The jingle of twenty-eight decals is for children. Don't lust after children. Laba is the year after, and Laba porridge is drunk for a few days. Twenty-three, twenty-three, candied melon sticks, twenty-four, house sweeping, twenty-five, fried tofu, twenty-six, stewed mutton, twenty-seven, rooster killing, twenty-eight, decals, twenty-nine, steamed buns, staying for thirty nights.

Putonghua refers to the folk custom of preparing for the Spring Festival at the beginning of the twelfth lunar month, including buying new year's goods, decorating the courtyard and welcoming the Spring Festival. This nursery rhyme vividly depicts the scene of the New Year. People seem to see the scene of the New Year.

Brief introduction of window grilles

Window grilles are rich in content and wide in subject matter. Because the buyers of window grilles are mostly farmers, window grilles have quite a lot of content to express farmers' lives, such as farming, weaving, fishing, herding sheep, raising pigs and chickens. With its unique generalization and exaggeration, window grilles show auspicious things and good wishes incisively and vividly, and decorate festivals with prosperity and celebration.

Window grilles have a history of thousands of years, and gradually spread and shaped during the Song and Yuan Dynasties.

During the Ming and Qing Dynasties, the paper-cut handicraft art matured and reached its peak. The traditional paper-cut handicraft art of Han nationality is widely used, for example, the flower decorations on Han folk lanterns, decorative patterns on fans, embroidery patterns, etc., are all reprocessed with paper-cut as decoration.

What's more, the Han people in China often use paper-cutting as decoration to beautify the home environment, such as door battlements, window grilles, cabinet flowers, wedding flowers and ceiling flowers, which are all used to decorate doors, windows and rooms. In addition to the paper-binding pattern craftsmen who appeared after the Southern Song Dynasty, the most basic team of folk paper-cutting handicrafts in China is rural women.

Female red is an important symbol of traditional women in China. As a compulsory skill of needlework, paper-cutting has become a skill that girls have to learn since childhood.