A boat on the river, a fisherman wearing his webworm moth; Fishing alone is not afraid of snow and ice. 300 Tang poems, landscape, winter snow, landscape, early bird education and other translation and annotation translation 100.
Birds and mountains are all extinct; All the roads, no sign of anyone.
Alone on the river, fisherman Dai Li; Fishing alone is not afraid of ice and snow.
Appreciating Liu Zongyuan's landscape poems has a remarkable feature, that is, the objective realm is relatively quiet, while the poet's subjective state of mind is relatively lonely, sometimes even too lonely, too cold and cheerless, without any human fireworks. This song "Jiang Xue" is like this. The poet painted a quiet and cold picture in only 20 words: on the snowy river, a boat and an old fisherman were fishing alone on the cold river. What the poet shows his readers is this: the world is so pure and silent, spotless and silent; The fisherman's life is so noble, and his character is so aloof. In fact, this is an imaginary realm created by Liu Zongyuan because he hated the declining society of the Tang Dynasty at that time. Compared with the characters in Tao Yuanming's Peach Blossom Garden, I'm afraid they are still illusory and far away from the world. What the poet wants to describe in detail is very simple, but it is just a boat, an old fisherman wearing hemp fiber and Li hat, fishing on the snowy river, and that's all. However, in order to highlight the main description object, the poet did not hesitate to use half of the space to describe its background, and made the background as broad as possible, almost to an infinite extent. The wider the background, the more prominent the main description object. First of all, the poet used the words "Qianshan" and "Wanjing" to set off the following two pictures of "boating alone" and "fishing alone". Without the words "thousand" and "ten thousand", the words "loneliness" and "independence" at the back will appear bland and uninspiring. Secondly, birds flying on the mountain and people walking on the road are very common things and the most general image. But the poet put them under the "Qianshan" and "Wanjing" and added the word "absolutely" and "extinct", which suddenly turned the most common and summarized dynamic into extreme silence and absolute silence, forming an unusual scene. So the following two sentences used to be static descriptions. Because it is placed in this absolutely quiet background, it is exquisite, lively and lively. It can also be said that the first two sentences were originally a foil. According to the general understanding, you only need to outline it, and you don't need to make great efforts to carve it. However, poets just don't handle it this way. It's like making a movie. How many close-ups are used to explain and reflect every corner of the background? The more specific and detailed you write, the more exaggerated you are. The last two sentences, originally the object of the poet's intentional description, turned into a long-distance lens, which was reduced many times, giving readers an ethereal feeling, visible and intangible. Only by writing in this way can we express the lofty and detached thoughts and feelings that the author is eager to show to readers. As for the formation of this sense of remoteness, it is mainly the effect that the author adds a word "snow" at the end of the whole poem, which is connected with the word "Jiang".
In this poem, everything is snowy, the mountains are snowy, the roads are snowy, and "Qian Shan" and "Wanjing" are snowy, making "birds fly away" and "people disappear". Even the awning and fisherman's hat are covered with snow. But the author did not explicitly associate these scenes with "snow". On the contrary, in this painting, there is only Jiang and only Rulu. Of course, the river will not store snow, and it will not be covered by snow. Even if it falls into the river, it will immediately become water. However, the author only used the word "cold river snow" to connect the two images with the farthest relationship, giving people a feeling of being relatively empty, distant and narrow, forming a long-distance lens. This makes the main object described in the poem more concentrated, dexterous and prominent. Because even the river seems to be covered with snow, even the places where there is no snow are covered with snow, which completely describes the dense and thick snow and completely sets off the atmosphere of water and sky. As for the word "cold" used above, it is of course to point out the climate; But the poet's subjective intention is to write the fisherman's spiritual world quietly. Imagine, in such a cold and quiet environment, the old fisherman is not afraid of the cold and the snow, forgetting everything and devoting himself to fishing. Although his body is lonely, his personality is lofty and aloof, even a little awe-inspiring. This illuminated and beautified image of the fisherman is actually the sustenance and portrayal of Liu Zongyuan's own thoughts and feelings. It can be seen that the word "Hanjiangxue" is the "finishing touch", which organically links the front and back parts of the whole poem, not only forming a concise and general picture, but also shaping a complete and prominent image of the fisherman.
Liu Zongyuan participated in the political reform movement headed by Wang in Yongzhenyuan period. Because of the joint counterattack of conservative forces and eunuchs, the innovation failed. Therefore, Liu Zongyuan was relegated to Yongzhou, which is known as the "Southern Wilderness". So he wrote this famous poem with resentment.
Liu Zongyuan (773-8 19), a native of Hedong (now Yuncheng, Shanxi) in the Tang Dynasty, was an outstanding poet, philosopher, Confucian scholar and even an outstanding politician, and was one of the eight masters in the Tang and Song Dynasties. There are more than 600 masterpieces, such as Eight Chapters of Yongzhou, which have been compiled into 30 volumes by later generations, named "Liuhe East Collection". Because he was from Hedong, he was called Liu Liuzhou, and because he was finally appointed as the secretariat of Liuzhou. Liu Zongyuan and Han Yu were both leaders of the ancient prose movement in the middle Tang Dynasty, also known as "Liu Han". In the cultural history of China, his achievements in poetry and literature are outstanding, which can be said to be inseparable. liu zongyuan
Liu Zongyuan (773-8 19), a native of Hedong (now Yuncheng, Shanxi) in the Tang Dynasty, was an outstanding poet, philosopher, Confucian scholar and even an outstanding politician, and was one of the eight masters in the Tang and Song Dynasties. There are more than 600 masterpieces, such as Eight Chapters of Yongzhou, which have been compiled into 30 volumes by later generations, named "Liuhe East Collection". Because he was from Hedong, he was called Liu Liuzhou, and because he was finally appointed as the secretariat of Liuzhou. Liu Zongyuan and Han Yu were both leaders of the ancient prose movement in the middle Tang Dynasty, also known as "Liu Han". In the cultural history of China, his achievements in poetry and literature are outstanding, which can be said to be inseparable. ? 246 poems and essays
The water is sparkling under the setting sun, the curved island shore is endless, and the hillside is green as jade. Seeing that the horse has gone to Bo Yang by ferry, Liu Xiaqun on the ferry is waiting for the boat to return. The boat passed through the shallows, and the struggle between grass and grass was scattered around, and the little egret in Shuitian Bay Aha was swept away. Who knows that I am looking for Fan Li's heart? He can forget the worldly wisdom. -"Zhou Li Ji" in Tang Dynasty, Li Zhou and Du Nan
Tang dynasty: Wen
The water is sparkling under the setting sun, the curved island shore is endless, and the hillside is green as jade.
Seeing that the horse has gone to Bo Yang by ferry, Liu Xiaqun on the ferry is waiting for the boat to return.
The boat passed through the shallows, and the struggle between grass and grass was scattered around, and the little egret in Shuitian Bay Aha was swept away.
Who knows that I am looking for Fan Li's heart? He can forget the worldly wisdom. There are 300 Tang poems, crossing rivers and mountains, expressing the feelings of empty mountains and beginning of autumn nights after the rain. The bright moon shed clear light from the cracks and cleared the fountain on the rocks. The bamboo forest is sonorous, the washerwoman returns, and the lotus leaves are swaying to get on the canoe. Spring spring might as well give it a rest, and the autumn sun can stay on the hills for a long time. -Wei's Autumn Night in the Deep Mountains
Tang Dynasty: Wang Wei
The empty mountains are bathed in a new rain, and feel the early autumn at night.
The bright moon shed clear light from the cracks and cleared the fountain on the rocks.
The bamboo forest is sonorous, the washerwoman returns, and the lotus leaves are swaying to get on the canoe.
Spring spring might as well give it a rest, and the autumn sun can stay on the hills for a long time. 300 Tang poems, landscapes, landscapes, people, autumn rain, 100 ancient poems on early education, and entered Wu on a cold rainy night to bid farewell to Chu. Friends, if my friends in Luoyang invite me; Just say I'm still Bing Xin Okho, and stick to my faith! -Tang Wang Changling, broke up with Xin Jian at Furong Inn, and broke up with Xin Jian at Furong Inn.
Misty rain enveloped Wu's day overnight; Send you in the morning, lonely and sad in Chushan!
Friends, if my friends in Luoyang invite me; Just say I'm still Bing Xin Okho, and stick to my faith! There are 300 Tang poems, primary school poems 100, farewell poems, rain and dew poems and lyric children's poems.