Two or three peach blossoms outside the bamboo forest and ducks in the water first noticed the warm spring.
The beach is covered with wormwood, asparagus is beginning to sprout, and puffer fish are preparing to swim upstream from the sea back to the river.
300 ancient poems, paintings, imagination, scenery, spring, 100 ancient poetry translation and annotation translation written by algae.
Two or three peach blossoms are blooming outside the bamboo forest, and ducks are swimming in the water. They first noticed the warming of the river in early spring.
The beach has been covered with Artemisia selengensis, asparagus has begun to sprout, and puffer fish is about to swim back into the river from the sea.
Wild geese fly north, just like people who want to go back to their hometown in the north, but they almost fall behind because of their attachment.
Before flying to the north, I knew that the desert in the north was snowy, so I'd better spend half a month in the spring in the south of the Yangtze River.
One is to appreciate the first sentence of the poem "There are three or two peach blossoms outside the bamboo". Looking across the sparse bamboo, several peach blossoms are swaying. Peach blossoms and bamboo are in contrast, red and green, and spring is particularly charming. Although this is just a simple sentence, it reveals a lot of information. First of all, the bamboo forest is sparse. If it's sunny, you won't see peach blossoms. Secondly, show the season and point out the word "early". Just after the cold spring, it is not the time for peach blossoms to bloom, but the infinite vitality and potential of spring have been revealed.
The second sentence of the poem, "Duck Prophet of Spring River Plumbing", has a vision from far to near, that is, from the river bank to the river surface. Spring water is rippling on the river, and active ducks are playing on the river. The silhouette of "Duck Prophet" shows that the spring water is still slightly chilly, so other animals are not sensitive to the arrival of spring, which echoes the peach blossom "three or two branches" in the first sentence and indicates the early spring season. This poetic sentence uses a Tang poem: Meng Jiao "What is the most prophetic? Xu Xucao struggled out "(after the spring rain), Du Mu (Xu Hun)," Pugen water warms the geese at the beginning, and the plum-diameter fragrant cold bees are unknown "(boat trips in early spring). Su Shi, who is ignorant of the past, combined the intention of his predecessors' poems with his own observation and refined this quip. "A duck knows how to warm water", which appeals to emotion and imagination, is difficult to convey in the picture, but the poet expresses this point in his poems by putting himself in others' shoes. Ducks swimming freely in the river are the first to feel the temperature rise of the spring water, and the tactile impression of "warmth" complements the visual impression of the spring water in the picture. Ducks can "predict the heating of springs" because they live in water all the year round. As long as the river doesn't freeze, they always jump into the water to play. Therefore, it is these ducks, which are closely related to water, who are the first to know the water temperature changes in the Chunjiang River. This shows that you have to go through everything to have a true feeling. This poem not only reflects the poet's careful observation of nature, but also reflects the poet's philosophical thinking about life. Ducks know that the spring river is warm when they enter the water, which can be compared with "a leaf falls, and the world is autumn". It is reasonable to know each other.
There are three or four sentences in the poem: "Artemisia is full of reeds and short buds, which is the time when the puffer fish wants to go up." These two sentences are closely related to Early Spring. Artemisia selengensis and dwarf reed buds are yellow and green, gorgeous and charming, showing a scene of spring and prosperity. The puffer fish wants to go up, which makes use of the characteristic that puffer fish only go upstream when the spring river warms up, and further highlights the word "spring". This is something that is not in the picture, and it is difficult to reach with a brush, but the poet successfully "looks like the present" and injects the breath and vitality of spring into the whole picture. Zhang Lei, a student of Su Shi, also recorded in Ming Dow magazine that the Yangtze natives eat puffer fish, but they cook it with Artemisia selengensis and bamboo shoots, that is, reed bracts and shepherd's purse, which they think are the best match with puffer fish. This shows that Su Shi's association is well-founded and natural. This is also the beauty of poetry. Although the picture doesn't describe the action of the puffer fish, the poet knows that "the puffer fish is eager to go up" from the crazy growth of Artemisia selengensis and the germination of reeds, thus drawing the image of dolphins going up along the river when the spring river blooms, supplementing the real world with imaginary reality. It is through this kind of pen and ink that Su Shi transformed the silent and still picture into a lively poetic scene. In Su Shi's eyes, this painting is no longer a plane static picture on paper in the frame, but gives people a profound experience and subtle observation of ecology. The former is picturesque and the latter is realistic, and the two are confused. I don't know which is the picturesque scene and which is the real scene. The poet's artistic association broadens the world beyond the field of vision expressed by painting, and makes poetry and painting combine perfectly.
Secondly, many anthologies only focus on the first song, so the second song is little known. Actually, the second song is also well written. The first sentence is about the "Flying in a Wild Goose" painted by Hui Chong. Wild geese are flying in the north, and some of them are reluctant to go and almost fall behind. And in the next sentence, comparing these geese to "returning to the north" is very vivid, bringing the scene to life.
The appreciation poem "Three Pictures" deliberately depicts a scene of early spring.
The poet first wrote from the side: In the early spring, the earth revived, and the bamboo forest has been dyed green by new leaves. What is more striking is that three or two peach blossoms have blossomed early on the peach tree, which are brightly colored and report the information of spring to people. Then, the poet's line of sight turned from the river to the middle of the river. Ducks that have been waiting on the shore for a whole winter have already been unable to hold back, scrambling to play in the groundwater.
Appreciation IV Hui Chong, a native of Jianyang, Fujian, was one of the nine famous monks in the Northern Song Dynasty. Wang Anshi said that he had "unique skills" ("Painting Poems in Spring"), and Guo, a famous painting historian in China, said that he "painted geese, geese and egrets, especially small scenes, and was good at making distant scenes in the cold river. It is difficult for people to reach the empty scenery (Picture and Experience, Volume 4). It can be seen that Hui Chong's paintings were well-known for a period of time, and The Evening Scene of the Spring River (Qian Zhongshu's Notes on Selected Poems of Song Dynasty as Xiaojing) should be his masterpiece. Hui Chong's original painting has been lost, but from the vivid description of the poet, we can think of this painting. Chao Bu Zhi, a poet in the Northern Song Dynasty, said: "Poetry conveys the meaning of painting, and there is a realm of painting." The beauty of Su Shi's poetry is that it can not only write "the realm in painting" but also convey "the meaning outside painting", so that poetry and painting can be perfectly combined. No wonder Ji Yun, a great genius in the Qing Dynasty, exclaimed when reading this poem: "This is a famous article, and the image is wonderful!" (Ji Yun's Comments on Su Wenzhong's Poems, Volume 26)
The first sentence of the poem is "There are three or two peach blossoms outside the bamboo". On the quiet river bank, green bamboos are dripping, and the green bamboo leaves are dotted with three or two peach blossoms. Peach blossoms outside the bamboo, red and green set each other off, and they are on the verge of exploding, vividly expressing the artistic conception of "peach blossoms welcoming the spring" with flowers and bamboo interlaced and red and green set each other off. Peach blossom indicates spring, and spring is coming. Only three or two peach blossoms indicate that the season is actually early spring.
The second sentence of the poem, "Duck Prophet of Spring River Plumbing", has a vision from far to near, that is, from the river bank to the river surface. Spring water is rippling on the river, and active ducks are playing on the river. The silhouette of "Duck Prophet" shows that the spring water is still slightly chilly, so other animals are not sensitive to the arrival of spring, which echoes the peach blossom "three or two branches" in the first sentence and indicates the early spring season. This poetic sentence uses a Tang poem: Meng Jiao "What is the most prophetic? Xu Xucao struggled out "(after the spring rain), Du Mu (Xu Hun)," Pugen water warms the geese at the beginning, and the plum-diameter fragrant cold bees are unknown "(boat trips in early spring). Su Shi, who is ignorant of the past, combined the intention of his predecessors' poems with his own observation and refined this quip. "A duck knows how to warm water", which appeals to emotion and imagination, is difficult to convey in the picture, but the poet expresses this point in his poems by putting himself in others' shoes. Ducks swimming freely in the river are the first to feel the temperature rise of the spring water, and the tactile impression of "warmth" complements the visual impression of the spring water in the picture. Ducks can "predict the heating of springs" because they live in water all the year round. As long as the river doesn't freeze, they always jump into the water to play. Therefore, it is these ducks, which are closely related to water, who are the first to know the water temperature changes in the Chunjiang River. This shows that you have to go through everything to have a true feeling. This poem not only reflects the poet's careful observation of nature, but also reflects the poet's philosophical thinking about life. Ducks know that the spring river is warm when they enter the water, which can be compared with "a leaf falls, and the world is autumn". It is reasonable to know each other.
There are three or four sentences in the poem: "Artemisia is full of reeds and short buds, which is the time when the puffer fish wants to go up." These two sentences are closely related to Early Spring. Artemisia selengensis and dwarf reed buds are yellow and green, gorgeous and charming, showing a scene of spring and prosperity. The puffer fish wants to go up, which makes use of the characteristic that puffer fish only go upstream when the spring river warms up, and further highlights the word "spring". This is something that is not in the picture, and it is difficult to reach with a brush, but the poet successfully "looks like the present" and injects the breath and vitality of spring into the whole picture. Wang Shizhen said in's Poems on Yu Yang: "In the poem, the short reed buds on the ground are the time when the puffer fish want to go up." The puffer fish eat Artemisia, which is not only charming, but also fat, just as in Mei's poem, "Spring buds are born in spring and poplars fly on the spring shore". Regarding the seasonal flavor of puffer fish, Ouyang Xiu's Poems on June 1 said: "Puffer fish often swim in the water at dusk in spring, eating catkins and getting fat. Southerners often divide soup with buds, and the clouds are the most beautiful. Zhang Lei, a student of Su Shi, also recorded in Ming Dow magazine that the native people in the Yangtze River ate puffer fish, "but cooked it with Artemisia selengensis and bamboo shoots, that is, reed buds and leeks".
Appreciation of creative background This is a poem. Hui Chong's "A Scene along the Spring River" has not been handed down, but from Su Shi's poems, we can think about it: a bamboo forest, three or two peach blossoms, a river, several ducks, the river bank is covered with Artemisia, the reed bud has just broken ground, and two flowers are blooming in the sky. The puffer fish is invisible, but the greedy Su Shi is thinking: It's time for the puffer fish to come up. Stewed with Artemisia selengensis and reed buds is much fresher than Dongpo meat.
As one of the "Nine Poets" in the early Song Dynasty, Hui Chong is different from Su Shi. Su Shi only saw his paintings, but not his people. This monk is good at painting and poetry, especially at painting water towns, and put a few birds and beasts on it, which is called "Hui Chong Xiaojing".
Wang Anshi appreciated his paintings very much. In "Painting by Hui Chong, a monk who just left school", he praised: "The history of painting is endless, especially in Hui Chong's later years."
I only read Tang poetry in Ming and Qing dynasties, not Song poetry. Mao Xiling, a great scholar and poet in the Kangxi period, criticized Su Shi's poems and said, "The duck must know the water heating in the spring river, but the goose doesn't know it?"
The old man is a bit annoying. Spring river plumbing, of course, geese know. Song people also have a poem "Spring comes to the world, plants and trees know". This is a poem. Maybe there are no geese on it.
Appreciation 2 This poem is an inscription poem, written in the eighth year of Yuanfeng (1085).
Appreciate Hui Chong in Song Dynasty as both a monk and a painter. This poem was inscribed by Su Shi in Hui Chong's Riverside Scenery. Hui Chong's original painting has been lost, and some versions of this poem are called "Riverside Scenery", which cannot be verified now.
Vivid painting makes people have a specific visual feeling, but it can only show a specific picture and has certain limitations. Although a good poem has no visible image, it can attract readers to the beautiful artistic conception formed by the poet's unique conception with vivid language to make up for what some pictures can't express.
This poem not only retains the image beauty of the picture, but also exerts the advantages of the poem. With its rich charm and mixed pen and ink, the poet makes the spring scenery depicted in the original painting so charming. Su Shi has a new idea while describing according to the picture, which makes the beautiful images in the painting more poetic and charming.
Two or three peach blossoms are blooming outside the bamboo forest, and ducks are swimming in the water. They first noticed the warming of the river in early spring. The beach was covered with Artemisia selengensis and asparagus began to sprout. At this time, puffer fish is a good time to go public and can be sold in the market. (A drifting season)
A good poem on painting should not only be tied to the theme of painting, but also be limited to the content of the picture. It should not only be able to reproduce painting, but also be able to jump out of painting and create new things, so that painting does not lose its independent artistic life. Su Shi's poems can be said to have done this. The first three sentences of the poem are chanting the scenery, and the last sentence is the association caused by the scenery. The whole poem is like a poet's improvisation, and the image is wonderful and natural. In fact, the first three sentences are not exactly the same In the second sentence, the words "water heating" (temperature) and "duck prophet" (perception) cannot be drawn directly. Poetry can be described as picturesque, but the physical properties of poetry are too picturesque. This is because painting belongs to visual art, while poetry is a language art with absolute freedom of expression. The last sentence further develops the association, and on the basis of the objective description of the scenery in the first three sentences, it judges the seasonality of the scenery in the painting, thus adding a strong feeling of the beauty of the southern scenery, which is even more impossible for painting. Regarding the seasonal flavor of puffer fish, Mei wrote a poem "Fan Raozhou eats puffer fish": "Spring buds are born in spring, and poplars fly to the spring shore. When puffer fish, it is not expensive to count fish and shrimp. " Ouyang Xiu's Poem on June 1st said: "The puffer fish often swim in the water at dusk in spring, eating catkins and getting fat. Southerners often divide soup with buds, and the clouds are the most beautiful." Zhang Lei, a student of Su Shi, also recorded in Ming Dow magazine that the Yangtze natives eat puffer fish, "but cook it with Artemisia selengensis, bamboo shoots (that is, reed buds) and shepherd's purse", and think that these three kinds are the best match with puffer fish. This shows that Su Shi's association is well-founded and natural. This is also the beauty of poetry.
The poet first wrote from the side: In the early spring, the earth revived, and the bamboo forest has been dyed green by new leaves. What is more striking is that three or two peach blossoms have blossomed early on the peach tree, which are brightly colored and report the information of spring to people. Then, the poet's line of sight turned from the river to the middle of the river. Ducks that have been waiting on the shore for a whole winter have already been unable to hold back, scrambling to play in the groundwater.
Su Shi (1037-1101) was a writer, painter and gourmet in the Northern Song Dynasty. Zi yue Zhan, no Dongpo lay man. Han nationality, Sichuanese, was buried in Yingchang (now Jiaxian County, Pingdingshan City, Henan Province). I have a bumpy career, profound knowledge, extremely high talent and excellent poetry, calligraphy and painting. His writing style, Wang Yang, is unrestrained and fluent, and he is also called Ou Su with Ouyang Xiu, one of the "Eight Masters of Tang and Song Dynasties"; Poetry is fresh and vigorous, making good use of exaggeration and metaphor, and its artistic expression is unique. Together with Huang Tingjian, they are called Su Huang. The uninhibited school has a great influence on later generations, and it is called Su Xin with Xin Qiji. Calligraphy is good at running script and regular script, and it can be innovative. Writing with a pen is ups and downs, full of childlike interest. And Huang Tingjian, Mi Fei and Cai Xiang are also called Song Sijia. Painting is the same as literature. In painting, we advocate spirit likeness and "literati painting". He is the author of The Complete Works of Su Dongpo and Dongpo Yuefu. Su Shi
I don't know who cut the thin leaves, but the spring breeze in February is like scissors. Painting a building in early spring makes a peach blossom smile. After a few days of rain, the river rose and flooded the small bridge, so people could not cross the river. At this time, a boat slowly sailed out from the shade of willow trees. Spring is coming to an end, and the warblers are getting old. Hong Ying lost her childhood. When the Jade Man first went to see Mulan. Lazy makeup inclines beginning of spring. I am willing to ride the wind to the distance, and my hometown will be a spring. Once a year, it's like the Yangtze River going to the waves. The rain in the early morning moistened the dust of the land, the inn of the inn, the branches and leaves of the inn, and a new leaf Spring breeze does not lift the ban, it rushes to the pedestrian surface. There is a light rain at night, and the wind of the double swallow dance is oblique. The Yangtze River is green in spring and lotus leaves are as big as money. The spring breeze swayed the willow branches in the wind, and the tender buds gave off a light yellow softer than silk. Birds fly to the forest garden in February, and the Forbidden City is lush in the spring morning. People are idle, osmanthus flowers fall, and the night is quiet and empty. The water waves in the river, the white feathers of waterfowl, the green and red flowers on the mountain are in contrast, and you want to burn.