Wang Wei's "Don't Work in Wangchuan after Rain" was selected into 300 Tang poems. This poem is about rural life. The first four sentences are about scenery, exquisite and vivid. Because of the long-term accumulation of rain, there is no wind and it is humid, so the smoke rises slowly. The rice fields are vast, the egrets dance, the summer trees are shaded and the orioles sway. It is colorful, dynamic and static, visual and auditory, and has a small face, which sets each other off. According to Tang's Supplement to National History, there are three or four sentences based on Li Jiayou's "Egrets fly to paddy fields and orioles fly to Xia Shu". But the poet Hu Yinglin thought that Wang was earlier than Li, so Li attacked Wang. It is difficult to judge who attacked the person who wrote this poem at about the same time. But adding the words "desert" and "cloudy" in front of it is really wonderful and vivid. Scholars in the Tang Dynasty nonsense: "The scene after the rain, with overlapping words, can only be made into a round sentence." ("Three Hundred Poems of Tang Dynasty, Jewellery"). The last four sentences are about the taste of life. "Biography of Wang Wei in Old Tang Dynasty" said: "All Uighur brothers worship Buddha, live on vegetables and don't eat meat and blood." Long-term fasting in old age, no clothes and no coloring. "Five or six sentences is this portrayal. When writing seven or eight sentences, the scribes and Fu Tian get along, always between doubt and no doubt. Obviously, people are refined and common, like-minded, but not intimate. For more appreciation of Tang poetry, please pay attention to Guo Xuexi's 300 Tang poems in Gutang. com。

original text

After a heavy rain, I was in Wangchuan's cabin.

Author: Wang Wei

Rain is stored in the forest, smoke comes slowly, and steamed quinoa is used to cook millet.

An egret flies over the quiet swamp, and mango birds sing in the trees in midsummer.

I learned to watch the morning glory in the mountains calmly and eat sunflower seeds with dew under the pine branches.

Why should I scare seagulls, even if I think about it, by giving the honorary position to any clown? .

To annotate ...

1, empty forest: sparse forest.

2. Fireworks came late: Due to the long-term humidity in the rainforest, fireworks rose slowly.

3. Chenopodium album: an edible wild vegetable. This refers to vegetables.

4. Xiaomi (shǔ): The name of grain is the staple food in ancient times.

5. Payment: Send meals to Abel Tamata.

6.east? : refers to the farmers in the eastern fields. ? Dongfanghong (zρ): Deliver food to people working in the fields in the east. Pond: A field that has been cultivated for one year refers to a field that has just been cultivated. Despair: describe vastness. Yin Yin: You look gloomy.

7. Natsume: Tall trees, especially trees. Xia: Big.

8. Turn: The singing of birds. The rotation of birds.

9. Huang Li: Huang Li.

10, a sentence in the mountains: it means living in the mountains and watching hibiscus blossom, which cultivates tranquility. Hibiscus (jǐn): Plant name. A deciduous shrub whose flowers bloom in the morning and wither at night. The ancients often used this thing to understand the impermanence of life. It blooms early and withers late. Therefore, we can understand the impermanence of life.

Zhai Qing: That means vegetarian food.

12. Dew sunflower: frosted sunflower. Sunflower, as an important vegetable in ancient times, is known as "the master of all kinds of vegetables". This poem is also a self-portrait of his later life.

13, Ye Lao: refers to the author himself. Contention for seats: it means to retire from the mountain and compete with the world.

14, "Gull" sentence: In ancient times, people who had good gulls at sea swam from the flock to the sea every day. His father said, "I heard that seagulls swam past you. You take them and I will play with them." If we go out to sea tomorrow, the seagulls will not come down. Here, seagulls are used to describe people.

Rhyme translation

It has been raining for a long time, and the wet fireworks in the woodland are difficult to rise; Cook the food and give it to the people who work in the east of the village.

The paddy field is vast, and a line of egrets fly away; In the summer shade, there is an oriole crying.

Cultivate nature in the mountains and watch the flowers pick up in the evening; Matsushita is vegetarian, while dew-folded sunflower does not touch meat.

The village man is old, and there is no gap with me; Seagulls are suspicious. Why don't they believe in dancing?

translate

Because the rain has accumulated for a long time, there is no wind and humidity in the forest, so the smoke from cooking seems to rise slowly. Boiled coarse tea and white rice are given to people who work in the east of the village. A row of egrets swept through the vast and flat paddy fields; In the quiet and cool Woods in summer, there is an oriole crying. I cultivate my morality in the mountains and watch the flowers die in the evening; Eat vegetarian food in Panasonic, and don't touch sunflower meat with dew. I get along with the people in the village very casually, without barriers; Why should simple farmers doubt?

This book "300 Complete Poems of Children's Tang Poems: Wangchuan Cabin after My Long Rain" is compiled for everyone, and I hope it will help you. The following information is for reference only! ! !

Comment and analysis

Poetry describes the scenery of Wangchuan village after the rain and the leisurely life after retirement. The first couplet describing Tian's life is what the poet saw on the mountain: in the rainy season, the sky is wet and the smoke rises slowly; Farmers cook early, pay for meals in the fields and enjoy rural life. Zhuanlian wrote about the natural scenery: the vast plains, the flight of egrets, the deep mountains and dense forests, the chirping of orioles, and the picturesque Wangchuan after the rain. Poets in the Necklace Association, alone in an empty mountain and under a secluded pine forest, watch hibiscus, eat dew sunflower and live in seclusion. There are two argots at the end of the couplet: one is "Zhuangzi? After Yang Ziju returned from the fable middle school, the guests no longer gave up their seats, but competed for them. This shows that poets and villagers are one. The second is "Liezi? "The Emperor" contains:

There are also people close to seagulls at sea who don't suspect each other. Every day, they only swim with him for a hundred years. One day, his father asked him to take seagulls home. When he went to the seaside again, seagulls were flying in the sky and refused to stop. It means that the ulterior motives have destroyed his relationship with Ou Ya. The positive and negative combination of the two classics expresses the poet's indifferent state of mind.

This poem "Supplement to National History" by Li Zhao, a Tang Dynasty, says that Wang Wei: "Wei has a poetic title, and it is easy to get a good article ... An egret flies over a quiet wetland, a mango bird sings in a tree in midsummer, and Li Jiayou also writes poems." It is said that Li has a saying that "egrets fly to rice fields, summer trees fly to orioles", but there is no such thing. Hu Yinglin's poems in Ming Dynasty? The inner chapter said, "Prospering the Tang Dynasty, prospering the middle of the Tang Dynasty, and preventing the predecessors from stealing?" This is a beautiful poem. "Li and Wang are sometimes late, and it is hard to tell who will attack and write poems. Ye Mengde, a poet of the Song Dynasty, said in Shi Lin Shi Hua: "The words' desert' and' Yin Yin' are added to these two sentences, which is a kind of faint love and happiness. Such as Li Guangbi will Guo Ziyi rate, a command, wonderful. "The artistic conception in Wang Wei's poems is obviously wider, deeper and brighter than Jia You's.

explain

Wangchuanzhuang, located in the middle of Zhong Nanshan Mountain in Lantian, Shaanxi Province, is the place where Wang Wei lives in seclusion. Old Tang books. "Biography of Wang Wei" records: "All Uighur brothers worship Buddha and live on vegetables instead of meat and blood. Grow up fast in old age, don't wear clothes, don't wear color. " In these seven laws, the poet described his quiet and elegant Zen life with the quiet and beautiful pastoral scenery of Wangchuan, and created a kind of artistic conception of harmony between things and me.

"Rain is stored in the forest, and cigarettes are slowly coming, steamed quinoa, steamed millet and boiled millet." The first couplet describing Tian's life is what the poet saw on the mountain: it was the rainy season, the sky was wet and the air was moist, the smoke rose slowly over the quiet jungle, and the farmers at the foot of the mountain were cooking. Women steamed quinoa to cook millet, prepared food, and then took it to Dongmao-Dong Tian Head, where men went to work early in the morning. As far as the poet can see, he first wrote the fireworks in the empty forest. The word "night" not only vividly described the smoke in the kitchen on rainy days, but also revealed the poet's leisurely mood. Then, we write about cooking in the morning, paying farm money and even having a picnic in the field, showing a series of pictures of people's activities, which are orderly and full of life breath, making people want to see the happy mood of farmer Fu Tian.

The natural scenery written by Zhuan Xu is also the result of the poet's meditation: "An egret flies over the quiet wetland, and mango birds sing in the trees in midsummer." You see, in the vast and empty flat land full of stagnant water, egrets take off, and their posture is so quiet and chic; Listen, far and near, in the beautiful forest, orioles are singing to each other, and their voices are so sweet and happy. In the summer of Wangchuan, birds are flying, and the poet only chooses orioles and egrets with different shapes and habits to describe them in connection with their respective backgrounds: snow-white egrets and golden orioles have different colors in vision; Egrets fly, orioles sing, one takes dynamics, the other takes sound; Desert, describing the wide distribution of paddy fields and broad vision; The sky is cloudy, the summer trees are dense and the realm is deep. These two scenes set off each other and cooperate with each other, making the rainy weather in Wangchuan, Shan Ye picturesque. The so-called "painting in poetry" is a good example.

Li Zhao, a native of the Tang Dynasty, sneered at Wang Wei's Easy-to-Get Articles and Good Sentences (on the volume of the National History Supplement) because he saw that Li concentrated on writing the poem "Egrets flying in paddy fields and orioles singing in summer". Hu Yinglin, a scholar of the Ming Dynasty, advised him: "When the Tang Dynasty flourished, it was not as good as the middle Tang Dynasty, so that predecessors could steal it in advance." ? This is a beautiful poem. "("Poetry "). According to the fifth volume of Neibian, it is hard to say who copied the poems of the same period and later. But from an artistic point of view, their poems are still competitive. Ye Mengde, a poet in the Song Dynasty, said, "These two sentences with the words' desert' and' Yin Yin' are a faint charm to show their own beauty. For example, Li Guangbi gave orders to the Guo Ziyi army, which was wonderful several times. " "Mo Mo" has a broad meaning, while "Yin Yin" has a profound meaning. "Mo Mo Paddy Field", "Yin Ying Xia Mu" and "Paddy Field" and "Xia Mu" are in the same breath, and the picture is open and profound, full of sense of realm, rendering a vague and confused tone and atmosphere of rainy weather.

If the carefree working life of farmers written in the first couplet aroused the poet's strong interest and admiration, then the poet would be even more intoxicated in the face of the free flight of orioles and egrets. Moreover, in these two couplets, the activities of characters and natural scenery are not simple imitations of objective things, but have been induced and filtered by the poet's mind, with distinct subjective colors and reflecting the poet's personality. For Wang Wei, "Time goes by, but it gives me peace and relief from all kinds of affairs", being in this idyllic Wangchuan Villa is really a happy place, which can't help but make him feel endless fun. The following two couplets express the poet's joy of seclusion in the mountains.

"I learned to watch the morning glory in the mountains calmly and eat sunflower seeds with dew under the pine branches." The poet lived alone in an empty mountain, lived in seclusion under a pine forest, and realized that life was short by participating in hibiscus, and picked sunflower for fasting. This feeling, in the eyes of ordinary people, is too lonely? However, poets who have long been tired of the hustle and bustle of the world have taken great interest in it. Compared with vanity fair, which has always been disturbing and derailed, what a world this is!

Why should I scare seagulls, even if I think about it, by giving the honorary position to any clown? ? Wilder always calls himself a poet. The poet happily declared: I have already gone to the machine, and I have never thought of vulgarity. I am out of my destiny and I have no problems with others. Who else will doubt me for no reason? Ordinary people can almost avoid worldly troubles and indulge in the joy of the mountains. Zhuangzi. Essay fable: Yang Zhu went to learn Taoism from Laozi. On the way, the innkeeper welcomed him and the guests offered him their seats. After coming back from school, tourists no longer give up their seats, but "compete for seats" with him, which shows that Yang Zhu has gained the way of nature and is no longer separated from others. Liezi "Yellow Emperor" contains: There are people near gulls at sea, and they don't suspect each other. One day, his father asked him to take the seagulls home. When he went to the seaside again, the seagulls flew far away, and his intimate relationship with them was destroyed by his ulterior motives. These two allusions, which are full of colors of Laozi and Zhuangzi, combine into one, expressing the poet's mood, which is the result of writing Zhai Qing and Xi Jing on the first part of the League.

This seven laws, vivid in image and profound in meaning, shows the poet's leisure in seclusion in the mountains and away from the secular world, and is the representative work of Wang Wei's pastoral poems. Once upon a time, some people regarded it as the culmination of the seven laws of the whole Tang Dynasty, saying that it was the acme of "empty the past and accurate the present", which was of course caused by the eccentricity of feudal literati. However, some people think that "elegant and quiet, not better than Yu Cheng's Accumulated Rain". Appreciating the profound artistic conception and superb style of this poem, the artistic opinions are still good. (See Zhao Diancheng's Notes on Wang Youcheng's Collection, Volume 10)

explain

This poem was written by Wang Wei when he lived in seclusion in Lantian, Wangchuan. In these seven laws, the poet combines his elegant seclusion with the quiet and beautiful pastoral scenery of Wangchuan, creating a realm of blending scenes, which can be said to be the masterpiece of Wang Wei's pastoral poems.

The first couplet: "It rained in the forest, and the smoke came slowly. I steamed quinoa and boiled millet, and lost money." Painted a picture of Tian Jia's life. Fireworks, Cooking Smoke and Being Late not only show that branches and air are extremely wet on rainy days, and firewood is not easy to burn, but also vividly show that smoke can't go straight into the sky in such wet air, but can only be scattered everywhere. The latter sentence says that the peasant women in the mountains are busy steaming quinoa and cooking millet, and delivering meals to men working in the east fields, which is also the source of fireworks. In just two sentences, it not only describes the common weather in autumn, but also skillfully combines this weather with farming activities, making readers feel as if they are there, creating an almost real atmosphere. Only those who are deeply humiliated can write such charm for ordinary scenery.

Zhuan Xu: "An egret flies over the quiet swamp, and mango birds sing in the trees in midsummer." These two sentences are about the natural scenery of Chu Qing after the rain. The rice in the vast paddy fields is full of vitality and green eyes; Snow-white egrets take off and land in rice fields, leisurely; The trees in the mountains are green and dripping in the misty rain; Golden orioles are calling friends and singing to each other in the Woods. Blue, white, green and gold, such a beautiful TINT, can only be written by Wang Wei, who is both a poet and a painter. Not only that, Wang Wei also matched this beautiful picture with the beautiful singing of oriole, which made Wang Chuan more vibrant in the rain. These two poems are bright in color and rich in painting. Some later generations called it "a masterpiece of writing" with Du Fu's "Two orioles singing green willows and a row of egrets soaring into the sky".

The farmer's life is carefree, and the oriole and the egret are free-the character activities and natural scenery described by the poet are not simple imitations of objective things, but are induced and filtered by the poet's mind. These scenes presented in the poet's appreciative eyes have a strong resonance with the poet's leisurely pursuit of life and aesthetic taste. They are not only the realistic environment in which the poet lives, but also the external expression of the poet's quiet and indifferent inner world.

It should be pointed out that in the Tang Dynasty, Li Zhao believed that Wang Wei's two poems copied two poems by another poet in the Tang Dynasty, Egrets Flying to Paddy Fields and Xia Shu Orioles. He said in Supplement to Tang Shi: "Wang Wei has a poetic name, but he is good at stealing folk articles." This theory has been debated endlessly since then, and there is no conclusion. In my opinion, no matter whether these two poems were stolen by Wang Wei or not, they all have the word "Mo Yin Mo Yin", which turns the usual and somewhat dull "Egrets fly to paddy fields and Xia Shu orioles" into vivid, vivid and sentimental sentences, showing Wang Wei's superb braille art.

Necklace: "I learned to watch the morning glory in the mountains calmly and eat sunflower seeds with dew under the pine branches." "hibiscus", that is, hibiscus, is named hibiscus because its flowers bloom and fall at dusk. The ancients often used it to symbolize the impermanence of life. "Zhai Qing", vegetarian. "Dew sunflower", a kind of wild vegetables, is the best when it is frosted, so it is called dew sunflower. Wang Wei Biography in Old Tang Dynasty says that Wang Wei "eats vegetables at home, not meat and blood" has been confirmed here. The poet sat quietly in the empty mountain, watching the hibiscus wither rapidly, thinking hard and realizing the brevity and impermanence of life; Cultivate one's mind, pick dew and green sunflower under pine trees, and fast vegetarian food to keep one's body and mind clean. It is in this accumulated thinking that the poet has gained enlightenment and completely left the secular world of mortals.

Tail Union: "Why should I be afraid of seagulls, even if I have an idea, if I give the honorary position to any clown?" . "Wild old man" is the poet's self-assertion, and "fighting for seats" is fighting for seats. Here, two allusions, Zhuangzi Zapian Fable and Liezi Di, are used. One is positive and the other is negative, which implies a person's attitude towards life and satirizes some phenomena in the world. Finally, "why should I scare seagulls, even if I have an idea?" It is used to show that you are not striving for fame and fortune, and to express your indifferent mentality.

The whole poem consists of eight sentences, the first four of which were written by the poet, and the last four were written by the poet when he lived in seclusion. Vivid images and distinct verve show the poet's attitude towards life, such as being close to nature, indulging in the pleasure of mountains and rivers, not contending with the world, and having no desire or desire in the Ming Dynasty, which represents the main characteristics of Wang Wei's pastoral poems. Some people later called it "elegant and quiet, not better than" Accumulated Rain Fu ",and some people called it the masterpiece of the seven methods of Tang poetry. This evaluation may not be entirely appropriate, but it also shows the great influence of Qingyuan's indifferent style.

Make an appreciative comment

Scenes converge, and things blend with me.

-Appreciation of Wang Wei's "Don't Work in Wangchuan after Rain"

Xie Shi, Jiangsu

Wang Wei was a poet and painter in the Tang Dynasty. Su Shi commented on Wang Wei's poem "Painting in Poetry". Wang Wei's influence on later generations is pastoral poetry. Wang Wei's pastoral poems often convey a beautiful and rich aesthetic feeling with elegant brushstrokes, create a seamless artistic conception, and make people feel the existence of unspeakable inner life. Wang Chuan Bieye, written in seclusion in his later years, is such a masterpiece of blending scenes.

Rain is stored in the forest, smoke comes slowly, and steamed quinoa is used to cook millet. An egret flies over the quiet swamp, and mango birds sing in the trees in midsummer.

I learned to watch the morning glory in the mountains calmly and eat sunflower seeds with dew under the pine branches. Why should I scare seagulls, even if I think about it, by giving the honorary position to any clown? ?

The whole poem is vivid and interesting. The poet closely combines the tranquility of Zen with the tranquil and beautiful pastoral scenery of Wangchuan, creating an artistic conception that is suitable for things and me, blending scenes, and showing the leisure and leisure of seclusion in the mountains and escaping from the secular.

The first two couplets are written on the mountains, describing happy family life, and showing quiet and beautiful rural scenery: in the rainy season, the sky is wet and the smoke rises slowly; Farmers cook early and spend money to buy food in the fields, which is enjoyable; On the vast plains, egrets fly; In the mountains and forests, orioles sing. The pastoral area in Wangchuan after the rain is really picturesque. How can the carefree working life of farmers not arouse the poet's strong interest and infinite admiration, and how can the free flight of egrets and orioles not intoxicate the poet? "All scenery words are love words". Wang Chuan's character activities and natural scenery have been induced and filtered by the poet's mind, which has a strong subjective color and embodies the poet's distinctive personality.

The latter two couplets express the poet's joy of seclusion in the mountains. Neck couplet describes the poet's seclusion under the pine forest in the empty mountain, watching hibiscus, eating dew sunflower and staying away from the hubbub. Couplets express their carefree feelings of getting rid of secularism, meeting fate, being aloof from things and indulging in the mountains and forests in two poems. The story of Yang Ziju's return from studying Taoism and the guest's refusal to give up his seat shows that the poet has merged with the villagers. The story that the gull man at sea destroyed the harmonious relationship with gulls because of his ulterior motives shows that he returned to the spiritual realm of nature. These two allusions, which are full of colors of Laozi and Zhuangzi, express the poet's indifferent heart.

As a painter, Wang Wei pursues the artistic realm of blending poetry and painting. The poet wrote fireworks in the empty forest, using the word "late", which not only vividly described the smoke in the kitchen on rainy days, but also revealed the poet's leisurely mood. Writing about the summer in Wangchuan, birds are flying, and the poet uses the method of contrasting colors in his paintings: snow-white egrets and golden orioles, one taking the thread and the other taking the sound; "Desert" paddy fields and "shady" Xia Shu depict a vast, bright and clear pale color and a lush and dark green, which makes the background more empty and confused. This strong color contrast constitutes the visual difference of shades of colors, which makes us truly feel the sharp boundary between summer shade and paddy fields outside the shade, and also makes the rainy weather in Shan Ye of Wangchuan open and deep, full of picturesque and profound realm.

Later poets called Wang Wei "Shi Fo". Wang Wei's pastoral poems often convey profound religious experience through the delicate description of natural images. "I learned to look at the morning glory on the mountain with peace of mind and eat the sunflower seeds with dew cracked under the pine branches", which is too lonely and indifferent in the eyes of the world, but in the poet's pen, it has become a profound Zen meaning: away from the noise of the world, away from the competition for fame and fortune, returning to nature and returning to the original true self. Through poetry, what touches us is elegance, tranquility and loneliness, with a little loneliness, but more is the comfort of the poet. This technique of Zen entering poetry creates an artistic realm that dilutes emptiness, and the integration of Zen theory and static painting makes this kind of pastoral poetry reach the artistic extreme of mutual development of scenes and things. No wonder Si Kongtu said that he "lived a romantic life without saying a word".