According to legend, Mr. Wang lives in the village, has no spouse, and has a particularly eccentric personality. He is a boy scout in the village, poor and self-sufficient, and does not want others. At the time of writing this book, every morning, I took a big magnetic poppy (2) with bitter tea in it, put a bag of light smoke (3) beside the sidewalk, and sat on the table with Chen Lu lining beside cigarettes and tea.
When you meet passers-by, you must insist on using words, seek novelty and difference, say different words, and you will know others; If you are thirsty, you can drink tea or offer a cigarette, which will make you speak freely. Whitewash what you hear.
If more than 20 years have passed, this book will be published. So the brushwork is superb.
Notes (1) [Zuo's, Longmen] refer to Zuo Qiuming and Sima Qian. Zuo Qiuming wrote Zuo Zhuan, and Sima Qian was born in Longmen.
(2) 【 Poppy (Y and ng) 】 A bottle or jar with a big belly and a small mouth. ③ The old transliteration name of [Tamba] tobacco.
(4) [(ch m 4 n)] has been completed. Exercise 1. Explain the dotted words in the text.
Ju () in place () language () is () square () 2. Compare the different meanings of the following words. (1) To be a boy scout in the village () (2) Therefore, the brushwork is superb () Anyone who learns something new by reviewing the past () (3). Summarize the characteristics of Strange Tales from a Lonely Studio in words: 4 What is the reason for Pu Songling's superb brushwork? Reading Tips This article tells the story of Mr. Pu Songling collecting materials when he wrote Strange Tales from a Lonely Studio.
When Pu Songling was writing this book, he carried a big porcelain vase with strong tea and a packet of tobacco on his back every day, and placed it beside the road where pedestrians passed, with a reed mat under it. He sat on it by himself and put the tobacco beside the mat. When you see a pedestrian passing by, you must hold him and talk to him.
Collect strange stories and tell strange things. Whatever people know (can); When (passers-by) is thirsty, respectfully invite people to drink tea or respectfully offer cigarettes to ensure that passers-by enjoy themselves before stopping.
I overheard something and whitewashed it when I got home. In this way, after more than 20 years, the book Strange Tales from a Lonely Studio was completed.
2. Who can give a few strange classical Chinese essays and take the modern stylistics exam? My brother-in-law's grandfather, Mr. Song, was originally a scholar in this city.
One day, he was ill in bed. Suddenly, he saw a yamen on a business trip, holding a notice and leading a horse with white hair on its head. Say to him: "Please take the exam!" Mr. Song said, "The master of the school being tested hasn't arrived yet. How can you suddenly take the test?" The police didn't answer and kept urging him.
Reluctantly, Mr. Song got on his horse and followed him. The road they took was very strange, and soon they came to a city, just like the capital where the emperor lived.
Soon, they entered a yamen. The palace building is magnificent, with more than a dozen officials sitting in the hall. I don't know who they are, and only Guandi knows.
There are two tables and two stools under the porch of the yamen. There is already a scholar sitting in a lower position.
Mr. Song sat side by side with him. There are pens and paper on every desk.
After a while, I sent a roll of paper with a topic on it. At first glance, there are eight words written on it: "One person and two people, intentionally or unintentionally." They submitted the article after they finished writing it.
There is a sentence in Mr. Song's article that says: "Some people deliberately do good deeds, although they do good deeds, they should not be rewarded;" Some people don't do bad things on purpose. Although they have done bad things, they cannot punish them. " Officials keep praising them in circulation.
They called Mr. Song to the palace and said to him, "There is a lack of a city god in that place in Henan, and you are very suitable for this position." Hearing this, Mr. Song understood. He quickly knelt down, kowtowed and cried, saying, "How dare I refuse such a glorious appointment again and again? But my 70-year-old mother has no one to support her.
Please allow me to follow your date after her death. "A person in the class who seems to be the emperor immediately ordered to see his mother's Shoulu.
A bearded official, with a book about life in his hand, said after reading it, "She still has nine years to live." After listening to their words, they hesitated. When they couldn't figure out a way, Guandi said, "Never mind. Let Zhang Xian act as an agent for nine years, and then go after the deadline.
So the people in the hall said to Mr. Song, "You should be appointed at once. Now, considering the kindness and filial piety, I will give you nine years' leave and call you at the end of the term. " Say that finish, and encouraged the scholar a few words.
After kowtowing, the two gentlemen walked through the hall. The scholar took Mr. Song by the hand and sent him to the suburbs. He introduced himself and said, "I'm from Changshan, and my last name is Zhang." I also presented my own poems to Mr. Song as a souvenir.
But Mr. Song forgot the whole poem, only remembering two sentences in the middle: "There are flowers and wine in spring, and no wax and no lights at night." Mr. Song rode off. When he returned to the village, it was like waking up from a dream.
3. The original classical Chinese of Liaozhai written by Pu Songling. Original: Pu Songling, Liu Xian, handed down from generation to generation. At the beginning, when Pu wrote this book, he brought a big porcelain altar with a bag of bitter tea every morning, and put it on the sidewalk, under the old reed mat, sitting on the table, with yancha all on the side ... If you are thirsty, drinking tea or offering cigarettes will make you speak freely. When I hear a strange thing, I will listen to it first and then whitewash it. If it is more than 20 years of cold and heat, it will be successful. Attached translation: Pu Songling, the word is immortal. He has a copy of Strange Tales from a Lonely Studio, which is spread all over the world. When he first wrote this book, he would bring a big pot of strong tea every morning. He is surrounded by cigarettes and kettles. When you see someone passing by, you must try your best to hold him and talk to him and collect anecdotes. Whatever he knows, let him drink tea when he is thirsty, and sometimes give him cigarettes, and he must finish it. When he overhears a strange thing, he should listen first and deal with it last. In this way, after more than 20 years, he finally finished writing this book. He looked online and found it, but he had to put it down himself.
4. Pu Songling wrote "Strange Tales from a Lonely Studio" in classical Chinese, and read Mr. Pu's "Strange Tales from a Lonely Studio", which was concise with a pen, without a trace of meaning, and was born out of hundred schools of thought, resisting both Zuo's and Longmen. According to legend, Mr. Wang lives in the village, has no spouse, and has a particularly eccentric personality. He is a boy scout in the village, poor and self-sufficient, and does not want others. At the time of writing this book, every morning, I took a big magnetic poppy (2) with bitter tea in it, put a bag of light smoke (3) on the sidewalk, sat on the table with Chen Lu lining, and put cigarettes and tea beside me. When you meet passers-by, you must insist on using words, seek novelty and difference, say different words, and you will know others; If you are thirsty, you can drink tea or offer a cigarette, which will make you speak freely. Whitewash what you hear. If more than 20 years have passed, this book will be published. So the brushwork is superb. ("Lu Sanyue")
To annotate ...
(1) 【 Zuo's, Longmen 】 refers to Zuo Qiuming and Sima Qian. Zuo Qiuming wrote Zuo Zhuan, and Sima Qian was born in Longmen. (2) 【 Poppy (Y and ng) 】 A bottle or jar with a big belly and a small mouth. ③ The old transliteration name of [Tamba] tobacco. (4) [(ch m 4 n)] has been completed.
practise
1, explain the words with dots in the text.
Ju () is placed in () ()
Language () is () square ()
2. Compare the different meanings of the following words.
(1) Being a Boy Scout in the village () (2) Therefore, the brushwork is superb ().
Anyone is the first step to learn new things by looking back on the past ().
3. Summarize the characteristics of Strange Tales from a Lonely Studio in Chinese:
4 What is the reason for Pu Songling's "superb brushwork"?
reading skills
This paper describes the story of Mr. Pu Songling's collection of materials when he wrote Strange Tales from a Lonely Studio.
When Pu Songling was writing this book, he carried a big porcelain vase with strong tea and a packet of tobacco on his back every day, and placed it beside the road where pedestrians passed, with a reed mat under it. He sat on it by himself and put the tobacco beside the mat. When you see a pedestrian passing by, you must hold him and talk to him. Collect strange stories and tell strange things. Whatever people know (can); When (passers-by) is thirsty, respectfully invite people to drink tea or respectfully offer cigarettes to ensure that passers-by enjoy themselves before stopping. I overheard something and whitewashed it when I got home. In this way, after more than 20 years, the book Strange Tales from a Lonely Studio was completed.
Please give me some classical Chinese in strange stories from a strange studio. Strange Tales from a Lonely Studio is Pu Songling's masterpiece, which was basically completed when he was about 40 years old, and has been supplemented and revised since then.
"Liaozhai" is the name of his bookstore, "Zhi" means narrative, and "Alien" means strange stories from Liaozhai. There are 49/kloc-0 short stories in the book.
The subject matter is very extensive and the content is extremely rich. Most of the works strongly criticized the corruption and darkness of the society at that time by talking about foxes and ghosts, exposed social contradictions to a certain extent and expressed people's wishes.
But there are also some fatalism of feudal ethics and karma. Strange Tales from a Lonely Studio has a high artistic achievement.
It has successfully created many artistic models, with vivid characters, bizarre and tortuous story, rigorous and ingenious structural layout, concise writing and delicate description, which can be called the pinnacle of China's classical short stories. Strange Tales from a Lonely Studio is a collection of short stories in classical Chinese.
There are legends, anecdotes, anecdotes and so on. There are two styles, which are masterpieces of China's classical novels. The content is very extensive, talking about foxes, demons, flowers and demons, so as to summarize the social relations at that time and reflect the social outlook of the great motherland in the17th century.
The book is about a world of flowers, demons and foxes, which is not only dissatisfied with the dark social reality, but also unfair to talent and career difficulties; There are both corrupt officials who flog the greedy palace and civilians who dare to resist and retaliate; The chapter with the largest number, the best quality, the most beautiful and the most touching is the chapter of pure love between man and fox, man and ghosts, and man and man. The plot of the works in the book is bizarre and tortuous, and the imagination image is unique.
Although it is classical Chinese, it is extremely vivid and vivid in addition to conciseness. For more than 300 years, the story of Liaozhai has been widely circulated among the people for a long time, translated into more than a dozen languages and become the spiritual wealth of people all over the world.
Strange Tales from a Lonely Studio is a treasure of China's classical novels. This collection of short stories was plagiarized at the beginning of his creation and spread more widely after publication. /kloc-spread abroad in the middle of the 0/9th century, and so far there have been more than 20 versions in English, French, German and Japanese.
Strange Tales from a Lonely Studio often arranges stories according to the mode of corresponding to the same kind and seeking the same spirit when describing and describing the communication between people and various supernatural things. It is an old concept that similar things can get close to each other, produce induction and realize the communication at the life level.
Many stories in Strange Tales from a Lonely Studio happened and developed under the same communication and spirit ... Strange Tales from a Lonely Studio is a collection of short stories in classical Chinese with unique ideological style and artistic style. Most novels talk about foxes and ghosts in the form of fantasy, but the content is deeply rooted in the soil of real life, reflecting the social contradictions and people's ideological demands in Pu Songling's era, and integrating the writer's unique feelings and understanding of life.
Pu Songling said in Strange Tales from a Lonely Studio: "Get rid of underarm odor and continue to record the ghost;" In vain, I wrote a lonely and resentful book: it is sad to pin it on this! " In this collection of novels, the author reposes his deep loneliness and anger about real life. Therefore, we can't just read the strange and interesting story of Strange Tales from a Lonely Studio as a book to relieve boredom, but we should deeply understand the love, hate, sadness and joy, as well as the real life and profound historical content that produce these thoughts and feelings.
As Strange Tales from a Lonely Studio is a collection of short stories that took a long time to complete, the story sources are different, the author's ideological understanding develops and changes before and after, and the author's world outlook itself is contradictory, so the ideological content of the book is mixed and complicated. But in general, excellent works account for more than half, and the main tendency is progress, which truly reveals the contradictions in real life and reflects the people's ideals, wishes and requirements.
Praising the truth, goodness and beauty in life and attacking the false, evil and ugly is the overall artistic pursuit of Pu Songling's creation of Strange Tales from a Lonely Studio, and it is also the most prominent ideological feature of this collection of short stories. According to the theme, the works in Strange Tales from a Lonely Studio can be roughly divided into the following five categories: The first category is the works that reflect the social darkness, expose and criticize the oppression and brutal crimes of the feudal ruling class, such as Promoting Weaving, Redjade, Dream Wolf, Beauty, Continued Huang Liang, Dou Shi, etc. The second category is works that oppose feudal marriage, criticize feudal ethics, and praise young men and women's pure love and strive for freedom and happiness, such as Ying Ning, Qing Feng, Axiu, Liancheng, Qinge, Crow's Head and Ruiyun. The third category is the works that expose and criticize the corruption and various drawbacks of the imperial examination system, such as Yu Qu Evil, Jia, Si Wenlang, and Sansheng. The fourth category is works praising the rebellious spirit of the oppressed people, such as Shangsanguan, Xi Fangping and Xianggao. The fifth category, summing up the experience and lessons in life, educating people to be honest, helpful, hardworking and successful. All of them are works of moral admonition, such as Planting Pears, Painted Skin, Taoist Laoshan, Puppy Talk and Wolf.
Strange Tales from a Lonely Studio is also mixed with some backward elements in its progressive ideological content, such as feudal ethics, superstition of ghosts and gods and karma, vulgar tendency to pursue fame and fortune, etc. This is what we should pay attention to when reading. Strange Tales from a Lonely Studio is a novel in classical Chinese, which is difficult for many readers to understand. The following are simplified versions of some vernacular chapters.
6. Pu Songling translated "Strange Tales from a Lonely Studio", and the word remains immortal. He has a book; Spread all over the world. When he first wrote this book, he took a big pot of strong tea every morning, prepared a pack of cigarettes and put them next to pedestrians. There is a mat under it. He sits on it, with cigarettes and cauldrons beside him. When he sees someone passing by, he must try his best to talk to him and collect strange stories. Whenever he knows that he is thirsty, let him drink tea, and sometimes offer him a cigarette, and he must finish it. I overheard a strange thing, so listen first and then deal with it. In this way, after more than twenty years, I finally finished this book.
When Pu Songling wrote this book, he took a big magnetic poppy, put bitter tea in it, put a bag of tea on the sidewalk, lined with Chen Lu, and sat on the table with cigarettes and tea beside him. When you see people traveling on the island, you must insist on using words, and you will get to know others. If you are thirsty, you can drink tea or offer a cigarette, which will make you speak freely. Whitewash what you hear. If it had been more than 20 years of cold and summer, the book would have been published.
Pu Songling writes this book every morning, with a big pot of herbal tea in the middle and a bag of tea on the road (I don't know what this is). Sitting on it, cigarettes and cauldrons are lined with cushions. If someone walks by, be sure to pull it over and tell him some strange stories. If he knows anything, let him have tea or give him a cigarette. Let him say a few words before the end. He overheard something, and it will take more than 20 years to finish the book when he gets home.
Mr. Pu's Strange Tales from a Lonely Studio is concise and subtle. The cover was born out of various schools, not only for Zuo and Longmen (1). According to legend, Mr. Wang lives in the village, has no spouse, and has a particularly eccentric personality. He is a boy scout in the village, poor and self-sufficient, and does not want others. When writing this book, I take a big magnetic poppy ② every morning, store bitter tea in it, put a bag of light smoke ③ beside the sidewalk, and sit on the table with an old reed lining under it, with cigarette tea beside me. When you meet passers-by, you must insist on using words, seek novelty and difference, say different words, and you will know others; If you are thirsty, you can drink tea or offer a cigarette, which will make you speak freely. Whitewash what you hear. If more than 20 years have passed, this book will be published (4). So the brushwork is superb. ("Lu Sanyue")
Note (1) 【 Zuo's, Longmen 】 refers to Zuo Qiuming and Sima Qian. Zuo Qiuming wrote Zuo Zhuan, and Sima Qian was born in Longmen. (2)【Poppy(y and ng) 】 A bottle or jar with a big belly and a small mouth. (3) The old transliteration name of [Tamba] tobacco. (4)[ (ch m 4 n)] has been completed.
7. Is 7.& lt& gt a collection of short stories in Qing Dynasty? Strange Tales from a Lonely Studio is Pu Songling's masterpiece. It was basically completed when he was about 40 years old, and has been supplemented and revised since then. "Lonely Studio" is the name of his bookstore, "ambition" means narrative, and "strange" is a strange story. There are 49/kloc-0 short stories in the book. The subject matter is very extensive and the content is extremely rich. It strongly criticized the corruption and darkness of society at that time, exposed social contradictions and expressed people's wishes to some extent. But it is also mixed with some feudal ethics and fatalism of karma. Strange Tales from a Lonely Studio has a high artistic achievement. It has successfully shaped many artistic models, with vivid characters, tortuous story, rigorous and ingenious structural layout, concise words and delicate description. It is the pinnacle of China's classical short stories. It is said that when the author Pu Songling wrote this novel Strange Tales from a Lonely Studio, he specially opened a teahouse in front of his house, and asked people who drank tea to tell him stories. From then on, he didn't have to pay for tea. After listening to it, he revised it and wrote it in the book. Strange Tales from a Lonely Studio is a collection of short stories in classical Chinese, with legends, anecdotes and anecdotes. , is a collection of classical Chinese novels by China. Summarizing the social relations at that time reflected the social features of China in the17th century. The book describes a world of flowers, demons and foxes, full of dissatisfaction with the dark social reality, as well as with talent and career difficulties. There are both corrupt officials who flog the greedy palace and civilians who dare to resist and retaliate; The richest, best quality and most beautifully written chapter is the pure love between people and foxes, people and ghosts, and people. The story in the narrative form of Strange Tales from a Lonely Studio is bizarre and tortuous, but concise, and its imaginary image is unique. Although it is classical Chinese, it is vivid and vivid, and the language is neat and intuitive. For 300 years, the story of Liaozhai has been widely circulated among the people. It has been translated into more than a dozen languages and has become the spiritual wealth of people all over the world. Strange Tales from a Lonely Studio is a treasure of China's classical novels. This collection of short stories was plagiarized at the beginning of his creation and spread more widely after publication. /kloc-In the middle of the 0/9th century, it spread abroad and has been translated into more than 20 languages, including English, French, German and Japanese. Strange Tales from a Lonely Studio describes people and all kinds of supernatural things. Stories are often arranged according to the mode of similar correspondence and common aspiration. Corresponding to the same kind and seeking for the same gas is an ancient concept, which means that similar things can get close to each other and produce induction. Realize the communication at the life level. Many stories in Strange Tales from a Lonely Studio are generated and extended by the same kind of correspondence and common desire. The evaluation of Strange Tales from a Lonely Studio is a collection of short stories in classical Chinese with unique ideological style and artistic style. Most novels talk about ghosts through fantasy, but their contents are deeply rooted in the soil of real life, reflecting the social contradictions and people's ideological demands in Pu Songling's tortuous life. It's just a lonely and angry book: it's sad to pin it on this! "In this collection of novels, the author pinned his deep loneliness and anger towards real life. Therefore, we can't just read the strange and interesting stories in Strange Tales from a Lonely Studio as books to relieve boredom, but we should deeply understand the love, hate, sadness and joy, as well as the real life and profound historical content that produce these thoughts and feelings. Because Strange Tales from a Lonely Studio is a collection of short stories completed a long time ago. The source of the story is different, the author's ideological understanding has developed and changed, and the author's world outlook itself is contradictory, so the ideological content in the book is mixed and complicated. But on the whole, more than half of the outstanding works are progressive, truly revealing the contradictions in real life and reflecting the people's ideals, wishes and demands. It is Pu Songling's works to praise the truth, goodness and beauty in life and attack the false, evil and ugly. It is also the most prominent ideological feature of this collection of short stories. Guo Moruo commented: "writing ghosts is better than writing demons, and stabbing greed is cruel to wood." According to the classification of Strange Tales from a Lonely Studio, the works in Strange Tales from a Lonely Studio can be roughly divided into the following five categories: the first category: reflecting the darkness of society, exposing and criticizing the crimes of oppression and harm by the feudal ruling class, such as Promoting the Weaving Girl and Redjade; the second category: opposing feudal marriage, criticizing feudal ethics, praising the pure love of young men and women, and striving for freedom and happiness, such as Ying Ning, Qing Feng and Axiu. The third category: expose and criticize the corruption and various drawbacks of the imperial examination system, such as, Yu Qu evil, cheaters in textual research, Jia, Si Wenlang, and Sansheng. The fourth category: praising the rebellious spirit of the oppressed people, such as Shang Sanguan, Xi Fangping and Xiang Geng. The fifth category: summarize the experience and lessons in life, and educate people to be honest, helpful, work hard and be able to change after study. , which has moral admonition significance, such as Planting Pears, Painted Skin, Laoshan Taoist, Dog Whispering, Wolf, etc. In addition, the story in this book reminds people to abandon evil and do good.
8. Pu Songling wrote a translation of Strange Tales from a Lonely Studio. Pu wrote Mr. Pu's book Strange Tales from a Lonely Studio, which was concise with a pen, without any meaning. The cover was born in hundred schools of thought, which resisted both Zuo's and Longmen (1).
According to legend, Mr. Wang lives in the village, has no spouse, and has a particularly eccentric personality. He is a boy scout in the village, poor and self-sufficient, and does not want others. When writing this book, I take a big magnetic poppy ② every morning, store bitter tea in it, put a bag of light smoke ③ beside the sidewalk, and sit on the table with an old reed lining under it, with cigarette tea beside me.
When you meet passers-by, you must insist on using words, seek novelty and difference, say different words, and you will know others; If you are thirsty, you can drink tea or offer a cigarette, which will make you speak freely. Whitewash what you hear.
If more than 20 years have passed, this book will be published (4). So the brushwork is superb.
Notes (1) [Zuo's, Longmen] refer to Zuo Qiuming and Sima Qian. Zuo Qiuming wrote Zuo Zhuan, and Sima Qian was born in Longmen.
(2)【Poppy(y and ng) 】 A bottle or jar with a big belly and a small mouth. (3) The old transliteration name of [Tamba] tobacco.
(4)[ (ch m 4 n)] has been completed.