Piano is recognized as the king of musical instruments, not only because of its wide range and huge volume, but also because of its complex and changeable timbre. So what? What are the characteristics of piano timbre and playing skills? Let me explain something to you.

In the change of music melody, the change of timbre and emotion can be reflected by the piano player's skillful and correct playing skills. For this reason, in piano performance, beautiful timbre can really touch the hearts of the audience and realize the touching function of music. It can be said that everything called music can be expressed by playing the piano. Therefore, piano music has extremely broad expressive force and imagination. Below, the author makes a shallow exploration on the unique beauty of piano timbre, and makes a detailed analysis and introduction on the finger touch keys in piano skills, so as to improve the performance ability of piano timbre.

1. Among musical instruments, the piano has a unique timbre.

In the vast music world, every instrument has its own unique timbre beauty, and most people tend to have a soft spot for the piano, not only because the piano itself has unique aesthetic value, but also because the piano timbre is sometimes magnificent and sometimes gentle and smooth, which no instrument can compare with. The piano can not only play a loud and brilliant sound, but also show a variety of timbre. Its range can reach 6-7 octaves, and its intensity changes from the weakest to the strongest, comparable to that of a symphony orchestra. At the same time, due to the complexity and diversity of piano playing techniques, a piano player can often create an absolutely complete and emotional musical image through piano timbre and skill processing without the assistance of other musical instruments.

Therefore, the unique timbre of the piano has a personality that other musical instruments do not have and cannot be confused with other timbres. People who want to understand the piano must first understand the unique self of the piano and master and understand it from the nature of the piano timbre. Beautiful timbre is always the goal of piano players not to write. Timbre can not only give people sensory enjoyment, but also stimulate people's spiritual baptism, which is the most primitive physiological reaction. When the piano music slowly flows out from the piano keyboard, its rich musical beauty: melody, mode, shape, harmony, shape, dynamics, speed and other musical performance factors are intertwined, forming a unique tone of the piano, bringing spiritual and emotional pleasure to the audience and inspiring brand-new wisdom and character.

According to the principle of playing the piano, the piano belongs to a keyboard minefield, and the sound is mainly made by tapping the strings with a hammer. Therefore, particle sound is the characteristic and strength of piano. Legato and bouncing sound can best reflect the advantages of piano. Especially when the piano player starts to play the piano, the power from shoulder to elbow is transferred to the piano player's fingers from top to bottom, and beautiful music is played. This requires that all parts of the piano player's body can be used freely during the performance, especially the strength of his arms and wrists, which is directly related to whether the tone of the piano is very transparent and loud, and whether the rhythm is relaxed and energetic. Therefore, for piano timbre, the training of finger and body bending strength is the key link to reflect the characteristics and strength of piano timbre.

2. The correct way of touching keys on the piano is the premise of good timbre.

At present, some piano lovers in our country often pay too much attention to the training of piano playing skills and ignore the way of touching keys, which leads to the stiff and rigid voice of piano players when they exert themselves, and the weak voice when they play. Virtual? . In the performance of piano timbre, it is actually good to play.

Listening to piano music requires not only skillful skills, but also a pair of flexible hands. When playing keys, you can accurately concentrate all the strength of your shoulders and back on your fingertips, and control this strength on the piano keyboard, so as to achieve the flying keys required by playing fast and light sounds, and play the keys with great strength, so that the piano timbre can be integrated. Therefore, the beautiful timbre is actually an extremely complicated process in which piano players combine and compare with each other through sounds with different dynamics and various time values. Only by combining the basic elements and skills of piano swallow boat can we achieve the best effect in piano timbre training.

In daily training, if you want to improve the timbre of piano players, you can start from several aspects: First, you can start from changing the key-touching parts of your fingers. In daily finger training, you can touch the keys on the finger surface by touching the keys between fingers first. Every time you change the way your fingers touch the keys, the timbre of the piano will change slightly, because the more your fingers stand up when you play the piano, the more direct the stress on the keys and the brighter the timbre, and the timbre will become soft anyway. Secondly, start with changing the touch height of fingers. In daily finger training, we can train the key speed of fingers by changing the touch height of fingers. Because, if you want to get bright granular sound, you usually need to raise the height of your fingers when playing; Third, start by changing the touch speed of your fingers. The speed of finger touching keys directly affects the strength of piano sound. The faster you touch the keys, the stronger and weaker the sound of the piano. At the same time, the touch speed also affects the characteristics of piano timbre, such as brightness, rigidity and softness, which is the key factor in the transformation of piano timbre. Then, start by changing the hardness of the fingertips. Piano players should train their fingertips from relatively relaxed to relatively firm, and control the keyboard movement speed and string striking speed in different ways, thus changing the piano timbre; Finally, start with changing the stress form of finger touching the key. Generally speaking, the forms of piano touching keys mainly include vertical force and horizontal force. In the performance of piano music, different timbres need different forms of force. Training different forms of finger touch force can effectively change the piano timbre. Through the above finger training, the piano player can master the correct way of touching keys, develop good piano playing habits, reduce unnecessary muscle movements, and thus easily play beautiful piano timbre.

To sum up, a good timbre requires not only good piano performance, but also skillful playing skills to describe and feel different musical emotions. Therefore, in daily piano training, piano players should establish a long-term goal plan, not only to meet the proficiency of music scores, but also to actively improve their own hearing ability and finger skills, so as to truly achieve hand-to-ear coordinated training, and present a more beautiful music feast for the audience through skilled playing skills and sensitive hearing ability.

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