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Brief introduction of Luhuadang content
In War of Resistance against Japanese Aggression, an old man crossed the enemy's blockade by boat countless times at night in Baiyangdian, transporting food and grass for guerrillas and escorting cadres. He didn't carry a gun, but he shuttled through the reed pond with clever poles and swimming skills.

But once when he escorted two girls across the blockade at night, one girl was injured. The blow almost made him lose the strength to move on. He vowed to avenge the girl. The next day, he fought alone and avenged the girl.

Extended data

Luhuadang is about people and things in a cruel war environment, but there is no description of "sadness, misery and sorrow". Even the moans of the girl after her injury were gently taken away. What the works want to convey is the firm belief and optimism to defeat the enemy.

Even in the cruel war background, the author still writes the beautiful scenery of Baiyangdian with a calm attitude and carefully carves the statues in the hearts of Baiyangdian people.

On the surface, the description of Lu Hua at the end of the novel seems to leave the specific struggle environment-a desperate struggle with the enemy. Actually, it is not. Careful readers will notice that it was the feeling of "looking at the reed pond" when the old man "slammed" the hook and killed the devil's head.

As the saying goes, "Scenes move with emotions", and the struggle to get rid of hatred will inevitably sprout a relaxed and happy mood in the heart. In this case, the fresh and tender reed flowers will naturally look particularly beautiful in the eyes of the elderly.

From the description of the scenery in this novel, we can see that the scenery described by Sun Li is not only an ornament, but also contains far-reaching accommodation. In his novels, the description of scenery plays a role in impregnating the environment, setting off the spiritual realm of the characters and strengthening the lyrical charm. Therefore, they are by no means a few free pearls, but the crystallization of the inner temperament of the works.