional sounds and nasal sounds well, you can appreciate the handsomeness of Mr. Tong. Coupled with the rich voice and nasal vibration in the middle, you can feel the charm of the narration in the first episode of the 08 edition sculpture. The fourth part, into the play or people. This part is not classified. In fact, it has been clearly stated in the application paragraph. In fact, according to different voice requirements and classification, the dialogue scene and role relationship of the role you want to dub are formed in advance, and the dubbing effect is highlighted by the character of the role. This sentence is enough. After mastering it, you don't need a script. You can guess 80% of the relationship between characters only by looking at their lines. Dubbing is easy.
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