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Is it really impossible for Guo Man's plays to jump out of the strange circle of "Nezha" and "Jiang Ziya"?
Is it really difficult to jump out of Guo Man's plays? Nezha? Arrive? Jiang Ziya? Obviously, there are many story characters in the myth, but both the director and the screenwriter seem to like them very much. Nowadays, there are many movie plots about Nezha and Jiang Ziya in the film and television circle, which is really unacceptable. Although the story content and picture sense of each version are different, everyone can remember the general plot and there is not much novelty.

The number of TV dramas in Nezha and Jiang Ziya will definitely increase. These two characters are really famous. However, they can get the appreciation of so many directors, probably because several films have won everyone's love and the box office is relatively high, so other directors want to follow suit, and the result is completely imitation. Although sometimes it really makes everyone more interested and can go to the cinema, the plot disappoints everyone again and again. And those movies that are often shown during the Spring Festival may also be unsightly.

I hope the director can choose many other mythical figures, such as Nu Wa, Kuafu and Jing Wei. Their great achievements are also admirable. And now the film and television circle also lacks this content. The director can take the time to shoot and then make up for this deficiency, and this film can also make the audience feel refreshed. Since there is no pioneer, then the director should dare to try.

Screenwriters should be innovative, not imitate for fame. I believe they can also be recognized by netizens. The audience's eyes are discerning. As long as everyone makes their own efforts, there will be rewards. But if everyone just wants to get benefits through the shortest way, it is basically not feasible. It is easy for the audience to lose hope in this film, and the names of the director and screenwriter will be known to everyone, so when they make a film in the future.