In spring, as long as you sow a seed, you can harvest a lot of food in autumn.
There is no waste of heaven and earth, and the toiling peasants are still starving to death.
Worrying about the country and the people, farmers, 100 translation of children's poems and annotation translation.
As long as a seed is sown in spring, a lot of food can be harvested in autumn.
In all parts of the world, no field is uncultivated and uncultivated, and hard-working farmers will still starve to death.
At noon in midsummer, when the sun was shining, farmers were still working and sweat dripped into the soil.
Who would have thought that the rice in our bowl was full of the blood and sweat of farmers?
At the beginning of the appreciation of the first poem, the bumper harvest is described concretely and vividly by turning "a grain of millet" into "ten thousand seeds", and the farmers' labor is praised by "sowing" and "harvesting". The third sentence, by extension, shows that within the four seas, wasteland becomes fertile land, which, combined with the first two sentences, constitutes a vivid scene of fruitful and "gold" everywhere. "Enlightening men" is for stronger "hair". These three poems show the great contribution and infinite creativity of the working people with progressive brushwork, making the following knot more dignified and more painful. "Farmers still starve to death" not only makes the content coherent, but also highlights the problem. Hard-working farmers got a bumper harvest with their hands, but they were still empty-handed and starved to death. Poetry forces people to think "who created this human tragedy" with a heavy heart. The poet puts all this behind the scenes for readers to discover and think. Combining these two aspects, as Marx said: "Labor has produced amazing works (miracles) for the rich, but labor has produced extreme poverty for the workers. Labor built palaces, but caves for laborers. Labor produces beauty, but it produces deformities for workers. "
The second poem, from the beginning, describes that at noon in the hot sun, farmers are still working in the fields, dripping sweat on the scorching land. This makes up for the change from "a millet" to "ten thousand kinds" and then to "the four seas have no idle fields", which was watered by thousands of farmers in Qian Qian, Qian Qian with blood and sweat; This also captures the most typical image of the following "every grain is hard", which can be described as one tenth. Generally, it shows the hard life of farmers who don't avoid cold, summer, rain, snow, wind and frost all year round. "Who knows that every meal is hard" is not empty preaching, nor is it disease-free; It is similar to a profound motto, but it not only wins by its persuasiveness, but also reflects the poet's infinite resentment and sincere sympathy in this deep sigh.
Compared with those famous poems, these two short poems are not excellent in the flowery Tang poetry world, but they are widely spread, well known to women and children, and it is not unreasonable to be recited and tasted by people.
First of all, the contents of these two poems are the most familiar things that people often come into contact with. However, you don't really know what you are most familiar with. There are many things in life that you turn a blind eye to. If someone tries to enlighten you, explain the essence, or point out some truth involved, you will feel very eye-catching and clear, thus deepening your understanding. This is the reason why these two little poems have vitality.
"Planting a millet in spring and harvesting 10,000 seeds in autumn" is probably familiar to everyone. But it is often difficult for poets to get in touch with society and class and think about some problems. The poet thought of it. However, he saw the cruel reality that "farmers are still starving to death" from the harvest scene of Tianxia. This dial is surprisingly eye-catching and naturally left a deep impression on people. Another example is "Chinese food on a plate", which people touch every day and eat at every meal. However, no one thought of linking this grain with the sweat of farmers under the scorching sun. The poet observed it keenly and condensed it into a poem "Every grain is hard". This enlightens people, makes them think about the truth, and makes those who do not know how to cherish food deeply educated.
Secondly, when the poet expounds the above contents, he does not use vague abstractions, but uses vivid images and profound contrasts to expose problems and explain the reasons, so that people can easily accept and understand them. Like the first three sentences of the first song, in general, they all use vivid images to summarize the hard work of farmers in the vast fields, such as spring planting and autumn harvest. These sufferings have brought a lot of food, so we can live, but the last sentence has become "farmers are still starving." In this way, the situation before and after is in sharp contrast, which causes readers to think about problems and draw conclusions from the comparison, which is much more profound and powerful than the author telling readers his own views directly. Another example is the second song. The first two sentences of the author didn't say how hard it is for farmers to farm and how difficult it is for crops to grow. He just made an image of the plot of farmers sweating in the hot sun, which made people make this hard and hard taste more concrete, profound and real. Therefore, the poet finally said in a rhetorical tone that "everyone knows that every meal is hard" is very convincing. In particular, comparing the grain to a drop of sweat is really subtle and vivid.
Li Shen (772-846), a native of Bozhou (now Anhui) and Wucheng (now Huzhou, Zhejiang), grew up in Wuxi, Runzhou (now Jiangsu). This word is vertical. At the age of 27, he was admitted to middle school and became a teaching assistant. He became close friends with Yuan Zhen and Bai Juyi. The most brilliant part of his life is poetry. He is a participant in the new Yuefu movement, which has great influence in the history of literature. He wrote 20 new poems about Yuefu, which have been lost. There are two poems entitled "Compassion for Farmers": "At noon on the day of weeding, sweat drips down the soil. Who knows that every grain of Chinese food is hard. " Moxibustion population, known to women and children, has been passed down through the ages. The Complete Tang Poetry contains four volumes of Tang poetry. Li Shen
Spring is early on the lake, and the family is not idle. I want to open up wasteland in Minamino and keep my humility to the fields. Sunset shines on the market, and cattle and sheep go home along the path. Boarding in Suqian North, Wan Qing paved the vault. Plums are green, plums are yellow, vegetables are fat, wheat is ripe, and sericulture is busy. The fields on the hillside are like stairs, and the rows of neat fields on the plain are like chessboards. It was too late to write the sword, and it was dusk in Yuan Qiu. Silkworms don't weave mulberry in summer, fields waste spring ploughing, and calves work. At noon in summer, the sun is very hot, farmers are still working, and beads are dripping into the soil. The grain did not show in June, and the housekeeper has repaired it. The fields are full of water, the rice leaves are neat, the sun shines through the treetops, and the smoke is low. In summer, the wheat grains are rolling and the summer grain is bumper. Although the children don't plow and weave, they also learn a kind of melon in the shade of mulberry trees. Tomorrow morning, farm tools will be used to reclaim wasteland. The mountains are cold and vulnerable to freezing. Tianjia hedge has a small winding path. Clouds and trees are open and clear.