The handwritten newspaper with the theme of protecting wild animals is divided into two parts.
Protecting Wild Animals and Maintaining Ecological Balance —— Manuscript of Protecting Wild Animals in Wuliyuan Central Primary School
The first handwritten newspaper to protect wild animals
Word template of wildlife protection tabloid handwritten newspaper
The students carefully produced a handwritten newspaper about protecting ecology and animals and plants.
Manuscripts for wildlife protection produced by Category 3 and Category 2
Manuscripts about natural scenery
Articles written in handwritten newspapers and photo albums are beautiful. Wild animals are an important part of natural ecosystem.
Protecting Wild Animals and Harmony with Nature * * * Handwritten Newspaper Exhibition in Class 3, Class 7.
Protecting Wild Animals and Maintaining Ecological Balance —— Manuscript of Protecting Wild Animals in Wuliyuan Central Primary School
Building ecological environment and protecting wildlife manuscripts; Environmental protection manuscript.
Cute cartoon illustrations of forest animal protection and wildlife tabloid handwritten newspaper
Protecting animals handwritten newspaper is simple and easy to draw.
It is everyone's responsibility to write the Poké mon of nature and protect animals.
Pictures of handwritten newspapers about animal anecdotes-protecting wild animals 6
Wildlife protection manuscript
Wildlife protection manuscript
Nongfu Spring illustration analysis 1, clarifying the illustration content and task 2 audience positioning 3 expression style positioning 4 expression technique positioning Since last year, Nongfu Spring sold "17.5 orange" across the border, causing an exclamation in the industry: Nongfu Spring will also sell sentimental fruit. At the beginning of this year, Nongfu Spring played a new trick in its traditional strong bottled water-three high-end new products, both in packaging design and concept, which were full and impressive.
The new packaging of Nongfu Spring has been well received in our dealer survey, and the three products also have their own characteristics.
One of the new products: Nongfu Spring glass bottle high-end mineral water
High-end water is a hot concept in recent years. Usually, the market will define high-end water by whether it is expensive or not, but Nongfu Spring totally disagrees with the method of distinguishing by price.
At the meeting, Zhong proposed three characteristics of high-end water: scarce natural water source, natural and balanced mineral element content, and profound natural or humanistic cultural connotation.
In Nongfu Spring's view, the first two points are endowed by nature, and the third point needs human efforts. In order to make the products full of aesthetic feeling and cultural added value, Nongfu Spring spent three years inviting five top international design companies to design, and finally selected the packaging design after 58 drafts.
In fact, as early as June 20 12, Nongfu Spring had already received a favorite design draft, but it was difficult to put it into reality because of the bottle-making and printing technology at that time. Nongfu Spring is unwilling to lower its requirements, so it looks for a new design company. But after two years of comparison, I finally felt it was a pity to give up the original plan, so I came back.
There are eight packaging styles for this product. The main pattern of the bottle is selected from the species unique to Changbai Mountain, such as Dongbei Tiger, Chinese merganser and Korean pine. On the side of the pattern, the words "Changbai Mountain has known 58 species of national key protected animals, and the Siberian tiger belongs to the national first-class protected animals" are written, which reveals a strong atmosphere of ecological and humanistic care.
The second new product: Nongfu Spring natural drinking water (suitable for infants)
In recent years, there are more and more baby aquatic products abroad, which have become essential products for scientific parenting. The latest baby water developed by Nongfu Spring was also launched at this conference. Prior to this, there was no bottled water product specially designed for infants to drink and prepare formula food directly in China.
Different from ordinary drinking water, infant water has stricter requirements on mineral element content and microbial control. Usually, water with high mineral content or without mineral elements is not suitable for infants to drink. In addition, the requirement for commercial sterility of baby water was not listed as an indicator in all bottled water in China.
All the above is nonsense, so I won't describe it much. Just look at the picture. It is said that this is the world's top aseptic production packaging!
The third new product: Nongfu Spring student mineral water
Twenty years ago, Nongfu Spring introduced sports cover packaging, which was warmly welcomed by children. The slogan "Don't make such noise in class" is impressive.
In order to commemorate this product full of childlike interest 20 years ago, Nongfu Spring launched an upgraded version of the sports cover: natural mineral water for students.
In order to give teenagers a better consumption experience, Nongfu Spring has designed a bottle cap that can be opened and closed with one hand. There is a patented valve in the bottle cap that only opens under pressure. When the lid is opened, ordinary tumbling and inversion will not let water out, which is very suitable for children.
In addition, Nongfu Spring also invited famous British illustrators to draw a set of imaginative labels to show the four seasons of Changbai Mountain, namely, spring, summer, autumn and winter. The whole design is full of innocence, just like the natural world of Changbai Mountain imagined by children.
The significance of photography to the development of conceptual art ~ ~ urgently needed ~ 1. Photographic literature is an indispensable art form in contemporary real life.
Since the history entered 2 1 century, photographic literature has developed rapidly due to the needs of society and people's aesthetics. This strongly proves that photographic literature is an indispensable art form in contemporary real life. As can be seen from the following three aspects, photographic literature is an art form urgently needed in contemporary real life.
1. The natural scenery of tourist attractions needs cultural accumulation, and photographic literature can promote the rapid completion of this process.
If many scenic spots in China lack cultural accumulation, their charm will be greatly reduced. Human heritage includes natural heritage and cultural heritage, and some places have both, such as Mount Tai, Wuyishan and Jiuzhaigou, which are both natural and cultural heritage. Without any aspect, their charm will be greatly weakened. Wang Fuzhi said: "The name of the scene is called two, which is inseparable. God is infinite to poets. Skilled people have feelings in the middle of the scene. " Because if the two are truly organically unified in poetry, the value of poetry will increase in direct proportion with the increase of its material, so the organic integration of beautiful scenery and emotional beauty is more infectious than simple beautiful scenery or emotional beauty. This is a kind of "complex beauty", and the "difficult beauty" and "greatness" in art seem to be the same. Photographic literature can undoubtedly increase the cultural content of natural landscape. On June 8, 2002, 165438+, a special issue of Zhangjiajie scenery, "Beautiful Mountains and Rivers", was published by the Literary Newspaper Photography Literature Guide. It can be said that before 1980, Zhangjiajie's unparalleled natural landscape was bred in an inner room, and no one knew her. After the famous painter Wu Guanzhong unveiled the mysterious veil of Zhangjiajie to the world, with the development of people, Zhangjiajie has become increasingly enchanting. Photographic literature will promote the cultural accumulation of Zhangjiajie's natural landscape to a certain extent. In other words, Zhangjiajie is more and more swaying in people's aesthetic photos. She is no longer just a simple natural scenery, but also a charming human landscape.
2. Imagination without real feelings is easy to be empty.
Mo КаΥан pointed out in "Art Morphology": "Art works are first created as a combination of some material structure-sound, volume, color point, vocabulary and action, that is, as an object with spatial characteristics, time characteristics or space-time characteristics, they exist and appear in front of perception. Because of this, this kind of work has nothing to do with what scale of artistic value people admit it has, how to explain its content, or even whether people fully perceive it, whether it is buried underground or stored in museums and libraries. Of course, works of art cannot be attributed to this material structure, but works of art will not exist without it, without it, independent of it and independent of it. As a spiritual form, works of art are included in this structure. In this structure, we can not be separated from it, and only through it can we be perceived. Therefore, the material structure of a work of art is its ontological state, the main foundation and condition for its realistic existence, and also its direct perceptual manifestation. " (See page 278-9 of this book) Santayana also said in an aesthetic sense: "Although the beauty provided by the perceptual material of a dress, a building or a poem is so secondary, the existence of this perceptual material is indispensable." "If Athena's Parthenon is not made of marble, the crown is not made of gold, and the stars have no fire, they will be dim and powerless. Here, material beauty is more attractive to the senses. It stimulates us, and its form is noble. It enhances and strengthens our feelings. If our perception is to reach the highest level of intense sensitivity, we need this kind of stimulation. Anything that is not beautiful everywhere must not be fascinating. " (See page 52 of this book) Mokagan thinks that vocabulary is a material structure, but the rhythm of vocabulary and the real feelings we need to feel from the natural beauty described in literary works are two different things. In order to pursue this true feeling, in recent years, many literary masterpieces have illustrations. Bao Feng scanned this phenomenon in Changjiang Daily on June 30th, 2002. He pointed out that in February this year, Beiyue Literature and Art Publishing House published two books, Xiang Xing Notes Written by Shen Congwen and Border Town. The publication of these two books can be called the symbol of the real appearance of "picture books" with modern consciousness and characteristics. The covers of these two books are marked with the words "picture book", which contains photos of Shen Congwen's life and landscape paintings of the areas he described. In "Border Town", there are also a series of photographs full of Xiangxi customs and natural scenery. The plot development of photographic works and novels reflect each other, making "pictures" and "words" an organic part of novels. In this book, "pictures" are no longer dispensable decorations, but * * * has completed the dissemination of a "cultural purpose". There are not only Huang Yongyu's ink paintings of Xiangxi customs, but also Shen Congwen's own illustrations for his articles. At that time, Shen Congwen returned home because of his mother's illness, and wrote to Zhang Zhaohe every day, reporting what he saw and heard along the way, and attaching illustrations to the letter. These illustrations and the contents of the letter complement each other and blend into one. In the illustrated book Border Town, Huang Yongyu used painting, while Zoya used photos and "illustrated" the content of the novel. Just looking at the illustrations, you can feel the "atmosphere" of the novel itself. Although the illustrations in Border Town and Xiangxing San Ji are black and white, their compositions in the books are different, which also gives people a feeling of rich colors. This kind of illustration really helps people to be there. Otherwise, it is difficult to achieve this wonderful effect in literary description. This pursuit of true feelings is the inevitable product of people's pursuit of all-round development in contemporary society. It can be said that photographic literature came into being, which fully developed the full potential of people.
3. Some photographic works of art have no literary description, so it is difficult to display their rich historical content.
Some photographic works of art can only soar with the help of the wings of literary imagination. Hegel said: "The same motto, when spoken from a young population who has completely understood it correctly, will never have that meaning and breadth in the hearts of experienced adults, who can express all the power contained in this motto." He also said: "The religious beliefs that the old man said can be said by children, but for the old man, these religious beliefs contain the meaning of his life. Children also understand religious content, but for children, the meaning of this religious content is only such a thing, that is, the whole life and the whole world are still outside it. " Some photographic works of art are inherently rich in historical content, but it is difficult for ordinary people to feel them, while literature can reveal and display the rich historical content of photographic works of art. For example, on April 19, 2002, a photo of Li Xifan was published in the Photographic Literature Guide of Wenyi Bao, which was taken on February 25, 1954, entitled "By Chairman Mao". Without Li Xifan's reminiscence prose, it is difficult for people to capture more historical content from this photo. However, this photo does contain many unforgettable historical contents. Of course, Li Xifan's prose is not only the explanation and supplement of this photo, but complementary to each other. Because Li Xifan used his prose to express what this photo didn't contain. It can be said that photos are the past and prose is the present. Nearly half a century has passed, and many people have experienced Cang Sang. Chairman Mao is still alive and still lives in people's hearts. This is what this photo essay tells us. The mutual activation of the internal components of photographic literature not only shows richer content, but also greatly meets people's aesthetic needs.
Second, photographic literature is the inevitable product of the development of human art.
What are the basic characteristics of photographic literature as a new art? Many domestic scholars have conducted in-depth discussions on this issue from different angles, and successively put forward aesthetic compound theory, aesthetic dislocation theory, implosion theory, spiral structure theory and intertextuality theory. These definitions of photographic literature enrich people's understanding of photographic literature.
At first, we knew that photographic literature was an aesthetic combination of literature, photography, directing, performance and fine arts. "Photographic literature not only breaks through the traditional documentary, rushes out of the limitation of time and space, and makes photographic art plug in the ideal wings and soar in the artistic space, but also turns the artistic language of literature into an intuitive image, and the similar description of literature into a visual picture, so that it has both a beautiful visual image and incisive language art." On this basis, Malone put forward the "aesthetic compound theory". He said: "The aesthetic combination mentioned by Mr. Cheng Dongfang is a profound theoretical category. This paper not only talks about the relationship between various aesthetic and artistic factors contained in photographic literature, but also talks about the relationship between photographic literature and other art categories and forms, and also talks about the relationship between photographic literature and historical times and social life, so it can also be said to be a compound aesthetic relationship theory. In the overall structure of' aesthetic compound theory', its basic level is the relationship between aesthetic subject and object. " "On the level of aesthetic subject-object relationship in aesthetic compounding theory, the compound structure of beauty corresponds to a compound structure of aesthetic consciousness which combines various aesthetic types and aesthetic psychological forms, and it is a specific provision for the essential characteristics of the unity of aesthetic understanding and aesthetic value of photographic literature. This structure includes the aesthetics of natural beauty, the aesthetics of scientific beauty and the literary aesthetics of combining natural beauty with scientific beauty. " In fact, photographic literature has a more complicated side and a simpler side. Liu Gangji believes that photographic literature "can also penetrate into all aspects of social life more widely. For example, the life of a college student, taxi driver and cleaner in one day, the face of an alley in Beijing, important cultural relics and historic sites, scientific and technological inventions and innovations, fashion shows, major national engineering construction (such as the Three Gorges Project), major political and diplomatic activities, natural scenery and ecological protection in various places, people's exercise and fitness activities in parks, scenery and construction of various communities, the life of foreigners in China, and large enterprises. I don't think the "literature" of "photographic literature" needs to be limited to "pure literature" in the traditional sense, but can be combined with news reports and reportage, and be as close as possible to the daily life of people from all walks of life. " He proposed: "It is easy to combine photography with poetry and prose, but the difficulty lies in how to express the content of novels with photography and find the unique form and law of this expression to distinguish it from cartoons and illustrations of novels. I have never understood this question. " (See "Introduction to Photographic Literature of Literary Newspaper" in May 2002 10) People have had different discussions on this issue. Some tend to combine photography with literature to create photographic novels directly in real life, while others tend to combine photography with literature, photography, director, performance, art and other arts, which is more suitable for adapting novels. This can be explored and tried. Therefore, we should not blindly complicate simple things. The "aesthetic compound theory" really reveals the complicated side of photographic literature. However, the internal composition of some photographic poems and essays is very simple, which is beyond the grasp of "aesthetic compound theory"
Wang Yichuan hopes to reveal the characteristics of photographic literature by explaining the reasons for the combination of photographic art and literature. He analyzed the various components of photographic literature and thought: "Photographic art and literature have their own gains and losses. Photography is good at providing vivid and direct vision, but going deep into the field of thinking is indirect; However, literature is good at creating concrete and vivid thinking, but it loses its indirectness in restoring visual effects. Looking at them in isolation, their respective shortcomings are obvious: photography cannot provide concrete and vivid thinking like literature, and literature cannot present vivid and intuitive vision like photography. However, if these two kinds of arts have their own advantages and disadvantages, if they are matched with each other, they can achieve the effect of mutual complementarity; The vision of photography art and literary thinking are open to each other, showing unparalleled new advantages; At the same time, the former just supplements the visual indirectness of literature, while the latter supplements the thinking indirectness of photography, thus realizing complementarity. It is this mutual matching that produces mutual enlightenment and complementary effects, which provides necessary and sufficient reasons for the integration of photographic art and literature for photographic literature. So we have a new literature and art of marginal photography. Through the collocation of photos and documents, it is a whole. Matching is not complete recognition or perfect integration, but cooperation under the premise of independence; Instead of random collage and patchwork, we should make full use of their respective advantages to achieve the effect of mutual inspiration and complement each other. Because of this mutual inspiration and complementarity, photographic literature shows novel and powerful expressive force. " Admittedly, these two arts have their own advantages and limitations, but this does not necessarily lead to a combination. At the same time, this combination may increase in value,1+1>; 2. They may also hurt each other. 1+ 1.