In recent decades, public and private artists who mainly focus on calligraphy, painting, inscriptions and books and documents have chosen their own essence through the continuous progress of photocopying technology, and their value is more obvious in sharing with their peers, which seems to be a concept. While establishing brand and promoting development, it has become the long-term pursuit of publishing institutions to aim at opportunities to create fine products and meet demand. Research enthusiasts also benefit from this, because rare materials are more common and easy to obtain, which creates more favorable conditions for their extensive and in-depth research. This kind of interaction, whether in its proper position or in many aspects, seems to be an ideal realm that everyone likes to see and hear. Today, Mr. Chen Yu, who is interested in the study of epigraphy, cooperated with Shanghai Publishing House to launch the "Jiashutang Rare Epigraphy Series" (hereinafter referred to as "Series"), and its practical significance is self-evident. As an author who is always invited by fate to appreciate the extension, phase and evaluation of the original, rereading the excellent edition seems to have gained something. Because he chose a few things, he had a little humble opinion, answered the elegance of the family, continued the unfinished business on weekdays, and stayed in the same good family with him.

1. Ode to Gao, Ode to Shimen and Zheng Wengong Monument.

Gao Ge Fu is a famous cliff stone carving in Han Dynasty, and it is also called "Three Fu of Han Dynasty" with Shimen Fu and Xixiang Fu. In the books collected in this series, the word "Gong" in the eighth line of "Immortal Yuan Gong" is intact, while the word "Wu" is still in the first half, and the word "rot" is still incomplete, which is not the same as the word "Gong" contained in Luo Zhenyu's School Lock Inscription Book, and the word "Wu" still exists. I have seen this monument in my life. There is a sign in the book that says, "Ode to the Pavilion by Mingtuo is a lesson for the second brother." May, May and August pot father title. "The Wuwu period was 19 18. Hu's father's name is Li Yinshang, a famous seal engraver in the late Qing Dynasty, and his second name is Li. According to the Qin Diary (compiled by Tang Dynasty) of Zhou, a famous stone carver, which is contained in the 20th edition of Historical Documents of Shanghai Library, he is Zhou's sister-in-law.

The word "Gong" of "Yuan Gong" in "Ode to Gao" does not damage the book (Jiashutang)

This "Ode to the Pavilion" is a light ink rubbing. Although the stone flowers are scattered, the words and pens are full of charm. Recalling his trip to Beijing a few years ago, Mr. Chen Yu, who shared Mr. Zhong Wei's feelings, said that his new poem Ode to Shimen used black stone flowers and imitated its style. At that time, two people specifically pointed out that this was one of the characteristics of the early cliff stone rubbings, which was quite impressive. Later, Mr. Chen Yu published two articles in his calligraphy series, namely "A Preliminary Examination of the Song Cliff at Shimen" and "An Examination of the Song Cliff at Shimen". Among them, ink color and extension method can be used as reference besides textual research, and they are compared and described one by one. After reading it, I know better. In the future, I also questioned whether Gu Nanyuan (loving himself) had seen the original extension of Ode to Shimen in the early Qing Dynasty. Today's "series" will include this poem "Ode to Shimen" in newspapers and periodicals, which is believed to be a reference for further study on the early extension of this kind of cliff.

Jia Shutang's Ode to Shimen

Similarly, Zheng Xiabei, commonly known as stele, is not only a masterpiece of cliff stone carving, but also a faint inkstone flower in Series, which seems to be pervasive and the calligraphy and painting are vigorous and brilliant. Therefore, Mr. China, a scholar and famous stone painting and calligraphy artist in the early years of old books, called it "because Mr. Weng Kaiyun wrote in the article" Northern Wei Stone Carving and Yunfeng Mountain Zheng Daozhao "that he is also committed to this stele.

The straight stroke of the word "Jiang" in the sentence "The Secretariat of Gwangju in Pingdong" in the original citation of Zheng Wengong Xiabei was intact, and later it was extended to the right. In addition, the word "no" in the sentence of "lax treatment" can be seen in the second half of the sentence, and then it is exhausted. The oldest rubbings of this kind are covered with stone flowers, some are rambling, and the full text is difficult to read; Although some of them are readable, not as clear as the words and calligraphy developed later, the recognizable words and strokes are heavy and vivid on paper. Ye's "Yu Shi" said: "At the beginning of the wood, Wu Tuilou (Cloud) got a share worth fifty gold. Later, because of old experience, the service saved twice the work and the value was reduced to one twentieth. " I have read Wu's manuscript, which is also covered with stone flowers, which is similar to the first extension, except that the words "Jiang" and "cloth" are damaged. Wu's activity time was during the reign of Daoguang and Tongzhi, and it was the original version of Xiabei, which should be before the early years of Daoguang at the latest. ...

Generally, the standard to distinguish the old rubbings from the new ones in Zheng Wengong Xiabei is whether the word "ode" in the sentence "Zuo Deyue" is complete or not, which is called "ode book". In fact, the same eulogy book is also very different. Even better, as mentioned above, compared with the initial extension, except for a few calligraphy and painting, the spirit of calligraphy is not far away; There are too many stone carvings at the bottom, the surface of the monument is worn and the stone flowers are greatly reduced. The strokes are thin and hard, and Zheng Daozhao's heroic spirit is lost.

Mang Fu Yao wrote an inscription and postscript for Zheng Wengong Monument (Jiashutang).

In the postscript of Mr. Mang Fu Yao mentioned above, it is also mentioned that this tablet was "square and dignified when it was opened in the Northern Qi Dynasty, and this unwashed word is clear and clear, often visible, not recently available"; Xiabei and heming are not masterpieces of the Six Dynasties. Here, the north and the south are opposite and the hub is connected. The news of the monument is good. "There is no lack of experience.

Second, "the sky is far from the north"

The "Tianfa Shenbei" collected in the "Series" is also a rare book with many famous inscriptions. Among the seals of the old families in the book is Weng Guangping's second seal. Although Zhang Zuyi, a famous stone tablet, has written in the postscript at the end of the book: "Guangping private seal, near uncle is not the so-called Wujiang River Weng Village", but Weng's behavior and everything related to this tablet are still worth talking about.

Jiashutang Destiny Monument

Weng Guangping (1760- 1842), a native of Wujiang, Jiangsu. Love the past and be eager to learn. Sexually fond of books, handwritten; Pay attention to the literature, especially the stone tablets. In the preface to the collection of epigraphy records contained in Volume 6 of Listening to English Living in Wen Chao, the readme is slightly detailed:

I have nothing else in my life, but I have a wish to inscribe. But I hate being poor at home, so I can't buy more. I just take out dozens of volumes of Tang steles left by my ancestors and have a look. Or if someone in the bookstore can exchange things with others, it will be easy; Otherwise, buy clothes; If its value is too heavy to be obtained, it must be recorded and read. Over the past few years, there have been 700 volumes from the Three Dynasties and the Han Dynasty to the Song and Yuan Dynasties, so they are recorded in chronological order and the author's name. Those who occasionally use history to correct their fallacies are postscript to it, and dare not have the same words of suppression. It is called "Collection of Scholars", which is secretly compared with Ouyang Zi's Collection of Historical Records and Zhao Defu's Collection of Scholars.

In Volume 13, there is the Postscript of Sun Wutian's Statue Monument, which says, "Its brushwork is the combination of the two schools of Zhuanli, which is quite magnificent and unique, but it is not easy to learn. Moreover, the stone tablet is still well preserved, so the Jinshi family is not very valuable, so I saved an old ink book, and it is easy to let Zhang Shu of Jiaxing go without solving the problem. Ding Mao, who is in his thirties, went to Jinling to expand several books. Who knows that his stone was destroyed three years ago. The furious man studied in jiangning house to honor his adult and put Wang's jade board on the cabinet. Wenguang Maozao wants to print Yuhai, but the printer is in your charge. When cooking, the printer caught fire. The cabinets and memorial tablets were burnt, and Mao Yi was dismissed, but the price of the old extension increased tenfold. "

Weng's Cloud is a rubbings of Tianfa Shenggong Monument written by Zhang (Tingji), which is described in the inscription of Wu Tianxi Jigong Monument (old rubbings) in Volume II of Qingyige epigraphy:

Zhao Jinwei returned the whole map, Song Zhishan returned the whole map to Ben, and we returned the whole map to Ben and Bei (to Huangpu). Liulichang, Kyoto and Ji Jie all got the whole map, but both of them had shortcomings and developed within a hundred years. Guangping in Weng Village, Jianghai Wu belongs to Yu Panjiatang Taishituo, which is complete, ancient and lovely. Friends in Heqing County brought this copy, such as the word "Fu Chui", Pan Benyi's old copy and Fan Changbao's old copy in Beihu Lake, and half of them have been eroded. Wang's Jin Bian has the word "fu" and copied the word "inch", which is clearly distinguishable; At the end of the word "Qiao", the cracks in the horizontal stone are all connected with the word "I", and Pan only has cracks, but this is not damaged. ...

Zhang called Pan Taishi, that is, Pan Lei (1646- 1708) in the early Qing Dynasty, and Kangxi (1679) called imperial academy to revise Ming History. He is also a native of Wujiang, and a national sage of Weng Guangping's predecessors. Therefore, there is a Pan Zhuan in Volume 21 of Listening to English Banknotes. Pan Shi is also as good as a stone, and his friend Zhu Yizun said in the Postscript of Pan Shi's Family in Jin and Tang Dynasties that "the second visit to the tablet inscription will be bound one by one. Get this, so the crown of Cui Mo ". Lin Dong (1627- 17 14), another epitaph in the early Qing Dynasty who was contemporary with Pan Shi, wrote more in the book A Brief Introduction to Lai's Epitaph:

Ding Chou, Zhong Chun, give a guest a visit to Jiangshogunate, and Jun Fu, Chen, hope to have something in Jiangning. He told me that there is a small note that you can't get without the weight of the festival because he was entrusted with this monument. Return after ten days and hand in two more papers. More than half a month later, Jiangning satrap presented six more papers and learned that it was Yu. After Wujiang, I stayed at Mr. Pan's house and read the post. Language is a monument. Tang Jia said that if you want to grow up in the south of the Yangtze River for decades or sixty years, you can't get what you want. If you have a lot of money, you are eager to share it with me. Because of a piece of paper.

Ding Chou recorded by Lin was in the thirty-sixth year of Kangxi (1697), and Pan Jiu Tian Tan Tuoben was owned by Weng Guangping. Although I don't know the specific age, it is very likely that Lin Dong gave it to Pan Shi in those days. Because in addition to what Lin recorded, Zhang's postscript was quoted before, saying that Zhao Jin's own books and the two full maps obtained by Liulichang and County were "all developed within a hundred years". If Zhang ran his own business for nine years (1829) as a postscript, it should be the eighth year of Yongzheng at the earliest (65438). For example, Tianfa Shenbei was given by Shanghai Library in Jiaqing Xinwei (16, 18 1), which should be Zhang's Song Family Record (continued) and Mr. Zhen Ben Record (Cultural Relics Publishing House, 2022,65438+). Of course, the "series" collected today have Weng's seal, but there is no trace of Pan Lei or Lao. It can be said that it was once collected by Weng, but it is not necessarily easy to go as Weng said. Weng's postscript said that the tablet was still intact, and the Jinshi family was not very valuable, which seemed to be true. The Monument to the Temple of Heaven contains the inscriptions of Guo Shangxian (1785- 1833) about the same time as Weng, which were handed down from generation to generation by Li Qiyan and An Siyuan. Among them, it wrote: "Thirty years ago, the monument to Wuji Palace was very easy to get, and the first Sima who wrote Qianlong Jiayin returned from Wu. If the stone is not judged after being destroyed, why can it be enlarged? In Yu Xuan, I searched all the books and only got three, but I didn't finish reading any of them, only got a complete book. If the remnants are well known, they are all seen by the ball wall. "

In Weng's inscription and postscript, it is recalled that Ding Mao arrived in Jinling in the 12th year of Jiaqing (1807) and learned that "his stone was destroyed three years ago" and recorded the details of burning the monument, which is quite specific. However, in the Postscript of Zhang Tingji published by Shanghai Library, the 16th year of Jiaqing (650) appeared again. Mr. Yun met in Yangzhou at the beginning of September. It is said that there was a fire in Jiangning and the Tianxi monument was missing. Secondly, he said, "1 1 month 19 in Wu Geng, Guangping, Hai Weng Village, Wujiang, visited Huangli on foot from Zhapu and arrived at Yunwuchen's hometown exam. There are also "three tablets" in the tablet shop, asking for ten gold. When I visited Jinling last year, I couldn't get dozens of gold. The burning of the tablet was also due to the gathering of Mao Zao calligraphers in Zunjing Pavilion, printing "Yuhai" and cooking with a fire, which led to the extension of the burning time, and the Han tablet in the Song Dynasty was paid in full. A seat in Wenguang will be removed immediately. Thousands of years of antiquities, older than this, alas. "It is basically consistent with what Weng said in the postscript, because Zhang got the news that the stone tablet was burned from Wutu Bed (Qian) in Haining a few months before Jiaqing 19 (ten years, 1805). In November in Wu Geng (the 15th year of Jiaqing 18 10), Weng Guangping called at home and learned from Weng's family that the high price of this stele extension was rare in Chen Wu (the 13th year of Jiaqing 1808) and Jinling No.4 (the 14th year of Jiaqing).

Three. Epitaph of Cui Jingyang

Liu Tieyun's (e) epitaph of Cui Jingyang in the Old Northern Wei Dynasty in Series of Books has a long-standing reputation, because so far, only five original versions of the epitaph are known, all of which are precious. There are also many comments on these five books, listing their own characteristics, such as the old-fashioned thick and thin ink rubbings of Shanghai Library and the thin ink rubbings of Shu Dao Museum in Japan, because in the preface to the original stone, the titles of ancestors and fathers are embedded in front of the epitaph titles, which makes this special and rare format preserved and embodied. The calligraphy written by Wang Shizhen to Zhu Yizun in Qing Dynasty, as well as the inscriptions of Fei, Wang Kui, Zhang Zuyi and Duan Fang attached to Shanghai Library, can be used for reference. For example, the postscript of Jin Dai Guangzeng and the inscription in the museum all have their own values.

Epitaph of Cui Jingyang and Liu Tieyun (Jiashutang)

The books collected in this "series" were brought to Japan by Liu Tieyun, a scientist at that time, at the end of Guangxu, and one hundred copies were printed in Kolo edition, which made a great reputation. Later, it was reprinted repeatedly and had a wider influence. There are inscriptions by Chen (1648- 1709) and (39th year of Kangxi 1700). Although it was moved from other books, the value of Chen's postscript should be paid special attention to as a witness of related events in the early stage of publication. Moreover, after this book was transferred from Liu Tieyun (E) and Wang Xiaoyu (E) to Tao Beiyan (Zuguang), the world has not seen it for a long time, and it is said that its whereabouts are unknown. Anyone who wants to see the study or even study can only rely on the old seal. Now it has been reprinted according to the original work, which not only has the same primary colors, but also adds contents that have not been seen in the previous print, whether it is the signatures of Li Ruiqing, Chu Deyi and Wu Changshuo before the book, or the proofreading, visiting and reading pictures of the tablets made by Chen, Lin Shu and Wang Luonian after the book, as well as the inscriptions by Shen, and even the inscriptions in the cotton sheath made by Tao Beiying.

In addition, there is a postscript of Fei Yisi (thirty-one year of Guangxu 1905) in the inscriptions of various schools in the thick and thin Mosuo mosaic of Shanghai Library, which was actually written for the first half of the light Mosuo remnants before mosaic. At that time, the residual books were all owned, so the fee was postscript: "Chivalrous swordsman collected old books in Changsha in the same year, and the books were surplus. Create a haze and hand it over to the market. I am very sorry that Jia transferred to the secretary, which is less than 100 words. " Does Fei's wordlessness only mean that the second half of the book was lost at that time, or that the first half was also lost? Holding photocopied books such as Shanghai Library Volume and proofreading them one by one, I got the following:

In the first half of the Shanghai Library's volume, one of the ink extension parts was opened, and the words "My wife's book is the daughter of Zhao Guo and Li Yu" were missing. "Wei therefore has the title of' General Xiang' and lacks the word' Wei therefore';" "Supervising national military affairs" lacks the word "military".

In the second opening, the word "taizhong" was missing. "Boling Anping" lacks the word "Ye"; "The distant ancestor is still the father", and the word "ancestral business" is missing.

The fourth opening, "Hua, flowing with the sound in Beijing and summer", lacks the word "real, with"; The word "start from scratch" is missing.

Eighth, the words "Yu and Ji" are missing.

* * * Ten items are missing, and there is nothing missing in the second half of the thick ink extension.

Fourthly, predecessors' inscriptions in Lushan Monument and Preface to Ancient Huang Ting Classic Lanting Collection.

Zhao Shengbo handed over Tang's "Lushan Monument" from Mitsui Library and Yoshihiko Takashima in Japan, Jing's copy from Suzhou Museum today, and Mr. Weng's copy from the United States recorded in Mr. Ma's "Rare Books Seen Overseas" (Shanghai Painting and Calligraphy Publishing House, June 2022) all belong to the words "search" and "Lu", but when did it flow to Japan and how did it fall into the three categories? In the old version of Zhao Shengbo collected in this "series", there are several inscriptions written by the owner of Mitsui Ge Bing that year, among which there are clear records:

Mitsui listened to Bing Ting's post, which was obtained on July 3rd in Xin Wei in the sixth year of Showa. At the beginning of the northern song dynasty, the camel mountain monument was one of the best in the world. Zhao Shengbo is old, and Han Dong Luo Yuan feels it.

Although the language is short, it has historical value. If it involves people related to it, it is a bit long. Luo (189 1- 1965), whose real name is Zetang, alias Taoyuan, is from Nanhai, Guangdong. Known for the identification and research of cultural relics, it was once the preparatory meeting of Guangzhou Institute of Physical Education. However, he also participated in the circulation and sale of cultural relics, as evidenced by the records of the owner of the Sanjing Pavilion Arsenal in Lushan Monument. And Mr. Gao (), a famous anecdote writer, once wrote another thing in his article "The Story of Dojo Pagoda" (the essay "Listening to the Rain Building" was included in Shi's, Liaoning Education Press,1March, 998):

In 1967 before the war, Mr. Luo visited Japan, and some Japanese families took out commercial photocopies of European books and pagodas and asked him to try to buy them for him. Luo Jun laughed it off. Later, he told me that if he wanted to make money, it was not difficult to say yes, and he could get it by going to Shantou to find Bingzhuo. Luo Jun is not for this, but for friendship. A few days ago, I mentioned this matter with Luo Jun, and he was very lucky that it still belongs to China people.

Although Gao said that Roche claimed to care about the friendship of friends and didn't ask the Japanese for help, it happened during Roche's visit to Japan in 1967, but it coincided with the time when Roche took Zhao Shengbo's Footstone to Mitsui's home for six years (193 1), which basically coincided. At that time, the Japanese took out a European book, stupa, and let Roche try it. Roche is an expert on inscriptions, even on Li Yong's books. Ms. He Biqi of the Cultural Relics Museum of the Chinese University once introduced in the article Song Tuo (Li Sixun Monument) and Lingnan Academic Groups in the Cultural Relics Museum of the Chinese University that the rubbings of Li Sixun Monument in the Southern Song Dynasty contained Roche inscriptions 1920 to 1922. Roche probably knows better which category Mr. Gao's book "The Story of the Buddhist Pagoda in Guoyuan Dojo" belongs to.

Inscription of Mitsui's "Zhao Sheng Bo Ben" on Lushan Monument

In the "series", the preface to the thoughts of ancient Huang Ting Jing Lan Ting is an old thing, which is refined by paper and ink, and there are many inscriptions by various scholars, especially Wu. Among them, the relevant textual research can be combined with Thoughts on the Ancient Manuscripts of Lanting and Huangting in the postscript of Meijing Bookstore (included in Liang Ying Wu Hufan Manuscripts, China Academy of Fine Arts Press, September 2004). On the title page, Zhang Zhonglai wrote an inscription for Wu Hufan:

Ying Shang and Lan Ting, after being praised by Dong, had several confrontations with Ding Wu. Butyl five didn't come easily, and I'm proud of winning the prize. The original stone will be broken in the next season, so it's hard to expand the whole wall at the beginning. My brother, He Bai, likes to collect calligraphy and painting, and he is also good at calligraphy and painting. Unfortunately, his youth is not rich and he is not lost. This book is one of its places, which is refined by bamboo and paper. It was acquired in "Old Mountain Building Book". It was originally expanded when it came out of the well, which is very precious. Today, I go back to the secret of Dao Xiong, which shows that the gathering and scattering of things has its own ears. In March, Ren Shen took refuge in Shanghai, and Zhong Zhang met him.

Zhang Zhonglai (1881-1951), a native of Suzhou, is Wu Hufan's in-laws. Good at calligraphy, like Kunqu opera. The postscript was filed in February1year (1932), and the old mountain-making book mentioned in the postscript was also related to Wu according to the article "Preface to Lanting" in the updated edition of Mr. Jiang's Catalogue of Ancient Carved Names (June 2022). In Mr. Jiang's book, it is recorded as "Gu Yun Inscription, Gu Yun Inscription" and recorded in Wu's postscript:

Today is Bing Yin's birthday. It's just right for me to invite my brother to Chunhuage for a drink. Shi Jibao used this post to expand the original epitaph of his wife, Tao Gui, which was colorful in ink, so he called it a double gem, so he bought it from Shi Yi. This volume is the original refinement of Zhao's "Old Mountain Tower" by Yingjing. I have a copy, which is also an old extension of Yingjing. With this contrast, it is especially better than Ben and suitable for my brother. What is said in the play is always true: the ancient well is magical and beautiful, and it is difficult for the Tang Dynasty to find a complete life. If you stop the cloud, you will get it intentionally (if you stop the Huangting Classic in yunshu, you will get rid of it if you are not refined), and you will fall into the water mercilessly. Talent adds a new Yuefu (that is, first frost), and it's crazy to bypass the old mountain building. On the opening day of the Spring Festival, Zhao Bi and Sui Zhu took away all the pearls (Tao Guizhi came back). Geng Wu's new and correct ugliness complements this book.

It can be seen that when they bought separately that day, Wu gave it to Zhang because of the old extension of Lanting in Yingjing. According to the Chinese saying that "there are ancient pavilions and manuscripts" collected in the book postscript of Meijing Bookstore, "The ugly moon in winter is suitable for collating the old mountain building in Zhao, and the ink and brush are the same, all refined in the early Ming Dynasty, which is commendable." Bing Yin's Wu Hufan in late spring. I also know that he borrowed Zhang's money at the beginning and corrected it. "。 However, the facts recorded in Ugly Winter Moon are slightly different from Wu's postscript recorded in the previous edition of Catalogue of Ancient Carved Names, saying that they were purchased separately on the "Bing Yin People's Day". This may be due to the fact that Wu (1930) made a postscript and supplements in the book, which was far from that of Bing Yin (1926).

Although Wu said in the Postscript of Bing Yin in Late Spring that both his Old Extension and Zhang's Old Mountain House were proofread as "the original edition of the early Ming Dynasty", when Xinzheng wrote an inscription for Zhang, he changed his mind and said that "those who hold this school are better than Yu Ben", so he later got another copy, printed it in today's Series, and wrote it again. Zhang is happy to see his success here, and it is a gift to Wu. As for the epitaph of Wu and Zhang Fenmai Tao Gui, it seems to be found in the Inscription and Postscript of Beautiful View Bookstore published in the eighth edition of Historical Materials of Shanghai Library (edited by She Yanyan). Wu recorded: "This original stone is exquisite, radiant and refreshing, and it is the top grade of Sui Zhizhong. Zhang Junzidong's book is comparable to the original stone. " Although there is no date, when Wu and Zhang met this story, Zhang probably had it and returned it to Wu.

Therefore, this volume "Preface to Ancient Huang Ting Jing Lan Ting Si" in the "Series" actually carries Wu Hufan and Zhang Zidong who are both in-laws and good friends, which is also rare.

Zhang Zidong wrote an inscription for Preface to Ancient Huangtingjing Lanting Collection.

In fact, at the corner of the stone, two people not only meet products with the same preferences, but also buy each other, and each has an inscription; In the face of people with different interests, there are still outspoken discussions and friendship lasts forever. Shanghai Library's "Old Extension of Five Kinds" was once a "treasure of calligraphy". In that year, it was given to Wu by Zhang, and there was a postscript of Wu (22 years, 1933) on the title page, leaving such a story:

Yu loved stone carving all his life, but hated it in the North to the Six Dynasties. His arbitrariness, ups and downs of painting and absurdity were a great disaster for calligraphy. In recent decades, countless stones have been produced in this great line, and there are not hundreds of the best calligraphy, so thousands of inks have been developed in Yujia, and none of them are seal cutting. Although people have different hobbies, they don't learn much. On Ren Shenchun's day, Zhang Jun, the in-laws said: There are pearls and jade in the gravel, so don't waste more. There are five old pioneers: Li Chao, Wang Heshang and Wang Yan. Yu Naihe put it together and preserved it. Wu Sishi is an outstanding figure in northern sculpture. After reading it carefully, it will smell like wax, and the dragon in Tuoba Land Rover's heart will pounce like a tiger. Yu's existence is a gift from Ann.

In addition, in the preface to The Thoughts of Ancient Huang Ting Jing Lan Ting printed in the "Collection", it is written: "See Bing Ben again, with the postscript of Ni Zan and other Yuan people, the Wu family in the same county went abroad last year. Wei Xin died in the middle of the year. " Xin Wei 193 1 year-old, therefore, it can be inferred that the Preface to the Orchid Pavilion written by Takashima Ju Lao Songtuo Wu Bingben, now in the Tokyo National Museum, flowed to Japan on 1930. This volume contains an inscription by Shen Zhou in Ming Dynasty, which is short in words, but of great historical value. However, in the study of modern people, there are also people who doubt the so-called Shen Zhou's inscription, but what they read is the content. Shen Shi's account of his past Yue family and borrowing goods, regardless of place and surname, is true to his early deeds and seems to be fabricated out of nothing, which should still attract the attention of relevant researchers. When I visited Japan more than 20 years ago, the author had a glimpse. Fortunately, the small piece of paper that recorded the inscription of Shen Shi still exists. Now I'll copy it again. I hope those who are interested:

This post is an old post of Chuanshan Chen's family. Chen belongs to my family and must borrow it. I changed hands with someone else today. I'm glad to see it. It's like a dream. The spirit of things can be as common as custom, and only when it is parallel can it be better. Shen Zhou.

Editor in charge: Zheng Shiliang

Proofreading: Liu Wei

The above is about the sharing of calligraphy in Guangxu and Chenwu years. I hope this will help you finish watching Chen Wunian!