A hundred years of loneliness notes 800 words Fan Wenyi "Years later, facing the firing squad, Colonel Aureliano Buendia will still remember the distant afternoon when his father took him to see the ice cubes." This obscure beginning, like a single spark, lit the whole book.
This is a lonely time, this is a lonely town, this is a lonely family. It goes on and on for a hundred years, from poverty, then prosperity and finally decline, and everything goes on.
When he was young, he hated the colonial banana company and led the aborigines to rise up and fight 32 wars. Finally, F and I compromised and went back to our hometown's small workshop to cast small goldfish all day. When I finished two works, I melted and redone. This may mean an absurd and horrible cycle in Magondeau and even in Latin America.
Remember the twin brothers Huo Buendia II and Aureliano II, descendants of the Buendia brothers? Inherited the father's name but possessed the personality of the other father, so that Ursula's grandmother once suspected that they exchanged names when they were children. In the end, they made a mistake in the grave, and the mistake of this life seems to be the end. But the cycle of fate is far from stopping.
From the first gypsy to Magondeau, the cycle started slowly. Magondeau residents who are proud of their "immortality" will inevitably fall under the impact of foreign science, technology, commerce, military and politics. They cling to the prosperity and glitz brought by the colonists, which is hopeless. However, the passing clouds will eventually disperse, and the bustling town, together with the thriving Buendia family, will disappear in the hurricane and be blown into nothingness. This mirage-like town will be swept away from the ground by the hurricane and completely erased from people's memory. Everything recorded in the parchment manuscript will never be copied. Cycling here seems to be the end, or it may become a new starting point.
Xiaomagondo is also a reflection of the modern history of Latin America.
I hope this lonely family will never appear again. This is the wish of the author Marquez. What he wants more is that backward and ignorant Latin America will never appear. Repeated civil wars, foreign invasions, disasters and diseases, what Magondeau residents have to bear in the book is exactly what Latin American people have to bear. The superstition and even incest of the Buendia family are not the product of backwardness and ignorance. Since Europeans landed on the Latin American continent, the terrible cycle began. Europeans brought advanced culture, science and technology, their own politics and beliefs, and suddenly accumulated a lot of prosperity. However, all this will eventually be destroyed by the Latin American people, and finally, the cycle will come to an end again. Marquez does not know where Latin America will go, and neither do we.
I just hope that the family that has suffered from loneliness for a hundred years will not appear on the earth for the second time.
The 800-word model of a hundred years of loneliness is lonely, and everyone will feel it more or less. However, writing a best-selling novel with loneliness as the main theme is actually "lonely" and really amazing. Who wants to truly understand loneliness, One Hundred Years of Solitude is a must.
I dare not say, I understand loneliness. This book is full of twists and turns, high incident density, bizarre exaggeration and deformation, which is overwhelming. So I feel very happy after reading this book in one breath, but I haven't even sorted out the relationship between the characters inside. However, foreigners' long names are tolerable, and the most unbearable thing is that generations can use the same name. Ignoring the influence of the chaotic relationship between characters on reading novels, I still got some insights.
"One Hundred Years of Solitude" takes a family as the main line and spans a hundred years, describing the family's experience related to loneliness.
Crazy about love because of loneliness? Becoming in love with Pietro at the same time, Belika and Amaranda started a love contest. When she learned that Pietro and Bereka were engaged, Amaranda even stopped the marriage at all costs. After Aureliano fell in love with Ramedes, he couldn't wait to marry her as a child. After Mei Mei fell in love with Babylon, his whole heart was hollowed out, and he devoted all this to his love for his lover. Pilar had sex with countless men when he was young. When he is old, he also provides a place for young people to have sex. Crazy about love is not because of loneliness, but because love burns in the fire, because of human desire. On the contrary, people who have no ability to love and never love others are doomed to be lonely all their lives. Colonel Aureliano has never loved anyone since he was born. In his later years, he made small goldfish to relieve loneliness.
There is also a kind of loneliness, which stems from the inexplicable fear of love. Amaranda missed Pietro and flatly rejected Colonel Marquez. A man used his old age to weave a beautiful shroud to enjoy this loneliness. What is the reason, so that she always can not get the courage to love? What caused her to give up her resentment against Belika at the end of her life? At the end of her life, she finally realized loneliness and saw the pain that Meimei and Berika suffered because of loneliness. The article says it's not out of love or hate. What's that for? Out of sympathy, out of pity, put yourself in others' shoes. In this way, she was finally able to face death calmly, reconcile with the past, and obtain real psychological peace and tranquility.
It can be seen that Mo Yan's novels are deeply influenced by this novel. "Big Breasts and Fat Buttocks" is also based on a family. When writing about love, most characters are possessed and crazy. The cause of the tragedy, in addition to the serious defects of personal character, is also shrouded in a layer of fatalism. In One Hundred Years of Solitude, the prophecy written on the scroll at the beginning is perfectly and accurately verified at the end, as if the loneliness of this family is doomed. On the housekeeper's daughters, one by one has big breasts and fat buttocks, but one by one is scattered, as if it were a mockery of fate. It seems that people are powerless in the face of fate. In fact, people are powerless in the limitations of their own personality, and personal personality leads to tragedy.
People's personality is related to human nature, which is an inexhaustible and unclear topic. Exaggerating a certain part of human nature, such as desire, seems distorted and untrue, which actually helps us to better understand human nature, because some parts of human nature are hidden in daily life. From this perspective, Marquez and Mo Yan are both masters who push the thinking and expression of human nature to the extreme.
I haven't understood the loneliness in this novel yet. What I'm talking about here is just a misunderstanding of classic works. I'm afraid I will have a different experience when I watch One Hundred Years of Solitude in the future.
A hundred years of loneliness reading notes 800 words model essay three about half a year, finally put the "one hundred years of loneliness" the second time over. Although it is the second time, I still find it difficult to understand. After reading the whole book, I feel extremely tired and I don't know how much I understand. Everyone seems to be sticking to their ideals, but none seems to be able to stick to them.
They all live in their own world and stick to their so-called ideals. Maybe it's because God doesn't want people to be too happy. Therefore, when God created everything with infinite pleasure, it would be destroyed by the devil. As Marquez said, the Buendia family has experienced all this: women in the street will make people bleed, women in the family will give birth to children with pig tails, cockfighting will make men feel guilty for life, and the touch of bullets will lead to twenty years of war. Careless career will only make people lost and crazy ... When old ursula leaves, all of Buendia will disappear. Melquiades, the representative of wisdom and advanced, has an indissoluble bond with the Buendia family, and has also influenced important members of the family. He foresaw everything, but he could only watch everyone die and the family decline. Why?
Until now, I haven't understood the role. Is it showing human helplessness? Ursula is the spiritual pillar of this family, right? As the first generation of Macondo immigrants. Buendia discovered Macondo, where they took root, developed and expanded, introduced civilization, but also declined, and brought war, bloodshed and plague. Perhaps this is the meaning of this book, the miniature world, through everything, the restless heart unique to human beings. Maybe I should also talk about Colonel Aureliano Bourdieu. I didn't understand him until he died. I don't understand why Amarandan Ursula came back and lived a life incompatible with Macondo. Does she want to change him? Or she has the same spirit and willpower as her great-grandmother, but she is still not Ursula, so she failed. The most incomprehensible thing is their "abnormal" love. I don't know if this is appropriate. The last love of Buendia family ended this once brilliant but lonely family for a hundred years. Just as the mysterious scroll predicted: the first person in the family was tied to a tree, and the last person was eaten by ants.
Maybe I can't read the bigger and broader meaning in the book. When a book is read by 100 people, there will be 100 kinds of understanding. I only saw that they tried their best to have some feelings, but failed to make corresponding efforts. Maybe they are selfish and indifferent, maybe we are the same, but they should have been working hard until the moment of death.
A hundred years of loneliness notes 800 words fan because of the irresistible tragic ending in the book, I can't sleep when I lie down. The hundred-year history of the rise and fall of the Buendia family, everyone's anxiety and loneliness, and irresistible fate have always kept me awake. This is a history of the rise and fall of Latin American history, accompanied by the establishment of towns, the development of science and technology, the invasion of colonists, the ravages of natural disasters, the resistance, struggle, submission and even fate of indigenous people. The whole book is full of supernatural colors, which is different from the artistic conception of modern western civilization. The work is full of realism, vividly reproduces life, and is also poetic, humorous and romantic. Many paragraphs are read with relish and full of admiration.
Today, the whole book has probably passed again. Sorting out the genealogy of the Buendia family for seven generations and a hundred years makes the plot in the book more and more clear. This book is the first Latin American literature book I came into contact with. It can be said that this is a high starting point The book was awarded to Nobel Prize in Literature on 1982. At the same time, it is also the first time that Garcí a Má rquez's China edition was authorized in China, which is said to be sky-high. 20 1 1 June first edition. I am glad that I chose this time to read this book. I remember that I often saw the Chinese version of this book before, only knowing its name, and I didn't study it in depth. It turns out that all the previous ones were pirated. If I had read this book ten years ago, I might not have understood its essence. I'm reading a work now, and I prefer what reflects and reveals human nature in the work. I believe that no matter how history changes, human nature will always be the most basic and eternal. Garcí a Má rquez's genius lies in that he puts human nature in the broad changes of the times, and through a lonely family history, he skillfully shows the history of Latin America and warns the world where Latin America will go.
People are used to treating One Hundred Years of Solitude as a magical realistic novel. I agree with Marquez himself: "What I write is reality." I believe in supernatural ego. In more backward areas, souls and ghosts and gods are with human beings. For example, in the vast rural areas, I think few people don't believe that there is a soul after death, so paranormal always appears frequently. Whether you regard it as superstition or just human consciousness, it exists. In reality or in your mind, there is always a place. You can imagine it as magic or reality.
The translator of this book is Ye Fan, our contemporaries, born after 70. His knowledge of China literature is also quite good. His language is gorgeous, humorous and full of helpless sadness. I really thought I was reading the original Chinese. A translator is successful if he can make readers forget all about eating and sleeping. Well, compared with others, we are really ashamed. People are still young, and the translation is actually written by everyone. When I read this book, there were even Chinese characters I didn't know. I'm ashamed. The only confusion is that according to the introduction of netizens, it seems that the pig tail in other versions is a baby girl, but Ye Fan's translation is a baby boy. I really want to find other versions soon, or if I know Spanish, I can find the original.