This film can be said to be a woman's "midlife crisis". Although I am in the prime of life and have not experienced the family life of Su Like Xian, a middle-aged man who is nearly 40 in the New Year, I believe that people who have seen movies will certainly understand Su Xian's psychology.

I think people who like watching movies are imaginative people, because they can substitute themselves into characters and get rid of the real world, so as to get two hours of "imaginary life".

Su Xian is an architect's wife and her husband is a typical man. When I was young, I took a fancy to Su Xian in the library, and then I caught up with her and got married and had children. Then she was busy with her work all day, and her wife became a housewife, taking care of the children and doing housework.

The meaning of a wife to her husband has gradually changed from "woman" in social life to "servant", "nanny" and "decoration". In the words of Li Jiazi in the Japanese drama "Tian Yan", "Marriage is to lose enthusiasm in exchange for stability. Three years later, my husband will only treat his wife as a refrigerator, thinking that he can have food at any time as long as he opens the door, which is inconvenient and obviously broken.