My best friend called it Three Knives Through My Memory, along with Ashes of Time and Leaving Las Vegas. I have seen many domestic versions. I always feel that the dialogue is far-fetched for the first time. After watching the introduction of roadshow film reviews for 24 minutes, I feel that everything is connected.
Leon's drinking milk is like a thin red rope with many glittering details like silver. It is the introduction of the story. Mathilde bought milk for Leon and came back to see the miserable situation of this family. Then she knocked on Leon's door. After a few seconds of suffocating hesitation, Leon opened the door and was connected with the terrible fate of this mature little girl.
Leon, a calm and excellent killer, was splashed with water twice because of Mathilde's words. Luc besson wrote in the original script: Lyon's milk went the wrong way. She said quietly, lying on the bed, with open arms. Like a simple truth. There is milk everywhere in Lyon.
Remember when they played Russian roulette:
"If I win, you let me stay with you ... for life."
"... what if you lose? "
"Shopping alone, as before."
"you"
At the critical moment, Leon pushed Mathilde's hand away, and the lamp next to it shattered instantly.
All the foreshadowing comes from this. Mathilde has become a part of Leon's life, and it is the first time that Leon has come into contact with the world of not being a killer since he left his hometown. "Mathilde, you make me feel the joy of life.
"Leon, I think I'm in love with you. You are the first person I fell in love with. "
"Since you have never loved, how do you know?"
I can feel it..
"Where?"
"Here, in my stomach, it is hot. It used to be like a knot here, but now it won't. "
"... I'm glad your stomach trouble is over, but it doesn't mean anything. "
Maybe many people misunderstood the original intention of this film because of the version. After watching this movie, they think Lyon is cool as a killer, but they don't know that it is actually a helpless choice because of boredom. He made me more convinced that there are too many things in this world, but they just look beautiful. I still remember what Leon said to Mathilde, who was bent on revenge: killing or being killed is more than just a word. After killing someone, everything is different. Your life will change forever. You can never cancel it, whether from your memory or your criminal record ... you will never sleep as before.
I have seen luc besson's original script, which has more wonderful dialogues and powerful details than the movies I have seen. Mathilde watched Leon fall under stanfield's gun. She came out, dressed in Leon's coat, leaned over and kissed the dead Leon, put the gun on the ground, and then stood up and stared at stanfield, detonating the explosives all over her body.
The cruelty of life lies not in the suffering you are used to, but in the ease of adapting and enduring. But often let you taste the sweetness first, and then irrevocably deprive you of everything when your already numb heart is just waking up and full of joy, thus giving birth to despair.
"Is life always so hard, or is it only when you are a child? 」」
"... always like this. 」
(transferred from/s/blog _ 48834add01000cr7.html)
Review of several classic films
ibminternational business machines
I have always believed that a good movie should at least tell a "complete" story. Among them, well-conceived plots and violent collision characters are essential. At the very least, you have to satisfy your eyes and ears. I have been holding this "traditional" view for many years. Until the movie "Blue Sea and Blue Sky" appeared.
If you want to find "excitement" from the story of this movie, it will be in vain. This early work of director luc besson is more like an "experimental work" than many films he shot later. Because the cornerstone of the whole movie is not skill, but instinct! If I were to state the plot of the film, I might not need thirty words. It is no exaggeration to say that all branches of the Los Angeles secret are enough to fill two blue seas and blue skies. Love, friendship, affection, the director just dabbled in it. However, I was attracted by this film for nearly three hours. Strange! A plain story with ordinary characters equals a wonderful movie. How does the director make this seemingly absurd equation stand?
"Giving up" is different from compromise because there are more "wonderful" themes to highlight, because the field touched by the film has gone beyond the general definition of emotion, and the subversive behavior of the protagonist seems to be unable to be explained from a rational perspective. The director swept away the fetters of details here and successfully awakened the silent "ocean complex" in the audience's heart.
Jack and Arthur are two little boys who live in Linhai, Italy. Jack is melancholy and shy, while Arthur is happy and conceited. They * * * have the same hobby, diving (this may be the only thing the two protagonists have in common). Perhaps, the memory of childhood is always gray, and the film uses black and white film to describe this history. Jack's father died in an accident at the bottom of the sea. Unlike movies with similar themes, which have left a lingering shadow on the protagonist's life, Jack seems to be more immersed in diving instead of being afraid of the ocean. Here, the film foreshadows the protagonist's distinctive personality. ) Unlike Jack's almost instinctive hobby, Asher is also good at diving, but he is obsessed with the sense of accomplishment and "reputation" brought by talent. The friendship between the two children is actually more based on competition. (Although Jack doesn't know this)
As adults, Jack and Arthur parted ways, but the bond of fate always seemed to bind them together. A competition to challenge the diving limit brought them together again. The wonderful dialogue between life and the ocean began. If you just watched The Perfect Storm before enjoying this movie, then the behavior of Jack and Asher must belong to the category of "madness". The End deliberately shows the madness of the ocean and the horror of devouring everything. And use "black" to reflect this theme. Bibi tries to convey the idea of "life return" to the audience through the seemingly "unreasonable" madness of the protagonist. The ocean that breeds and contains all things should not be synonymous with human strangeness and fear. So the sea in focus plane is always blue, showing a spectacular beauty. Moreover, the director runs this style throughout, which makes people have the impulse to swim in the sea with the protagonist.
We can't laugh at Jack's innocence, because when Jack plays with dolphins, his smile is so clear and sweet. We can't spit out Ascher's hubris, because when a world record was set by him, I clearly heard the heartbeat that was obviously accelerated after being stirred by joy. The quality embodied in the film protagonist is exactly what people living in modern cities lack most. This is a kind of "simplicity" that has not been eroded by secular utility. A kind of courage to sacrifice everything in pursuit of dreams. In order to present this difference to the audience more clearly, the director specially arranged the role of Joanna. It should be said that Joanna's temperament and her value orientation coincide with the general view of the audience. The conflict between her and Jack from love to estrangement can also be seen as a fierce collision between two different outlooks on life. Of course, the director finally let "dream" overcome "reality" and fulfilled the theme of "perfection" in the film.
There is no denying that it is very dangerous to challenge the diving limit. The director didn't escape the fact. However, he gave "death" a different meaning through his maverick role. Jack and Asher seem to have a sense of mission in the adventure of constantly challenging records. This reminds me of a climber's famous saying, "Because the mountain is there." It is really the same. The protagonist's motivation for diving is also very simple. "Because there is a dream in the sea that he has been pursuing all his life. In order to find it, it is difficult to find a reason for yourself every time you dive. " However, limit does not mean infinity. When the game becomes a competition between Jack and Asher, death has stood by and watched them. The director's handling of the deaths of the two protagonists in this film is the best I have ever seen. I don't even want to call it death When I saw Jack and the dolphin finally swim to the depths of the ocean, I was more willing to believe that this was just "another return of life". Not the end.
It is worth mentioning that the soundtrack of this film is very distinctive, wonderful and not usurping the host's role, cleverly integrated into the beautiful picture of the film, and has been accompanied by it. Like the most natural and primitive cry of life, it gives people a leisurely touch that goes deep into the heart.
Blue Sea and Blue Sky is the work of director luc besson before he went to Hollywood alone. The whole film presents a fresh and smooth narrative style, revealing a deep attachment to life and nature. This is very different from the "otherness" of his later works (of course, the theme of this film also has a rebellious side, but it is more secretive. You don't need much wisdom to enjoy this kind of movie. You just need to completely open your inner window, let your feelings show naturally, and wander freely with the ups and downs of the story. Finally, you will get infinite comfort and a more creative mind.
Luc besson once said, "A movie is like an aspirin". After seeing this film, I believed it.
One lazy afternoon, a movie penetrated me. Whether it's Black Boy Not Too Cold, The Ultimate Chasing Order or Black Boy Leon, the extreme publicity in the film has completely made me ignore these details. I feel my heart pounding. Those feelings submerged behind too many mediocre and boring lives are instantly ignited like torches. The aesthetic ability that has been numb to too many small and empty films suddenly becomes acute and sensitive, like a nail full of nerve endings, deeply wedged into the depths of the soul.
When we are used to simply defining "killer" as "bad guy", we lose the details of killer. Right in front of our eyes, Robinson restored a super killer lyon. The killer is not a homicidal maniac. For Leon, a killer only means a career, a career he has no choice but to do. It only took us five minutes to understand that the heartless Leon was a born killer.
He's not even after the money. When he entered the cafe, he suddenly became shy and talked about money with his boss Tony. I feel very sorry for him: he has never even seen the reward of 10' s efforts. All the rewards are kept by suspicious Tony. Even after being betrayed by Tony, Leon let Mathilde go to Tony to enjoy the countless "blood money".
In Lyon, I felt the charm of the killer. The killer has a charm in the dark, where he keeps the power to kill and seize. Like God, they hang over everyone's head in the dark, on high places and out of sight, indicating the fragility and nothingness of life.
Leon is a cool killer. His creed is "always be in the best condition." Always stay awake. "Every night, he wears sunglasses and sleeps on the sofa with a gun in his hand. His room is always so simple, there is nothing superfluous, there is a simple strength and simple beauty. In a killer's life, he must refuse gentleness and affectation, otherwise, he will be ruthless enough to shoot bullets that rob him of his life. The only thing that can hint at Leon's inner life is the lush orchids. He seems to cultivate it as his own soul, a green soul that will never give up at any time.
Leon is also a lonely man. He finished his business neatly, went home, took off all his equipment and began to take a shower. At that moment, I saw his naked helplessness and exhaustion. Later, he carefully ironed clothes and sprayed flowers and fat, and went to an empty theater to watch musicals and movies with relish, permeating the loneliness and loneliness of middle-aged men.
Would he be better off without Mathilda's intrusion?
There is no doubt that it is entirely possible for him to live longer and safer. His hands won't tremble with tenderness, he won't be late for fear of killing people, and he won't get hurt for fear of killing people.
When Madida's family was killed and Madida came to his door with milk and begged him to open the door, his career as a killer was coming to an end. Mathilda, a problem girl who has never received warmth and care and is full of lies, has no choice but to walk into his life. At night, he suddenly jumped up, put on a muffler and pointed a gun at Madida's sleeping head.
He had to push her away. The killer's world can't be melted. He can become a super killer because he has no weakness, only murderous look. He must push her away, or he will just sink and disappear.
However, destiny takes a hand, Mathilda came into his life. Madida is mature and cold beyond her age, but her coquettish appearance can't hide her innocent eyes.
Two cold hearts glow faintly when they are close to each other, warming each other and redeeming each other. He became her belief, but she became his weakness. Killer lyon in Dancing with Bullets opened the door and blood oozed, indicating that the murderous look was reduced. Because of his inner tenderness and concern, he seldom gets hurt.
How powerful is the individual? How far can they go for revenge?
In order to avenge Mathilda, he met the most powerful and invincible enemy in his life: the anti-corruption unit of the police station, which is blacker than the underworld. His tragedy is doomed. When so many armed men annihilated him in the name of justice, where could he escape? The "boss" of the anti-corruption group who killed people while talking about Beethoven has completely lost his humanity and even killed children and women, but he did whatever he wanted in a legal capacity because he occupied the position of power.
In that bloody battle, the other side used all the weapons, and he used all the extreme survival wisdom of a killer. But he didn't escape after all. When he walked only a stone's throw away from the door with blood all over his face, a pistol followed his back. This is a thrilling subjective shot: the gradually inclined ground declared his death. He's dead. It's time to end this. The era of killers is over. He said to Mathilde, "You won't lose it. I just tasted the joy of life. " But he's dead.
I am immersed in a piece of anger and pain that I can't extricate myself. The boss will escape. No one will know the truth. He will get away with it forever. I can't breathe.
But it's not over yet. The huge explosion destroyed everything in a mutually destructive way. Killer and "boss", justice and evil, kindness and cruelty, were reduced to ashes in a huge fire. Thanks to Lu Beisong's idealism, perhaps in real life, the "boss" will always prevail, but Lu Beisong gave us temporary satisfaction.
Madida entered a normal life.
She went back to school and planted rootless orchids on the ground. This rootless orchid, like sleeping in the wind in The Story of Teddy Boy, is a metaphor for the killer.
However, after such a tragic simultaneous death, can Madida really return to a normal and dull life?
This killer is not too cold. It's a movie, and it's very nice.
It's about an Italian killer named Leon who lives in America. There is a super beautiful little girl next door. The little girl also plays a beautiful girl. The little girl is very unhappy and often gets beaten at home. But the murderer said a few words to the little girl, and it is estimated that the murderer still likes the little girl. One day, the little girl's father stole some drugs from a policeman (10). The police killed her family, but the little girl was lucky not to be at home. She went to the store to buy things, and when she came back, she was very clever and didn't come into her house, but
Then they moved in together. Leon is a very nice person, and the little girl likes Leon very much. The group of policemen killed the little girl's brother, making the little girl want revenge all the time. One day, she saw the police again. She couldn't kill the policeman, but Leon saved her. Then the police used their power to kill them. They had a big fight with the police, and finally Lyon and the police died together. ..
This film, the director's technique is clean, concise, lively and comfortable.
Lyon is played by French actor Jean Reno. He convincingly explained the common feeling of a real killer. The little girl was played by the princess in the prequel to Star Wars, and her beauty was fascinating. ..
All in all, this is a very good film.
I've been thinking about what love is. That's really a difficult question to think about. I thought it must be a kind of existence beyond human feelings, great and sacred enough to save everyone-no matter who; I thought it was by no means a sentimental story sung in popular songs, but the beauty hidden in the deepest part of human heart, which can be revealed inadvertently. ...
I am too stubborn, I can't tolerate even a trace of impurities in "love".
So, when Mathilde whispered on the screen, Leon, I think I'm in love with you. Leon choked on the milk and spilled liquid all over the floor. My heart is pounding. ...
In fact, the "Leon" I saw was not a complete version. This is an old movie. When luc besson let Leon die, I didn't even know what touching was. I didn't find the film, but I saw the edited American version in the school screening hall-24 minutes less. However, the explanations given by my predecessors finally made me understand the whole article and finally found the full meaning of "love" in my heart.
In fact, it is an tolerance and understanding of the world and life. ...
There are too many messy traces about the murderer, which are nothing more than a pistol, a sword or other weapons that can kill people. Under the cover of black sunglasses, you can see the red in the blue sky with a indifferent expression or even a look. "Life" is just a symbolic symbol in the killer's dictionary. The meaning of everyone's existence is only to decorate the blue sky with different colors to make nature look more harmonious.
Unprepared in a dark afternoon, curled up in the window corner, watching Black Boy Not Too Cold, a 12-year-old girl and a 40-year-old killer are both teachers and friends. It seems that there is no emotional story, no lingering, no ups and downs, and even the only passion is just the snuggling of Matilda's children.
Killers can't have love. This is a Jianghu rule. For thousands of years, no one in the Jianghu can cross it. Quitting the Jianghu undoubtedly means the end of life, or the writing of a punctuation mark. When things come to an end, another thing will happen quietly, so Lyon can successfully escape from the heavy encirclement of special forces, but after all, it can't get out of the narrow passage leading to light. ...
At the end of the film, Mathilde moves Lyon's precious orchids into fertile soil. Mathilde said softly, "We are safe here, Leon", and the camera went through the girl's head. A towering tree is lush and full of vitality, and new york is sunny in summer. ...
"Life is hard, or have you just grown up?" (Mathilda)
"All the time." (Lyon)
There is only despair in the ocean under the sun. When Leon gently closed his quiet eyes, Sting's song gradually sounded: If I hold you and say I love you, you may think that something is wrong. I am not a person with too many faces. I wear a mask. ...
Life is so hard!
always ...
This killer is not too cold:
It seems that the most ruthless and cold-blooded professional killer has the simplest thinking and the most sincere feelings, so it is also the most touching. A sadness of forgetting the Chinese New Year. In the end, Lyon gave her life, and the troubled girl Matilda finally returned under the inspiration of love.
I didn't want to see this movie at first, because when I saw the word "killer", I thought of detective films, which were always confusing and confusing, which made the audience sweat. But after watching this movie, I seem to have a deeper understanding of such a cold name as "killer", and feel that they are sometimes not as terrible as I thought. Listen to my dad, it's an old film. I saw it in my twenties. Of course, I had no idea about these things, because I was not born at that time. When I watched this film, I didn't know what it was like, and I didn't think about it seriously. After all, the name is too tacky, and it is a traditional story of "the police catch the thief". After reading it, I found that it was not so cliche, but it attracted me and impressed me deeply. The theme of the story is also to praise justice, courage and kindness, especially as a killer. Although he looks cold, he is hot inside. When interests and conscience were in the final contest, he still chose conscience. This reminds me of the first sentence of Saint Amethyst: At the beginning of life, human nature is good and similar, far from learning from each other's strengths. Yes, human nature is good, everyone is innocent and naive in childhood, but what he finally becomes depends on the influence of the environment. No one wants others to say that they are "bad guys", but sometimes they are forced or reduced to adversity. But everyone has a good and evil side. After watching this movie, my only thought is to be kind to "bad guys" under appropriate circumstances, awaken their remaining conscience with sincerity, save people's lives, and even create a seven-level pagoda!
She is very young, only 12 years old, but she can't wait to mature because her childhood is too bitter.
Childhood is so bitter. Her biological father and stepmother fell in a pool of blood, and her half-blood sister cried, but not because of them. They used to be cold and tearful to her, perhaps for her brother. "He is so young, only 4 years old, and he has done nothing but snuggle in my arms." A little warmth, in a cold childhood, is the only lifeline, marking the direction of a professional killer. Otherwise, how to deal with yourself? She's only 12 years old. It's so logical that a problem girl leads to a professional killer.
Tyrion hesitated for a moment. There are endless problems. Instinctively refusing, not only because the other person is just a little girl, but also subconsciously, tired and indifferent to his professional killer. "Life is like this." He planted a kind of green plant similar to Huweilan, which thrived in the dense gunfire. It lives tirelessly, just like plastic-from a technical point of view, the best killer can do the same. Under the control of the armed police, he walked leisurely to the door. If he has a way to kill Stanley, a robber in the police, so as to realize his promise and ensure Mathilde's future life, he must have a way to escape from the sky, unless.
Mathilde pulled out his pistol at random. "Under the cover of the nest, Ann has laid eggs." She took him in without hesitation. Fortunately, she is only 12 years old, and she has no direction except pure crutches.
Yes, he can leave her at any time, but he is attracted by her eccentric wisdom. For example, she said that she would hire him to avenge her brother and use her housework to pay his commission.
It is not so much despair that gives birth to nondescript love as mutual rescue and need. He trained her to be a professional killer, so meticulous that she insisted on exercising and drinking milk every day, just like taking care of that plant of Huwei Lan. This kind of caring prototype can be found in the "little prince". Taming is a need to return from plastic flowers to human plants, as always. She helped him wash clothes, clean windows and do housework. A girl dressed as a sexy actress in "Seeds of Love" asked him to guess the stars. At the same time, he suddenly found that besides being a killer, he was illiterate and clumsy, and there was another side of frolicking and fooling around. I love you. Mathilde's voice is so shocking. Fortunately, she is only 12 years old, which is why she is so pure. And Leon will inevitably pay the price of his life, just like the little mermaid in The Daughter of the Sea, giving up eternal life; "Life is like this." The period becomes a dash here, and the killer's cold life has a fairy tale color because of a little girl's pure love.
After all, it is a killer. The dead were as numb as hemp, translated into news, the outlaw struggled with an unidentified little girl, and the police suffered numerous casualties.
One of the best killers. The little girl said to the middle-aged woman in charge of her.
She went back to school, and in her childhood, like a primary school student who had no doubt about her behavior, she planted his tiger tail orchid under the lawn and left her career as a quasi-professional killer. Once, the little girl who lacked warmth tried to make a living from it.
This is a work published by 1994. Although it has been 10 years since its release, this film is classic enough for fans to treasure as a permanent treasure. A famous film review website once conducted a poll to select the most popular screen killer. Leon, the hero of this film, ranks first with absolute superiority. The film can be said to be a film with artistic beauty, which shows the love of life and the pursuit of beautiful things everywhere, and is full of urban fables with soft fingers.
Leon is a lonely hired killer who came to new york from Italy to make a living. He lives in an apartment. When he appeared as a killer, he was calm and mysterious, and his killing methods were exciting. But when he took off the killer mask, he returned to the identity of ordinary citizens. In short, he is a man with a dual identity. His only hobby is fiddling with his beloved orchids. He shuttles through the crowd like an office worker every day. Of course, no one knows his other identity.
Mathilda, a 12-year-old girl, a problem girl who was scolded by "relatives", quietly smoked on the stairs and quietly covered up those bruises (these scars, the scars given by these relatives, what does it mean to a little girl? ) quietly shed tears at the corner of the stairs and asked Leon blankly, "Is life always so bitter, or only when you are akid?"
She is undoubtedly smart-although she grew up in such a deformed environment: her father, a drug dealer who didn't have a proper job, her extremely neurotic mother (as if she were a police informant), an adult but vulgar sister, and her lucky naive brother, who was only four years old-she was shocked and sad when she found out that her family was killed, and then quickly made a judgment and went straight through the door to Leon's door to escape to the unknown future: How smart?
In the process of thinking about Leon. Inadvertently, she discovered Lyon's killer identity, so she asked Lyon to accept that she was a little killer-"cleaner". She lives with Leon. She helped Leon manage the housework and taught him to read. Leon taught Matilda how to use a gun. I gradually found myself in love with Lyon, and Lyon also had a strong desire to protect him. In this way, two people's hearts are tightly stuck together.
By chance, Matilda discovered the whereabouts of the policeman Stan who killed his family. Stan is extremely neurotic and has an evil heart. He retaliated recklessly, but he was caught. Fortunately, Leon arrived in time. He saved Matilda after a gun battle. In order to make as little trouble as possible, Leon and Matilda decided to move. They packed simple things and took Leon's favorite orchids.
Their whereabouts have been noticed by the police, and Stan is determined to get rid of them to cut off future troubles. Matilda fell into his hands again, and the police surrounded Leon's home. Leon killed several policemen with his own ability. In order not to attract attention, Leon asked Matilda to escape through the ventilation duct, while he walked down another staircase. Matilda wanted to be with Leon, who finally persuaded her and entrusted Matilda with the orchid.
In the thick smoke, Leon disguised as a policeman and wore a gas mask. Just as he was about to go out, he unexpectedly met the oncoming Stan. Sensitive Stan recognized him, shot him, and Leon fell. However, at the last minute, he lay on the ground and opened his clothes to the triumphant Stan, revealing the blockbuster tied to him. Finally, in his "Remember Matilda's greetings", the bomb exploded. ...
Matilda came into the street through the vent. She knew that Leon had been killed. She didn't look back, she went straight ahead, and two lines of tears fell on her face. ...
Matilda finally entered the welfare home. She always carries Lyon orchids. In the warm sunshine, she planted them in the soil.