Frontier fortress, soldiers, longing for peaceful appreciation is the sixth and last poem in Rong Yu's group poem Song of Xia Sai. The other five capitals are ancient poems with five words and six sentences. This one is a five-word poem. This topic is the poem "Saishangqu" written by Xinle Fu in Tang Dynasty, which belongs to the cross-blowing song.
There are many frontier poems in the Tang Dynasty, either describing the cold climate, describing the precipitousness of ancient music, or exaggerating fierce battles. , to show the suffering of the expedition. This poem focuses on characters. By shaping the image of an experienced border guard, it shows the sufferings brought to the border guard by the long and cruel war and embodies the good wish for peace.
The first couplet "White grass withers in the north wind and flax grows in the air" touched the tense battlefield atmosphere in the frontier fortress. According to "History of the Western Regions", Wang Xianqian added that white grass "is no different from other grasses in spring, but withers in winter without withering, and its nature is tough". The north wind withered the white grass. It is conceivable that the wind is cold. In addition, The Book of Songs North Wind says that the north wind is cool and the rain and snow are wet. In his Biography of Poetry, Zhu thought that the north wind was a symbol of national danger and chaos, which also meant that the border situation was very sinister. The next sentence goes on to write that foreign troops are stepping up their attacks on the border and approaching the fortress step by step. The military situation is very urgent. Come on, this horse walks very fast. These two sentences vividly describe the frontier fortress environment and the atmosphere of the battlefield, making it look like a spiritual sword. Although the image of Bian Jiang has not yet appeared, it has done enough baking and paving.
The four sentences in the middle mainly depict the image of the frontier commander, showing his painful psychology of not coming back for a long time: "After nightfall, we are guarding the building and the moon, and Qiu Lai will be worried. The iron frost is heavy, Ma Lao. " Autumn night, the cold moonlight shines on the veteran garrison on the tower. Staring at the bright moon in the autumn sky, he couldn't help thinking of his family thousands of miles away, and his heart was filled with sadness. Gradually, a thick layer of frost condensed on his iron coat, and his dependent horse hissed from time to time, as if sighing about the age of garrison. The autumn moon is an ordinary thing, but it is associated with the garrison building, which symbolizes the homesickness of the frontier generals. The iron coat is something that can be put on at any time. It is covered with thick frost flowers, which shows the cold of the border, and the mood of the border can be imagined. War horses are inseparable partners, and even animals have to endure the long-term defense of the land, let alone people. In the four poems, the author selected the scenery and things closely related to the characters, so that they were highly integrated and formed an image picture without leaving traces, and the artistic conception of the characters naturally flowed out of the picture, which received touching effects.
These four poems are also very distinctive in syntax. The first two poems are two noun phrases, the head words are "month" and "heart", but readers can appreciate and understand rich meanings from "month" as opposed to "heart", which makes the poems extremely concise and implicit. The last two sentences have changed the syntax into a subject-predicate structure, highlighting the "iron clothes" and "war horses", and actually highlighting the shaping of the image of the general. This kind of sentence change not only emphasizes the key points and highlights the image, but also brings about the change of rhythm, which makes reading more rhythmic and shows the author's proficiency and exquisiteness. The last two sentences, "Smoke flies to the present", are a deep sigh naturally aroused by the poet from the image of the commander-in-chief of the frontier fortress, expressing his disgust at the continuous wars from ancient times to the present. "Lulongsai", an ancient place name, was called Lulongjun in the Three Kingdoms Wei Dynasty, in the west of Gan 'an County, Hebei Province. The situation here is sinister and is a battleground for military strategists. In the Tang Dynasty, Lu Long was appointed as our envoy to resist the invasion of Turks, Khitan and Uighur, and the war never stopped. The author thinks of the long history from the veterans who guard the building on the moonlit night, and that the cruel war has never stopped, which has brought endless suffering to people. This poem is an allegory of the incompetence of the Tang Empire in frontier defense at that time, which failed to calm the border incidents for a long time, thus making veterans tired and bringing pain to soldiers. If the first couplet only shows the background of the veterans' appearance and paves the way for the characters' appearance, then the last couplet is the deeper anatomy and extension of the author's heart after the characters leap from the paper, which makes the thoughts sublimate naturally on the basis of the image, thus revealing more far-reaching significance. The first pair of couplets and the second pair of couplets take care of each other, complement each other and promote each other, making the images of veterans described in the Chinese couplets more vivid and enhancing the artistic appeal.
Rong Hong (744 ~ 800) was a poet in the Tang Dynasty. Jingzhou (now Jiangling, Hubei) people, Fufeng County (now Shaanxi Province) people. Teenagers travel around famous mountains and rivers with the bottom of literati, and then become literati. In the first year of Baoying (762), he traveled westward from Huazhou and Luoyang, crossed Huayin, met the king, and wrote "ascetic journey". In the autumn of the second year of Dali (767), I returned to my hometown and worked in the Wei shogunate, my ambassador to Beijing Nanda. After living in Hunan, he was the staff of Cui Kui, the secretariat of Tanzhou, and Li Chang, the secretariat of Guizhou. Jianzhong lived in Chang 'an for three years (782) as a counselor. The following year, he was demoted to Chenzhou secretariat. Later, he served as the former state secretariat. In his later years, he worked in Lingling, Hunan, and finally arrived in Guizhou. One of the poets who paid more attention to reflecting reality in the early middle Tang Dynasty. The masterpiece ascetic journey is about the disaster brought by war to the people. One of the most famous works, Night in Guizhou, is a travel official and a sentimental life story. Rongyu
Wine luminous glass, want to drink pipa right away. Don't laugh when you are drunk on the battlefield. How many people fought in ancient times? -William Wang's two Liangzhou poems in the Tang Dynasty, the first two Liangzhou poems, the first.
Wine luminous glass, want to drink pipa right away.
Don't laugh when you are drunk on the battlefield. How many people fought in ancient times? There are 300 Tang poems, including 100 poems about frontier fortress, war and banquet. Seeing the wind and sand around us, the grass has not existed for many years. Mo Yan, there is no spring in the north, there is always spring to know. The broken sand geese fly, and the ostrich springs fight back. Tomorrow, I will leave the southeast, covered with cold iron clothes. -Two Poems by Li Yi in Tang Dynasty/Two Poems by Saibei/Two Poems by Saibei.
Tang Dynasty: Li Yi
Seeing the wind and sand whirling, the grass has not existed for many years.
Mo Yan, there is no spring in the north, there is always spring to know.
Frontier fortress, scenery writing, war, the joy of returning home, sweat and frost blowing the world, hot springs and fire wells without business. Zeguo dragons and snakes are frozen, and Nanshan is sparse. -Cen Can in the Tang Dynasty "Winter Night" Winter Night
Vast sweat and frost blow the world, and there is no business in hot springs and fire wells.
Zeguo dragons and snakes are frozen, and Nanshan is sparse. In winter, the frontier is homesick.