Mei Gonghai (Wang Liqun): Male, 196 1, born in Shanghai on August 20th, originally from Ningbo, Zhejiang. Wang Liqun, whose real name is Tao Bo, is a plum blossom on the sea, and also a native of Liushan, the Lord of Imperial Heart Zhai. Painters and calligraphers. Member of China Painters Association of Ministry of Culture, artistic director of Shanghai Manjuji, distinguished painter of Shanghai Painting and Calligraphy Institute, distinguished painter of Shanghai Painting and Calligraphy Institute, and visiting professor of Shanghai Oriental Arts and Crafts Institute. His works are collected by many institutions and individuals.
At the age of seven, he grabbed a pen and absorbed himself in the water. He was carried away by famous artists in Shanghai, and his skill grew. 1979 was admitted to Nantong medical college, 1980 began to worship Mr. You, a master of ink painting.
At the age of 30, I went to Africa for four years. My heart was wide and my painting was very advanced. Since returning to China, he has lived at sea for more than 25 years and is addicted to painting, calligraphy, poetry and seal cutting.
Chinese name: Wang Liqun.
Alias: the word "Tao Bo",No. Meigong on the sea,No. Wushan Man, Yu Xinzhai Lord.
Nationality: China.
Ethnic group: Han nationality
Place of birth: Shanghai
Date of birth:1961August 20th.
Occupation: painter, calligrapher, seal engraver, poet, teacher.
Graduate institutions: Shanghai Youth Art School and Nantong Medical College.
Faith: Buddhism
Main achievements: invited painter of Shanghai Painting and Calligraphy Institute.
Representative works: Qianfeng Qianou walks on crutches, all of which are the best places in the country. Cold clouds lie alone on bamboo beds.
Title: Full House Art Director.
Wang Liqun (marine art designer)
Member of China Painters Association of Ministry of Culture, artistic director of Shanghai Manjuji, distinguished painter of Shanghai Painting and Calligraphy Institute, distinguished painter of Shanghai Painting and Calligraphy Institute.
outline
Wang Liqun, male, the word "Tao Bo",No. Mei Gong on the sea, No.6 Wushan Man, Yu Xin Zhai Zhu; Painters and calligraphers. Member of China Painters Association of Ministry of Chemical Industry, artistic director of Shanghai Manjuji, distinguished painter of Shanghai Painting and Calligraphy Institute, distinguished painter of Shanghai Painting and Calligraphy Institute. His works are collected by many institutions and individuals.
Distinguished painter of Shanghai Painting and Calligraphy Institute, distinguished painter of Shanghai Painting and Calligraphy Institute, visiting professor of Shanghai Oriental Arts and Crafts Institute. 1961Born in Shanghai on August 20th. My ancestral home is Ningbo, Zhejiang.
At the age of seven, he grabbed a pen and concentrated on the pool carried by famous Shanghai artists, and his skill grew. 1979 was admitted to Nantong medical college, 1980 began to worship Mr. You, a master of ink painting.
At the age of 30, I went to Africa for four years. My heart was wide and my painting was very advanced. Since returning to China, he has lived at sea for more than 25 years and is addicted to painting, calligraphy, poetry and seal cutting.
His teacher is a famous master of ink painting, Mr. You, who is called the last guardian of Nanzong landscape by Mr. You. Mr. You Wuqu once said in the article "Integration of Pen and Ink-My Art View": "Pen and Ink is the foundation of Chinese painting, and humanistic spirit is the soul of Chinese painting, so paying attention to pen and ink and humanistic spirit is the eternal theme of Chinese painting. I paint landscapes. I think landscape painting is an artistic practice to grasp the natural spirituality through the artist's spirit. If a painter wants to reach a considerable level in art, he must first shape his own spirit. That is to say, a painter in China must first be a knowledgeable person, while a traditional high-level painter in China should have secluded feelings, indifferent connotations ... and make nature and mind blend naturally, so as to achieve the so-called realm of harmony between man and nature. "
When I was a teenager, Mei Gong won at sea:
Second Prize of Shanghai Youth Calligraphy Competition (1975)
The first prize of Shanghai Yangpu District Youth Painting and Calligraphy Competition (1976)
First Prize of the First Calligraphy Competition for College Students in Jiangsu Province (1982)
Second prize of the first national college students' calligraphy competition (1982)
First Prize of Nantong Calligraphy Competition in Jiangsu Province (1983)
First Prize of Jiangsu Youth Seal Carving Competition
Excellent Award of Jiangsu Youth Art Exhibition (1983)
First Prize of Nantong Youth Art Exhibition in Jiangsu Province (1983)
1984 was rated as six paragraphs (up to eight paragraphs) of national calligraphy.
... and held various positions in the American Book Association.
Introduction of some personal works
Mr. You, the tutor of Haimei Palace, is from Nantong, and his teacher is like the sea. His first exhibition was held in Guanglang Hall of Tutor Art Museum on the third floor of Du Ming Square, South Street, Nantong. Mei Gong is willing to dedicate this exhibition as a sacrifice to Mr. Yu.
Ink painting is a kind of Chinese painting. Refers to a painting made of pure ink and wash. It is generally believed that it began in the Tang Dynasty, became in the Five Dynasties, flourished in the Song and Yuan Dynasties, and continued to develop in the Ming and Qing Dynasties and modern times. Give full play to the function of ink painting with brushwork as the leading factor. Advocate "ink is color" and "ink is color". People in the Tang and Song Dynasties painted landscapes with wet strokes, which had the effect of "water fainting ink printing". People in the Yuan Dynasty began to use dry pen, and the ink color changed a lot, which had the artistic effect of "giving color at the same time". In the Tang Dynasty, Wang Wei put forward that "ink painting is the best", and later generations followed suit. For a long time, ink painting has played an important role in the history of China painting. Since the Tang Dynasty, ink painting has gone through more than 1000 years from birth to continuous development and perfection, especially the formation and prosperity of literati painting, which makes China ink painting highly respected by the times and become the standard to measure the artistic level of oriental painting. All this is enough to show the position of ink painting in the history of China painting, which is the unique basic feature of ink painting ... monochrome painting. It is also the soul of China's painting art. ......
This is an ink-and-wash landscape painting by Mei Gong on the sea. The inscription is: "On October 16th, Wuzi, I look forward to the teacher's" Guanglang Hall ",and thank the teacher for his ink-and-wash spirit and pure spirit, and return to get the picture of" Someone in Bai Yunsheng "with the teacher's splash-ink painting method to record the viewer's appearance."
Pale crimson landscape is one of China's landscape paintings. On the basis of ink painting, a light-colored landscape painting with ochre as the main tone was laid. It began in the Eastern Yuan Dynasty in the Five Dynasties and flourished in the Yellow Dynasty in the Yuan Dynasty. It is also called "Wuzhuang" landscape. Pale crimson landscape painting is characterized by elegance, lightness, lightness and clarity. Pen and ink are still the basis of screen configuration. When the ink color is sufficient, the color of the picture is simple and unified, reducing the change of shade and light, and its color is mostly used in rocks.
This is a shallow landscape work by Mei Hong at sea.
Green landscape is a kind of China landscape painting. Landscape painting with mineral azurite and stone green as the main colors. There are big turquoise and small turquoise. The former has more hooks, fewer strokes, strong coloring and strong decoration; The latter is dominated by the light color of ink and wash. Big green mountains and rivers are longer than bright ones, while small green mountains and rivers are beautiful. The latter appeared in the late Ming Dynasty, represented by Lan Ying's boneless colorful landscapes. Later, on this basis, it developed into a colorful landscape founded by Zhang Daqian and Liu Haisu in modern times. Boneless heavy color is better than gorgeous color, and green splash color is better than warm and hearty.
This is a green landscape made by Mei Gong in various ways at sea.
In his early years, Mr. You was personally taught by Master Huang, and he admired Master Huang very much. There is often a saying like this: "If you read Master Hong Bin's paintings carefully, you will realize that there is space and reality in his paintings ...", "The essence in paintings is not easy to be rendered, and it needs shades and levels to be dyed well, and you must be able to read pens ...", "You should use pens well when painting ..." Master Huang has been imitated countless times. This is 1983. "Poetry Pool" has an inscription by his teacher, Mr. You: "Master Hong Bin's paintings are not easy to imitate, and its leisurely and lush place is almost impossible to write. Mei Gong painted this picture frame in ink, which is quite attractive. "
Personal achievement and social evaluation
China's Collection of Paintings and Calligraphy of "Maritime Masters"
20 10 China painting and calligraphy atlas "Master of the Sea" was officially published by China Painting and Calligraphy Publishing House.
The exhibition of calligraphy and painting caused a sensation.
20 10 12 "there is and there is no mountain color". The maritime painting and calligraphy exchange exhibition between Master You and his disciple Mei Gong was a sensation, and various media rushed to report it.
Traditional painting and calligraphy have a long charm.
On 65438+February 1 day, the exhibition of calligraphy and painting exchange of Master You and his disciples on the sea, which was hosted by the Municipal Cultural Bureau and undertaken by the Municipal Cultural Center and Nie 'er Library, was exhibited in the exhibition hall of Nie 'er Library. This painting and calligraphy exhibition is mainly composed of 20 paintings by you and 80 fine paintings and calligraphy works by Wang Liqun * *100, supplemented by multimedia video materials such as CCTV's "Everyone" column and Jiangsu Satellite TV's "Landscape Painting Everyone", so as to lead the audience to feel the personality and art of the master, appreciate the exquisite pen and ink world of the master and his disciples, and feel the excellent and broad traditional culture and art of China. At the exhibition site, many calligraphy lovers in our city watched the exhibition. Sometimes they meditate, sometimes they exchange and discuss, and they appreciate the exquisite pen and ink world of the master at close range. According to Li Rong, deputy director of the Municipal Cultural Center, our city holds various exhibitions of calligraphy and painting every year, but this exhibition in Wang Liqun has the greatest influence. Many painting and calligraphy lovers in cities and counties come here. The exhibition time of the exhibition hall is from 8: 30 to 20: 30 every day, but there are still many people visiting every time it closes, so the closing time has to be extended ... "
"During the exhibition, visitors to the museum made speeches in the guest book." Painters are broad and profound, and their painting style is simple. As a person, learning painting has benefited a lot. "Wei Wanqiu left a message." Master has no rhyme, and my disciples look at you. It's amazing and open-minded, leaving me with unforgettable memories. "Student Tian Jun left a message." Wang Liqun painted the most traditional things from the source of China. There are many places worth learning. I benefited a lot from this exhibition. "Wang Qixian, who has been engaged in painting for more than 30 years, told reporters ..." (Excerpted from Yuxi News Network (reporter Jiang Simin's text/map))
Selected as "Shanghai Masterpieces of Painting and Calligraphy"
20 12 was selected as the "representative work of Shanghai painting and calligraphy", which marked that his artistic achievements entered a new height.
Introduction of special articles of Shanghai United Daily.
On May 3, 20 13, Shanghai United Daily published a special introduction.
Earnestly strive to promote the public interest
Taking care of autistic children
20 12 participated in "World Post Day", "The Third Letter Culture Festival and the Launching Ceremony of the National Leading Card for Family Care for Autistic Children", and wrote a large banner donation of "Deshan Xinda" and "Huairen" on the spot.