196 1 year, was born in a ceramic family. At the age of 13, he studied with Lu Guangdong, a famous old artist of Jun porcelain, and gradually mastered the manufacturing skills of Jun porcelain and learned the formula of fetal glaze.
From 65438 to 0972, Liu Fuan entered the modeling design studio of Yuxian No.1 Ceramics Factory and started professional experimental design. He changed the fixed ring on the traditional Jun porcelain earrings into a movable ring, which increased the beauty and movement of Jun porcelain. This innovative technology was quickly popularized by other manufacturers and has been used ever since.
1973, Liu Fuan innovated the traditional carving process of Jun porcelain into a simple grouting and printing process, which greatly improved the work efficiency and product quality.
1975, Liu Fuan changed the traditional gypsum and sulfur molds for making ceramics into wear-resistant and corrosion-resistant tin metal molds, which improved the service life of the molds and greatly improved the production efficiency.
1977, Liu Fuan created a super-large Jun porcelain vase with a height of 150 cm, which broke through the difficulty that Jun porcelain was less than one foot (about 33 cm) in history and created a precedent for making super-large Jun porcelain vases.
1978, the Jun porcelain longevity bottle designed by Liu Fuan was selected as a gift for Japanese leader Deng Xiaoping's visit to China. In the same year, he attended a six-month training course on ceramic creation and design at the Central Academy of Fine Arts. During this period, he met many famous artists and broadened his horizons. He cooperated with famous artists such as Han Meilin, Mei Jianying, Gao Zhuang, Zhou Guozhen, Zhou Guozhen, and so on, and created many Jun porcelain art treasures. 1979 Japanese vice premier gu mu visited the State Council, and his works were presented as gifts to Japanese government officials.
65438-0979, Liu Fuan was elected as the representative of the Congress of Henan Arts and Crafts Artists and Designers.
1982, Liu Fuan was elected as the representative of science and technology in Henan province to attend the congress of science and technology workers in Henan province.
1983, Liu Fuan was selected as an advanced worker by Yuxian People's Government.
1984, Liu Fuan was appointed as the deputy director of Jun Porcelain Research Office of Yuxian No.1 Jun Porcelain Arts and Crafts Factory. In the same year, Jun porcelain products from Jun Porcelain Arts and Crafts Factory No.1 in Yuxian, Henan Province won the "Hundred Flowers Award" Gold Cup Award in the 4th National Arts and Crafts. In recognition of Liu Fuan's outstanding contribution to Jun porcelain, Yuxian People's Government awarded him the title of "Main Contributor" and awarded him the first-class merit of Yuxian Second Light Industry System. Liu Fuan colored glaze porcelain sculpture "Mother and Child" won the second prize of national arts and crafts ceramics industry innovation; The glass porcelain incense burner won the second prize of the national industrial design of arts and crafts ceramics and the second prize of the innovative design of China Arts and Crafts "Hundred Flowers Award". He developed a new glaze-colored jade glaze. Its enamel is green, like jade. This kind of glaze is green with white spots after being fired on different utensils at high temperature, which shows the vitality and vigor of the utensils, and is praised by the ceramic community as "like Chun Xue in Daxing 'anling". Jade glaze jade bottle won the second prize of China Arts and Crafts "Hundred Flowers Award" excellent creative design, and jade glaze won the third prize of Henan Scientific and Technological Progress.
1985, Yuxian No.1 Jun Porcelain Factory established a scientific research institute, with Liu Fuan as its director. His work "Feather Glaze Longevity Bottle" won the second prize of China Arts and Crafts "Hundred Flowers Award" for outstanding creation, and was selected as the ceramic volume of "Complete Works of Modern Art in China". Han Meilin, a famous artist, praised the glaze color as "dripping oil to condense snow and melt rain" after successfully developing and repairing the ancient porcelain. Deng Bai, a famous artist, wrote an inscription, "The circle is like an oil drop floating in a spring, and the stars twinkle in the night sky". His straight handle tea set with oil dripping Tianmu glaze won the first prize of China Arts and Crafts "Hundred Flowers Award" for excellent creative design, and the developed oil dripping Tianmu glaze won the second prize of Henan Science and Technology Progress Award.
In the first issue of China Ceramics 65438-0989, he published the paper "Development of Song-style oil-dripping Tianmu Glaze". 1985 works participated in the Asia-Pacific Expo.
1988 Liu Fuan was named "National Master of Arts and Crafts" by the state, received by the Premier of the State in the Great Hall of the People, and his works were displayed in the Great Hall of the People. At the age of 40, he is the youngest master of arts and crafts in China and the first master of arts and crafts in China in Jun porcelain. 1990, Liu Fuan's work "Jade Glazed Jade Bottle" won the "Hundred Flowers Award" Silver Cup Award in China Arts and Crafts, and was collected by the Treasures Museum of China Arts and Crafts Museum. The Pearl Bottle of Shuanglong Opera is collected by the Treasure Hall of China Arts and Crafts Museum.
199 1 year, Yuzhou Jun Porcelain Research Institute was established, and Liu Fuan was transferred from No.1 Jun Porcelain Factory to take charge of technical preparation. At the 199 1 Beijing International Ceramics Symposium, the paper "Traditional Hand-painted Forming Technology of Jun Porcelain in China" was read out, and a hand-painted performance was performed at the conference.
1992, Yuzhou Municipal People's Government appointed Liu Fuan as the deputy director of Yuzhou Jun Porcelain Research Institute, presided over the professional and technical work of the Institute, and fired the first kiln Jun Porcelain after the establishment of the Institute. During his tenure at the Institute, he and other technicians designed a new 4 cubic meter Jun porcelain kiln with two holes and no sagger, which still uses coal as fuel. The new kiln not only greatly improves the loading capacity of Jun porcelain blank, reduces the labor intensity and production cost, but also maintains the product quality and artistic effect of traditional coal kiln. This new kiln has been used in our institute until now, and many exquisite jun porcelain have been fired.
65438-0993, Liu Fuan was selected as an outstanding expert in Henan Province. In the same year, People's Republic of China (PRC) and the State Council, People's Republic of China (PRC), awarded the Liu Fuan government a special allowance certificate and enjoyed it. From 65438 to 0998, Liu Fuan left Yuzhou Jun Porcelain Research Institute and established "Liu Fuan Studio, a master of arts and crafts in China" in Shendong.
In 2000, Liu Fuan went to South Korea for cultural exchange at the invitation of former South Korean President Jin Yongsan, and exchanged skills with famous South Korean ceramists Che, Ji Xing, etc., and gave a hand-painted performance, which was well received by South Korean ceramists. Mr. Jin Yongsan spoke highly of his Jun porcelain works and wrote the inscription "China Shenci". Jun porcelain works snail bowl are collected by China History Museum.
200 1 Spring Festival, at the invitation of CCTV, Liu Fuan gave a hand-painted performance for the national audience in the column "Gathering Together". In May, 2002, experts from China ancient ceramics/arts and crafts circles appraised Liu Fuan's innovative works since he established the Master Studio in Zhengzhou. Experts attending the appraisal meeting include Geng, a leading figure of ancient ceramics in China, and famous experts and scholars such as Li Shaohan, Zhu, Ye Wencheng, Wang Jiabin and Sun Xinmin. In the appraisal report, the appraisal team thinks that Jun porcelain works are beautiful in form, glaze, painting and nature.
In July 2002, Mr. Gao, a Japanese ceramist, made a special trip to Shenhou Town, Yuzhou City to share his painting skills with the master in the master studio.
From June 5438 to October 2002 10, Liu Fuan was diagnosed with multiple myeloma in the hospital because of overwork and physical discomfort, and then he was transferred to Zhengzhou and Beijing for treatment, but it didn't work.
In 2004, Liu Fuan was seriously ill and died on July 4th of that year. Since then, he has completed the life path of Jun porcelain art..
In 2005, Collection of Works of China Arts and Crafts Master Liu Fuan Jun Porcelain was published by Cultural Relics Publishing House.
In 2008, Liu Fuan's works participated in the "2008 China Jun Porcelain Special Exhibition" and were exhibited in Tianjin Museum, which was sponsored by Tianjin Jin 'ouge Ceramic Culture Development Co., Ltd., and was the highest specification and largest Jun Porcelain Special Exhibition outside Henan.
20 10 The Collection of Works of Jun Porcelain, a Master of Arts and Crafts in China, was published by Wang Hui, a famous collector, and Tianjin People's Fine Arts Publishing House. This is the first collection of works by arts and crafts masters published by People's Fine Arts Publishing House, except for the theme of the new China Dahongpao series of paintings and calligraphy. Its publication was not accidental but popular. Jun porcelain is the essence of China ceramic history. Liu Fuan is the only master of arts and crafts in China who enjoys the allowance of the State Council since the founding of New China. His works condensed the traditional craftsmen's pursuit of history and understanding of ceramic history. His works represent a monument to the development of Jun porcelain culture, and are also the recognition and promotion of the outstanding contribution of history to the cultural history of China.
20 1 1 Collection of Handed Down Works by China Arts and Crafts Masters, edited by Liu, Henan Fine Arts Publishing House. 20 1 1 Liu Fuan's works are located in the No.1 Art Museum at home and abroad, which belongs to the Chinese and foreign cultural exchange center of the People's Republic of China and the Ministry of Culture. It is an important window and communication platform for displaying Chinese and foreign arts and promoting international cultural exchanges.