1946 On September 25th, Yi Shu was born in Shanghai, formerly known as Ni Yishu, and settled in Hong Kong with his family at the age of five.
Zhang Ailing's famous saying "Become famous before it's too late" happened to Yi Shu. She insists on writing, and has written 300 novels and essays for more than 50 years, which is also called "the three wonders of Hong Kong literature" with Ni Kuang and Jin Yong.
Ni Kuang, Yi Shu's own brother, said: "Yi Shu's creative path is not difficult and tortuous at all, and novel creation seems to be the easiest thing for her."
Some people say that "there is Qiong Yao in Taiwan Province province and Yi Shu in Hongkong", and Yi Shu replied rudely: "Qiong Yao is redundant, and what she wrote is for little girls."
Although Yi Shu and Qiong Yao are both romantic novelists, their styles are quite different, and the characters in Yi Shu's novels are closer to real life.
The biggest difference between Yi Shu's novels and other romantic novels is the strong female consciousness. Her works advocate that it doesn't matter whether a woman wants a man or not, and life is more exciting without a man, so she has the title of "extinct teacher".
The women in Yi Shu's works are called "Yi Shu girls", wearing white shirts and khaki pants. Reality has taught them to love themselves, walk the rivers and lakes like men, get ahead and live a glamorous life.
Xibao, The Story of a Rose, The First Half of My Life, The Last Romance ... Many girls have one or two Yi Shu novels in their bookcases, and the famous saying in Xibao is "I always hope to get a lot of love. Without love, a lot of money is good. If there is neither, I am still healthy, but I am not poor. " It is also regarded as a standard by little girls.
As the most successful female romantic writer in Hongkong, Yi Shu has three feelings in her life, which are as wonderful as her novels. She is a typical "Yi Shu girl".
/kloc-Yi Shu, a 0/7-year-old girl, fell in love with Cai Haoquan, a talented poor painter. Cai Haoquan was described as a literary hooligan: "cynicism, fooling around ... to the extreme, I don't even care about my life."
This trait deeply attracts young women in literature and art. Yi Shu wrote in The Story of the Rose: "You met in summer, and on a sultry summer night, you fell in love for love. You are only seventeen or eighteen years old, and a flower can cause infinite joy. When he left you, do you think the earth stopped turning ... "
Yi Shu took the initiative to chase after Cai Haoquan, and his parents strongly opposed this relationship. Yi Shu threatened to commit suicide, and gave birth to his son Cai Biancun.
However, life is not a novel. Only after they really live together do they realize what is "but not as people who have been poor together know". They often fight for money.
Three years later, this talented woman's marriage came to an end, and her son was raised by Cai Haoquan. Just after the divorce, Yi Shu often visited his son Cai Biancun. Cai Haoquan refused to cut off contact with his own son and never went to see his son again, thus deleting this tragic life history from his memory.
After all, the child is innocent and everyone criticizes her for being cold-blooded and heartless. This grumpy woman is simply crazy. Even her own brother Ni Kuang said, "I don't blame Cai Haoquan. This man has artistic temperament. Yi Shu has a bad temper and men can't stand it. This is human nature. "
After the divorce, Yi Shu didn't give up on herself, but strived for self-improvement. "In any case, the more unloved you are, the more you should love yourself." .
2013 may 12, 48-year-old Cai biancun became a director and painter. His documentary "Mother's Day" was released. He shouted to his mother Yi Shu, "Hey, it's me, Cai Biancun, your son. Long time no see. Can we meet? "
Cai Biancun himself appeared in the documentary. The last time he saw his mother was at the age of 1 1. Her mother took him to the cinema to see 007 and bought a robot toy. Since then, there has been no news. He wrote to his mother many times, but never received a reply.
After the documentary was broadcast, public opinion exploded, and the big hat of cold-blooded denial fell on Yi Shu. Even Yi Shu's nephew Jenny Tseng satirized her: Aunt Yi Shu gave birth to a little cousin when she was in her teens, and everything had to pay the price. My aunt has been under the shadow for years, afraid that one day my little cousin will come to ask for money.
At this time, Yi Shu had moved to Vancouver and had little contact with the outside world. Even his brother Ni Kuang hasn't spoken to Yi Shu by phone for more than 20 years.
A few days later, she sent a short story "Mom" in Weibo to respond:
This passage seems to express that behind Yi Shu's indifference, he still has an unspeakable love for his son.
But there is another sentence in Mom: "Your father wasted the first half of her life, and now you want to waste the second half of her life?"
Yi Shu also said: "A child will grow up and live his own life, and he will find happiness in his partner."
Perhaps for Yi Shu, not disturbing his son's life is the greatest love for his son. Of course, she loves herself more.
Yi Shu's second love affair was vigorous, without losing any romantic drama. She fell in love with her best friend Pei-Pei Cheng's boyfriend, Elliot Ngok, a Shaw pop actor.
At that time, she was having a cold war with the painter's husband. Pei-Pei Cheng, the "martial arts champion", dated Elliot Ngok for five years, during which she was also on and off.
Yi Shu is a fan of John Chiang. He wrote millions of words for John Chiang, but he finally took a fancy to Elliot Ngok. Elliot Ngok is also from Shanghai. Although its face value is not as good as that of Tommy Tam, John Chiang and Dongshengyi of the same company, it has a good reputation.
1966, Elliot Ngok, who just debuted for one year, starred in "Come and have a drink with me", which became an instant hit and became Hua Dan of Shaw. The heroine of Come and Have a Drink with Me is Cheng Peipei. When he was young, Pei-Pei Cheng was very beautiful and attracted two leading men, Elliot Ngok and Chen Honglie.
Finally, Chen Honglie resigned and married Pan Yingzi. Elliot Ngok and Pei-Pei Cheng came together and started a five-year relationship.
Cheng Peipei recalled that Elliot Ngok drove to pick her up, and Yi Shu used his night blindness as an excuse to ask Elliot Ngok to take her upstairs when she got home.
Under Yi Shu's "routine", Elliot Ngok and Yi Shu have frequent contact, and generate has a love affair. Finally, Yi Shu divorced, Elliot Ngok and Cheng Peipei broke up, and Cheng Peipei married to the United States in a rage and quit the entertainment circle.
Fire prevention, theft prevention, and girlfriends prevention, Yi Shu managed to pry Elliot Ngok into his hands. 197 1 year, the love affair between Yi Shu and Elliot Ngok was published on the cover of Ming Pao Weekly with the title "Why Yi Shu loves Elliot Ngok", and dog food was scattered all over the sky.
Yi Shu, who is deeply in love, often writes down the fragments of their love. Between the lines, there are small fans who worship the male god.
"Elliot ngok has a good face and a good personality. He is the kind of good person who will let others take advantage of him naturally. "
"Elliot Ngok is often my writing dictionary."
Elliot Ngok has advantages in her eyes: no gambling, no smoking, no spending money, filial piety to parents, hard work, and explaining ancient Chinese to her when she has time. ...
However, real life is more dramatic than romance novels, and lovers who never give up eventually become strangers.
In the days when he fell in love with Elliot Ngok, Yi Shu gradually exposed his own personality shortcomings, such as bad temper, jealousy, willfulness, never compromising in love, and no room for a little "imperfection" in love.
Yi Shu can't get sand in his eyes. When he saw the past of Elliot Ngok and Pei-Pei Cheng in the newspaper, he was very angry. He cut all Elliot Ngok's suits.
Yi Shu's affectation is really scary, and any man can't accept her hysteria. Once, in a fit of pique, she stuck a knife in the middle of the bed where Elliot Ngok slept in the Shaw dormitory, which was simply the rhythm of a romantic movie turning into a horror movie.
The last straw that crushed their relationship was a letter from married Pei-Pei Cheng to Elliot Ngok. Jealous Yi Shu directly disclosed the letter to the media, which led to Pei Peicheng's family discord, and Elliot Ngok broke up in anger.
Yi Shu tried to save her love, and even got down on her knees to get back together, but Elliot Ngok sternly refused. His sentence "You are too sharp to hurt others" put an end to this love.
Elliot Ngok said that he could forgive Yi Shu for cutting his suit and Yi Shu for being unreasonable, but he couldn't stand her hurting other people's families.
Elliot Ngok later married Ni Tian. When he went to Zhiyun's dinner, he mentioned the past and said, "I don't know if she loves me." This sentence completely made Yi Shu's madness when he was young a thing of the past.
"Love at all costs, hate when you are old, and stop seeing each other." Yi Shu and Elliot Ngok broke up completely and regarded each other as passers-by. Later, both of them immigrated to Canada and even worked in the same radio station. They don't say hello when they meet, and treat each other like air.
Yi Shu once visited a female friend's house and saw other people's children around his knees. He was very envious. Director Zhang Che told her, "Do you know why nobody wants you? Because you won't be a wife. "
Yi Shu, who has been stumbling on the road of love for more than 20 years, finally found a life destination at the age of 40 and met Mr. Liang through blind date.
Mr. Liang is a professor, cheerful and humorous, and highly praised Yi Shu's talent and personality.
After Yi Shu and Mr. Liang got married, they were customer-oriented and thoroughly remoulded. They learned to control their temper and became much more peaceful.
Yi Shu, in her forties, risked her life and gave birth to a daughter through artificial conception. She cherished it so much that she immigrated to Vancouver for her daughter to live a stable life.
Even a successful woman like Yi Shu, who enjoys fame and fortune, needs a warm family when she reaches a certain age.
Yi Shu is no longer a girl who despairs of love, but an ordinary wife and mother. She has already seen through the truth and helplessness of love: "We love some people, while others marry and have children with them."
Cai Lan said that Yi Shu has become a Canadian housewife. She gets up at 6 o'clock in the morning to write, sends her daughter to school at 8 o'clock, comes back to buy food, clean and cook, and urges her daughter to do her homework at night.
A visiting friend imagined that "Yi Shu was wearing a cheongsam and sitting by the window with a cup of tea". As a result, when he opened the door, Yi Shu took a basket of clothes and was about to wash them.
She no longer spends a month buying a suit in Lane Crawford. "You don't have to eat too well, dress too well and live too well, but you must be free, have no pressure, be a slave who doesn't work, be not tired of fame and fortune, have like-minded partners, have lively and lovely children, and have plenty of food and clothing."
Now Yi Shu has lived a dull life that he yearns for, and still insists on writing every year. She said it was something she liked and couldn't give up.
She was proud, independent and self-centered all her life, and every heroine in the novel was not as wonderful as her. This is the real Yi Shu girl.
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