brief Introduction of the content
The Spring Festival is coming, and my father, who works outside, hurried home for reunion. But Mao Mao, the little girl in the story, was surprised when she saw her father. Later, she put on her father's new cotton-padded jacket, watched him repair the house, rode on his shoulder, looked at the distance ... and gradually established her examination and trust in her father. The story is triggered by coins hidden in jiaozi: my father put a good luck coin in jiaozi, and Mao Mao gave it to my father as soon as he finished eating jiaozi, expecting to wrap jiaozi's promise again next year. The author used a coin to convey the child's desire, gratitude and attachment to his loved ones.
Review opinion
Reunion is a touching work with human touch, historical sense and artistic beauty, which combines traditional national culture, modern life connotation and children's psychological feelings properly and organically. The stories written by him are natural and simple, without exaggeration and excessive thinking, with implicit theme but not revealing, weak emotional expression and sparse structural arrangement, which not only provides a solid foundation for painting, but also leaves a broad creative space for painters.
Painters are well aware that the pictures in picture books are the art of design, and use some artistic elements of New Year pictures to closely follow the meaning of the story, and develop a series of imaginative and creative artistic designs, such as the flexible use of doormats, the treatment of ring linings, the design of cartoon partitions, cross-page paintings, the insertion of large paintings and small paintings, and the echo of front and back paintings. The version of Xinyi Publishing House has a coherent and complete narrative significance in the page arrangement at the beginning of the text. These artistic designs strengthen the expressive function of painting language and create an artistic effect that pictures and words complement each other, activate each other and enhance each other. The simple painting style of the works not only exudes the flavor of national aesthetics, but also subtly reveals the inner psychological feelings of the characters and shows the painter's profound skill in portraying the characters. (Zhu Ziqiang)
? Author: Zhang Xiaoling
Painter: Pan Jian
Press: (Fan) Xinyi Fund Press
(Jane) Tomorrow Publishing House (planned by Nanjing Xinyi Children's Culture Development Co., Ltd.)
I sb n: (complex) 978-986-161-317-8.
(Jane) 978-7-5332-58 15-3
Date of publication: (numerous) July 2009
(Jane) June 5, 2008 438+00
Suitable reading age: 3-8 years old
brief Introduction of the content
When playing hide-and-seek games, Xiao Yong was not caught with the help of the little girl's friendship, and his playmates named him "the king of hide-and-seek". However, playmates went to school one by one, and Xiao Yong, who couldn't tell a dollar from ten dollars, had to stay at home alone. Xiao Yong didn't cry when his grandfather died. The day his father came to pick him up, the hide-and-seek king disappeared! Where is the hide-and-seek king? Can everyone still see him?
Review opinion
Excellent written expression makes this picture story book have a touching soul, attracting, summoning and leading readers to enjoy a feast to wash their hearts. Zhang Xiaoling, the author, successfully transformed a personal childhood experience into a beautiful literary work, mastered children's viewpoints, psychology and language, created vivid, vivid and energetic children's roles, and led readers into the childhood world with universal values.
Starting with the theme of "friendship" that children care about, the story takes children's daily life games as the axis, easily presents the plight of the theme characters, and naturally emerges the kind spiritual strength of children's humanity in the plot development in a sensational, unpretentious and didactic way, resulting in dramatic interest tension. The author's literary cutting technique in arranging the story structure and level is very clever, and writing functional words fully shows the artistic charm of shallow language, which is simple and elegant, full of charm, smart and affectionate.
The author created a stage that really belongs to children. Their conversations, actions and thoughts are all the marks of real childhood life. Not many nostalgic works about childhood are used to projecting the feelings of adults in the wrong place, which is commendable. There are joys and sorrows in children's world and many unspeakable feelings. Fortunately or unfortunately, children should have dignity and hope. (Ke Huagan)