The ancestor Zhou Cheng (1858- 1927), also known as Youfu, was named Xiyuan, and the room was named "Iron Stone House", on which stones were carved. This famous printing house is called "Han Mo Lin", which means "East Wall Bookstore, West Garden Han Mo Lin" by Zhang Tang. The social site was near Baisuifang East Street at that time, and now it is at the west end of Xiaojiaxiang, Zhongshan East Road. It is famous for its exquisite skills of engraving, printing, hook inscription and calligraphy seal cutting.
At the end of the Qing Dynasty and the beginning of the Republic of China, private engraving was popular at that time, and the engraving of Mo Hanlin was famous for its neat font, and many books came out. Before liberation, Xie Zhi had recovered two books from the second-hand bookstore: one was a single book of a certain family, printed on historical paper, and the words "Lin Diao Seal of Ningbo Hanmo in Guangxu ×××" were printed on the back of the title page; One is "A Complete Book", which consists of six volumes, and the last page of each volume is engraved with the words "Yin Hanmo Zhou Linyou". It was lost in the Cultural Revolution, and the title of the book was forgotten because of its age.
Mo Hanlin is also good at inscriptions and stone carvings. His art must combine the skills of calligraphy and seal cutting, and the inscriptions must be written by famous artists, so that the original pen and ink can be reproduced on the stone, which is impossible for ordinary craftsmen to simulate. Grandfather Zongyuan himself studied epigraphy calligraphy and engaged in it with meticulous skills, so he was appreciated by contemporary masters such as Gao Zhenxiao of Yinxian, Feng Mengzhuan of Cixi and Qian Han. The inscription written by Qian Han was carved by ancestors. At present, the "Tianyi Pavilion" still preserves the epitaphs of Lin Lang and Feng Jun in the Qing Dynasty, a rubbings inscribed by Qian Han in the 9th year of the Republic of China and engraved by Yin Zhoucheng. In addition, there is a book written by Zhang Shi, the epitaph of Li Mufei Yi people, and a rubbings carved by Zhou Cheng. The original stone has been preserved by Rebuilding the Monument to the Temple of the Heavenly King in Tiantong Temple. It was written by Yang Taiheng in Cixi in the 16th year of Guangxu (1890) and engraved by Zhou You. It is now on the right corridor wall behind the Temple of the Heavenly King in Tiantong Temple. In the early days of liberation, there was a stone tablet carved by Zhou Chengshu in the long temple in front of the county seat, which was later rebuilt and disappeared.
As for calligraphy and seal management, when my ancestors died, Jie was young and ignorant. Later, I only saw the signboard of Dongjiedian and several tombstones in Xixiang as the list books. The tombstones in the Changmiao Temple in the city are all in small print. Mr. Zhou Timi suggested in his letter: "I made my ancestors write calligraphy, and I have never had the habit of pavilions. The beads are round and smooth, quite close to the snow, but they are heavy and steady, without the charm of snow." India's management only exists in the private use of three parties. Although it is a scale, it is a claw, but it is still necessary to get a glimpse of the typical. Among them, "stone seal" has the charm of Huizhou school; As soon as the "West Garden" is printed, you can see the style of Zhejiang School, and your ancestors can travel between Anhui and Zhejiang. I once left a printed music score, but I also took refuge many times during the Anti-Japanese War and lost it. My late father, Zhou (1851-1937), once laughed at himself for "losing four books and taking calligraphy as a career." He is quite accomplished in calligraphy and seal cutting. Calligraphy inscriptions in the Six Dynasties. In my childhood, I was familiar with the signs of "Sheng Da Watch and Glasses Shop" and "New Yongshun Baitie Electric Appliance Store" on the East Street, both of which were made in the direction of Mu's elephant. There is a picture of the south pavilion of Tianyi Pavilion in the stone carving, which is still well preserved, and the calligraphy is quite like the charm of Qian Taixi. Lishu is close to Huashan tablet, and seal script studies Deng, Zhao and Zhao, so the management of printing is also a combination of these three; It's also interesting to imitate Han's works. There are 10 original works and 20 printed works, which combine the heritage of our ancestors. The series is "Iron Stone Luyin Village" to be published soon.
My seal cutting works from generation to generation have their own styles, the purpose of which is to "bind stones". Their interests are so elegant that they don't just make a living from them. Because Ningbo is a country of cultural relics, celebrities gather, and local scholars get together from time to time to discuss art.
Children in the art festival are trained by the court. After school, they play and learn seals in their spare time, and occasionally imitate them, which seems to be silent. Because of the national disaster and social hardship at that time, my ancestors were poor. I'm afraid I can't stick to my literary career. I told J.J. that I went to Shanghai to study business at the age of fourteen. Therefore, although barely employed, it is not satisfied. Every time I work in my spare time, I never waste my books. Fortunately, this apprentice is the grandson of the famous painter Chen Yunsheng (Ren Zhai). He is tolerant and can realize his ambition.
After the Anti-Japanese War in Lugouqiao, the "August 13th" was difficult to do, and the shop closed down and returned to Ningbo. Only then can I serve my father, who feels the same way as my family. Unfortunately, in 2008 1 1 month, my father died of a sudden cerebral hemorrhage, but he had to undertake the business of Han Molin alone, and the business talks were miserable. Is fate inextricably linked with art? 1938 One day, an elderly man came to our printing factory for a long time and asked if Mr. Xiaoyou was there. He was surprised to learn that my father had died. Seeing the seals made by festivals, I caught a glimpse of the doorway, so I added some suggestions to copy the seals of Qin and Han dynasties in order to be concise. The Inquirer learned that Ge Yizhi, a famous calligrapher in Ningbo, had a close relationship with his late father, made friends with Mr. Sha Menghai and Mr. Wu Gongfu, and was Feng's predecessor. Although he is not good at printing, he has deep research and appreciation of printing and is good at pointing out the defects of his works. Later, someone gave him an idea for listing, and he named my room "Xike", so I used the name "Xike" again. When my younger brother, Fa, was still young, influenced by his family, he had learned to print books. Zeng Zeng's elder brother's ancient poem, Brother Zhou, has been circulating in the art world for a long time and is still engraved. (1) the whole Han tablet on the chest, Wu Sou's favorite sad temple. Beside the sculpture of Longmen Statue, Zhong Ding Shigu Gu Lou. The words follow the word order and know the location, but the image is dim and diligent. My book is intended to create impossible, impossible dharma and travel. Swimming seems to be more willing than able to do, and it will only be rewarded if you forget yourself. Wang Xiao can't help but hear what we have learned, but the ambition of the camp remains unchanged, the skill lasts forever, the poem becomes like a knife, and the light of the small building is faint. At the beginning of 1945, in order to encourage integrity, a poem "Man Jiang Hong" was carved and hung on Zhai's wall to show his ambition to restore rivers and mountains. After the victory of the Anti-Japanese War, it was exhibited in Hangzhou with Lin Jianxing's traditional Chinese painting. 1946, Sha Menghai, a famous contemporary calligrapher and seal engraver, returned to his hometown. In the news of the art festival, he sought advice from the former, was sincerely taught, and was encouraged to "learn from many teachers", learn from the strengths of various schools and find his own way. After the guidance is tired, it is instructive to list the door walls. In the same year, Mr. Zhang Lu 'an, the eldest disciple of Mr. Zhao Shuru, visited and presented a book "Seal of Huang Mufu", which was engraved by the teacher in his early years and made a stone as a friend. That year, my brother and I joined Zhejiang Longyuan Printing Company at the same time. Gailin's works of art are also involved in the law. Shi Lvnian is only fifteen years old and is the youngest member of the printing society. On the festival of 1948, Mr. Qin Yanchong and Mr. Zhang Lu' an collected the original "Seal of the Flying Pavilion". Mr. Gongfu borrowed Jin Jun's "Flying Pavilion Seal" from Wu's nephew, with Zhao Shuru's "Portrait of Wu Gong" and uncle's preface at the beginning, transplanted it into the seal, and added Qian Han's inscription to translate the treasure of Lin. Cherish the rare people today. Since then, Mr. Qin Yanchong has edited "The Print of Sand and Stone", which is still faking in the workshop. Cherish the first draft, but not long after Qin Jun's death, this spectrum has not been fully published. During the 1957 Festival, he participated in the China Stone Carving Research Association in Shanghai, and published "Lu Xun's Pen Name Seal" in cooperation with national epigraphists such as Qian Shoutie, Ma and Ningbo Wang Yongjia, which is now in Shanghai Lu Xun Memorial Hall. During this period, from 196 1 to 1975, Ningbo held seven art exhibitions, all of which were attended by works. Among them, Chairman Mao's Poems on the Long March and Long Live the People of China were selected by the Municipal Bureau of Culture to participate in the New Year's Day joint exhibition organized by the Provincial Bureau of Culture. 1958, after JJ joined the lettering cooperative, Han Molin went out of business.