How beautiful the scenery in Jiangnan is, the picturesque scenery has long been familiar. Spring is coming, the sun rises from the river, making the flowers on the river brighter than red, and the green river greener than blue grass. How can one not miss Jiangnan?
There are always different opinions about the specific time of writing lyrics in the creative background. It is said that after Bai Juyi left Suzhou; It is said that in the first year of Daiwa (827). These statements lack factual basis. Liu Yuxi once wrote several poems of "Recalling Jiangnan" and sang with Bai Juyi, so he said in the preface: "The poem of Spring with Lotte is based on the song" Recalling Jiangnan ". This word was written in Luoyang in the early summer of the second year of Tang Wenzong (837), so it can be inferred that these three words of Bai Juyi should also be written in the early summer of the second year. Bai Juyi once served as the secretariat of Hangzhou, stayed in Hangzhou for two years, and later served as the secretariat of Suzhou for more than a year. When he was young, he roamed the south of the Yangtze River and lived in Suzhou and Hangzhou. It should be said that he knows a lot about Jiangnan, so he was deeply impressed. Twelve years after he returned to Luoyang from Suzhou, he wrote these three poems recalling Jiangnan at the age of 67, which shows that the scenery of Jiangnan is still vivid in his mind.
It's not easy to sum up the spring scenery in Jiangnan in a dozen words, but Bai Juyi skillfully did it. Instead of describing the flowers and warblers commonly used in the south of the Yangtze River, he began to write with the river as the center, showing the bright and dazzling spring scenery in the south of the Yangtze River through the contrast between "red wins fire" and "green as blue". In the poems of the great poet Du Fu, we can often see descriptions in different tones, such as "two orioles singing green willows, a row of egrets soaring into the sky" and "Jiang Niao is too white, and the mountains are green and the waters are white". Two different colors set each other off to make the poem bright and picturesque. Bai Juyi took the same road, which can also be seen from his poems, such as "The sunset glow burns red, the clear sky is bluer than blue", "Spring grass is more dreamy when it is green, and the sunset glow is red near Chang 'an", "The green waves are east and west, and the red column is 390 bridges". Therefore, in Bai Juyi's works, the spring scenery in the south of the Yangtze River has been colored since the first day, and the flowers and rivers in the river have formed people's imaginary pictures because of the way of drying, dyeing and setting off. The colors are gorgeous and eye-catching, and there is no need to add more associations. Spring scenery in the south of the Yangtze River has come to my face.
Bai Juyi (772-846), a native of Xinzheng, Henan Province, was born in Taiyuan, Lotte, Xiangshan, and drunk. He was a great realistic poet in the Tang Dynasty and one of the three great poets in the Tang Dynasty. Bai Juyi and Yuan Zhen * * * advocated the new Yuefu movement, and together with Liu Yuxi, they called the world "Bai Yuan" and "Bai Liu". Bai Juyi's poems have a wide range of themes, diverse forms and simple and popular language, and are known as "the poet's magic" and "the king of poets". Official to Hanlin bachelor, Zuo Zanshan doctor. In 846 AD, Bai Juyi died in Luoyang and was buried in Xiangshan. Up to now, there are Bai's "Changqing Collection", and the representative works include Song of Eternal Sorrow, Charcoal Man, Pipa Travel and so on. Bai Juyi
Wait for the wind to rest, people on the west bank say. When the moon sets, the sand surface is like a river and there are no geese at all. The dark religion is sad and hurts Lan Cheng, and I am pitiful and concerned about my feelings every night. There is only one blade, and I don't know how many autumn sounds there are! -Song Zhang Yan's "The Last Seven Stages of Qingping Music" The Last Seven Stages of Qingping Music
Wait for the wind to rest, people on the west bank say. When the moon sets, the sand surface is like a river and there are no geese at all.
The dark religion is sad and hurts Lan Cheng, and I am pitiful and concerned about my feelings every night. There is only one blade, and I don't know how many autumn sounds there are! There are 300 Song Ci poems, and there is a bridge of sorrow on the flat bank in autumn. Shui Rou blue, lingering with flowers and plants. There are some windows in the hut. Dust can't reach it. There is always a spring breeze. Go to bed in the afternoon and smell the birds. Sleeping is like getting up early and listening to chickens crow. It suddenly occurred to me that an old friend is always old today. Dreaming is good. I forgot Handan Road at a loss. -Wang Anshi's "Fisherman's Pride, Peace Bridge" in the Song Dynasty, Fisherman's Pride, Peace Bridge, Thousands of Hugs.
The small bridge on the flat river bank is surrounded by thousands of people. Shui Rou blue, lingering with flowers and plants. There are some windows in the hut. Dust can't reach it. There is always a spring breeze.
Go to bed in the afternoon and smell the birds. Sleeping is like getting up early and listening to chickens crow. It suddenly occurred to me that an old friend is always old today. Dreaming is good. I forgot Handan Road at a loss. There are 300 Song Ci poems, mountains and rivers, seclusion, vast expanses of smoke and waves in Pinglin, and bleak scenery in Hanshan area. When the color enters a tall building, someone upstairs is sad. The jade steps stand empty, and the birds fly quickly. Where is the return trip? Long pavilion with short pavilion. (Even Short Pavilion: Shorter Pavilion) —— Li Bai's "Bodhisattva Lin Ping Mo Yan Ru Zhi" in Tang Dynasty, Bodhisattva Lin Ping Mo Yan Ru Zhi
The flat forest is misty, and the cold mountain area is compassionate. When the color enters a tall building, someone upstairs is sad.
The jade steps stand empty, and the birds fly quickly. Where is the return trip? Long pavilion with short pavilion. (Even a short pavilion: a shorter pavilion) There are 300 Song Ci poems, which are bold and unconstrained, and the autumn scenery is precious to people.