The forest flowers are wet and the rain is rouge, and the water is long and green with the wind.
The new army of Longwu was stationed in the chariot, and Furong was not in the temple, burning incense.
When will this money be called, I will be drunk next to the beautiful woman. In spring, the lyric appreciation of Qujiang is an important theme of Du Fu's Chang 'an poems. Before the Anshi Rebellion, he took Qujiang banquet as the theme and satirized Zhu Yang's extravagance and debauchery. During his exile, he sneaked into Qujiang, expressing a deep sense of the rise and fall of the past and present. But after the riots, most of them expressed their deep sadness and indignation with rich sentences. Qujiang Duiyu is such a work. This poem is beautiful and affectionate, recalling the present and the past, with low connotation. Its artistic beauty mainly lies in:
First, the combination of static and dynamic painting.
When writing landscape in the first couplet, make a splash first, tick off the panorama, and then write static. Spring clouds hang low, build Miyagi and build garden walls; In the twilight, the Jiangting is silent, the twilight is heavy, and the grass grows and the warblers fly: although it is spring, the business is full, but it is cold and lonely. A "cover" and a "silence" not only highlight the desolate and depressed scene before us, but also reveal the vicissitudes of time, and things have changed a lot. Yu Biyun said that these two sentences imply the sigh of "coming late like wind and flowers like snow, flying into the palace wall and not seeing anyone", which is quite insightful. Qujiang, which witnessed the prosperity of Kaiyuan, was silent for nearly 80 years after the Anshi Rebellion. When I arrived in Tang Wenzong, it was only slightly trimmed, but it was also difficult to turn the tide. There is something hidden in this joint scene, which is intriguing. The word "Jingnian Square" is particularly beautiful, and the grass grows every year, but there is no grand occasion, which is embarrassing.
Turn to connect directly, write Qujiang scenic spots from details, from the outside to the inside, focus on writing dynamics, and then use meditation to further render. Miscellaneous peanut trees, colorful, have been dazzling, but also moistened like crisp spring rain, more delicate and touching. Wang Yanfu's History of Dust said: "This poem was written on the courtyard wall, and the word' wet' was eroded by snail saliva. Su Changgong, Huang, and the monk each added a word for lack of words: Huang Yun's "run", Qin Yun's "tender" and Fo Yin's "pour". Looking for a set of tests is the word' wet', which comes from nature. And these four people are divided into old age and suffering. Poetry expresses ambition and faith. " (See Qiu's Detailed Notes on Collection) Among them, the word "wet" is also selected as "falling", which is considered to have more aftertaste. The spring rain is charming, fast-flushers, and falls in Qujiang, drifting with the tide. Faced with this scene, the poet sitting in Jiangting couldn't help feeling extremely disappointed and bitter, just like leaving the branch. In the prosperous Tang Dynasty, the weather drifted away, and the poet could not help crying. This is a punch line that empathizes with the scenery.
The phrase "the water is long and the wind is long" is born out of Du Fu's "the fog is clear and light, and the wind is long and long", with rich colors and elegant posture. Originally, the wind blows water, but the poet did the opposite, giving the landscape a personalized movement. It seems that this "water" is also unable to bear the loneliness that people are interested in, and wants to attract a breeze and talk to it. Against the backdrop of rain and wind, forest flowers and water plants enrich the scenery and deepen the artistic conception.
Second, lyricism is implicit and profound.
The title of the poem is "Qujiang to Rain", and the first two couplets are pictures of Qujiang spring rain, closely following the word "rain" in the title; The last two couplets are about thinking about rain and touching the scene, but this kind of feeling is not straightforward to vent, but more subtle and profound. According to the Necklace, Emperor Xuanzong of the Tang Dynasty led the imperial army in Longwu, and since then he has rushed to Furong Garden, where gongs and drums were loud, cars thundered and people covered the sun. At this time, the equator is interdependent, empty, the temple gate is locked, no one burns incense, and it is heavily guarded. Du Shaoling has a poem that says: "Youth is rippling in the lotus garden, and it thunders in the city during the day". However, ups and downs are impermanent. Qujiang school at the moment is desolate and lonely, which makes people mourn.
Couplets are folded again, which is the fantasy of the poet. "When will you order this money and get drunk next to a beautiful woman?" . The poet painted a scene of feasting, drinking, having fun, singing and dancing with the monarch and his ministers. Looking back at the banquet given by Tianmen in the past, geisha were taught in the workshop, green sleeves were knotted with flowers, Zhu Xian was pressed to music, and flowers were intertwined. That was the prosperous life of Huazhang. ("Old Tang Book" contains: "In September of the first year of Kaiyuan, the governors hosted a banquet at Chengtianmen, and the left and right were ordered to throw money downstairs. Xu Zhongshu's officials with five or more products competed with officials with three or more products in various departments." ) "when" shows that this fantasy is a dream at best. Du Fu was once used by Xuanzong. After An Shi's robbery, a new monarch (Su Zong) came to power. On that day, Su Zong, who was ordered to divide the town, shook the emperor's position several times and sincerely hid himself. So he moved Xuanzong to the west and removed all the old courtiers. Xuanzong's twilight years were sad, and Du Fu was not loved by the new king, which made him feel like a duck to water. The lyrics of this couplet are extremely painful. "The building will fall down, but it is difficult to support it alone." It is sad to know that the water is gone and it is difficult to come back, but I long for grace to bathe again and show my arms. "Temporary drunkenness" can only be a fleeting mental anesthesia.
Du Fu (7 12-770), with beautiful words, is called "Du Gongbu" and "Du Shaoling" in the world. Born in Fugong County, Henan Province (now gongyi city, Henan Province), he was a great realistic poet in the Tang Dynasty. Du Fu is regarded as a "poet saint" by the world, and his poems are called "the history of poetry". Du Fu and Li Bai are called "Du Li" together. In order to distinguish them from the other two poets Li Shangyin and Du Mu, that is, "Little Du Li", Du Fu and Li Bai are also called "Big Du Li". He is concerned about the country and the people and has a noble personality. About 65,438+0,400 of his poems have been preserved, and his poetic skills are exquisite, and he is highly respected in Chinese classical poetry and has far-reaching influence. He lived in Chengdu from 759 to 766 and was commemorated by Du Fu's Caotang. Du Fu
Fairy Garden is full of spring, with strange flowers and branches climbing. At first glance, it looks sunny, light and warm, slightly cold, approaching the flower viewing season. The willow shakes the platform, the east wind is soft, the curtain is quiet, and the birds adjust their tongues. The soul is far away, looking for a green road, worrying. This hate nobody * * * said. It is still dusk, and my heart is empty. Reinforce the embroidered quilt, cover Zhu Fei exclusively, and lie down for whom. The night is longer, the sound travels far, the screen window reflects, and the silver cylinder goes out. Dream back, the plum shoots are half caged, and the moon is lacking. -Song Ruan's "Hua Xin Dong Chun Ci" Hua Xin Dong Chun Ci
Song Dynasty: Ruan Yi's Daughter
Selected poems of song dynasty. Spring, always in my heart, a woman who has never seen Wen Daochun walked beside Han Mei to visit the news. Last night, the east wind entered Wuyang, and the willow was bright. Clear water is boundless, and beauty can't come to empty fields. The castle peak is pre-zoned, and I will accompany you to get drunk for a few days. -"Send Wang Hanyang in Early Spring" by Li Bai in Tang Dynasty.
Before Wen Daochun met, he walked beside Han Mei to visit the news.
Last night, the east wind entered Wuyang, and the willow was bright.
Clear water is boundless, and beauty can't come to empty fields.
The castle peak is pre-zoned, and I will accompany you to get drunk for a few days. In spring, I miss the grass, the warbler flies in February, and the willow is drunk with spring smoke. The children came back from school early, so they were busy flying kites in the east wind. -Qing Gao Ding's "Village Residence" Village Residence
In February, the grass grows and the warblers fly, and the willows are drunk with spring smoke.
The children came back from school early, so they were busy flying kites in the east wind. 300 ancient poems, 100 ancient poems about primary school, spring, countryside, landscape writing and early childhood education.