The contents published in this book are considered by Wang Guowei's Notes on Ye Nianpu as the first nine volumes of Collected Works of Zhan Ran laity, and all the works included are works before 1233. "The first nine volumes were published by your company (1233), and the last five volumes were published by Wu Jia (1234) for subsequent supplements. However, it also stopped at the internal reference (1236). During the eight years from Ding You (1237) to Chen Jia (1244), none of the poems remained, and the fourteen volumes in this edition were insufficient. " However, in Ye Nianpu, he seems to deny his own point of view, and lists many poems in the first nine volumes of this edition as 65438+. This seems to show that he has no unified understanding of this issue. Moreover, Wang Guowei's textual research is also inconsistent with the lower limit time of the ice Shen Nian (1236) in this edition of Collected Works of Lairan Jushi. For example, in Volume 10, Zhang Hanchen's poem Pilgrimage Man, he confirmed that he was Zhang Ziliang. However, all available data show that Zhang Ziliang surrendered to Mongolia at noon on the 10th day of Emperor Taizong (1238), so he could not have entered the Great Khan of Mongolia earlier. It can be seen that this edition of Zhan Ran's Works Living on the Land may also include works after 1236. Friend Wang pointed out: "There are poems written by Yi Wei (1235) and Bing Shen (1236) after (1234), which are regarded as follow-up. Occasionally, works that have been filmed before have also been mixed in. " He also doubts the accuracy of Wang Guowei's inference of the upper and lower limits of the creation age of the works included in this edition of Collected Works of Lairan Jushi. So, is the 14-volume Collected Works of Zhan Ran Layman complete? According to the summary of the general content in Sikuquanshu: "History says that it should be given full play to bypass astronomy, geography, the number of skills, the theory of the two schools and medical divination, but the text stops at Si, not as good as poetry, and its meaning is still soft?" It can be seen that when compiling Siku Quanshu, Siku officials doubted whether Zhan Ran Jushi Anthology 14 was a complete book. But then, they said, "However, the number of fourteen volumes is consistent with the records of various factions, or they just chanted whimsy in their leisure time and never paid attention to the writing." It seems that I denied my doubts. In fact, the official suspicion of Siku Library is not unreasonable, because it is recorded that in addition to fourteen volumes, another complete book, thirty-five volumes, has also been circulated. The official catalogue of the Ming Dynasty "Pavilion Collection Catalogue": "The collection of Zhanran laymen is thirteen volumes, which is incomplete. Yuan Lu Ye's "Songs of the South" consists of 35 volumes, which shows that there are at least 35 volumes circulating in the Ming Dynasty. A Qing Huang Yuji recorded the Bibliography of Ganqingtang in Volume 29: "The Collection of Zhanran Jushi by Yeluchu Cai has thirty-five volumes, with seven to twelve volumes missing and twenty-two or twenty-three. And fourteen volumes of Collected Works of Zhan Ran Layman. Qian Daxin's Supplement to the History of Yuan Dynasty, Art and Literature also recorded: The Collection of Zhanran Jushi, with 35 volumes, lacks 22 volumes and 23 volumes. There are also fourteen volumes of the Collection of Zhanran Laymen, compiled by Zong Zhongheng, the capital of Zhongshu Province. "The number of volumes recorded by various schools is much more than the books we see today. It can be seen that the existing fourteen volumes of Zhan Ran's Native Collected Works are far from complete; Thirty-five volumes should include more works by Lu Ye Chu Cai.
Through the electronic version of the Sikuquanshu Retrieval System, we can find that some works that were not included in the Collected Works of Zhan Ran Jushi are mentioned in the documents preserved today. For example, the preface written by Zhao Zhu, the leader of Yeluzhu's "Double Stream Drunken Weng Ji", once mentioned that "it's a real taste of the year, and I personally saw Yuquan's old man with a poem:' Yellow dogs don't come to worry. Baiyun looks away and misses me. "If you want to send a message with scales and feathers, warm water will fly like a wild goose." Another cloud says,' Yellow sand, three Wan Li, white hair and a widow. Heartbroken, wandering around the city, taking care of travelers. "... and wrote a poem with others:' The theory of benevolence and righteousness is like the spring breeze shooting at a horse.' Among them, the first two poems are found in the second volume of Collected Works of Living in the Land, the second volume of Two Homesickness Poems and With the King, but the lyrics are slightly different. The latter poem, Collected Works of the Monarch, was not included. In Shuangxi Drunk Collection, Yelv Poems and his father wrote seven poems, most of which are not found in this edition of Zhan Ran Jushi Anthology. For another example, Song Lian once mentioned a poem by Lu Ye Chu Cai. Judging from the title of this poem, this is obviously not available in this edition of Collected Works of Zhan Ran Jushi. These works can't be found in today's Collected Works of Zhan Ran laity, and are likely to be included in the lost thirty-five volumes. At the same time, we combine historical facts and his whereabouts to analyze the contents of his existing poems, and we can also see that there are really few poems reflecting his early and late years. But the problem is that this is unreasonable for such a talented young man, because there is no reasonable reason to think that he is unwilling to write poetry in his early and late years. The only reasonable explanation is that most of his poems in his early and later years are scattered. There may be 35 volumes of these scattered poems, including the works of Lu Ye Chucaigeng. As Song Lian mentioned earlier, Song Dynasty's "Send to Liuyang Gate", Song Lian clearly pointed out that this is the work of Chu Cai when Lu Ye was 5 1 year old.
It is puzzling that there are twelve volumes besides fourteen and thirty-five volumes recorded in many existing public and private catalogues. National History Classics of Ming Dynasty: Twelve Volumes of Lu Ye's Brilliant Collection. "Unfortunately, Jiao Hong did not further explain the twelve volumes of Ye Luchu Cai Ji. We don't know whether it is a supplement to Lu Ye Chucai's early and late works, or an abridgement of fourteen volumes. In other catalogues of public and private figures in Ming Dynasty, the works of Lu Ye Chu Cai are also vague. Such as Ge Bibliography: Lu Ye Zhanran Jushi Collection, lacking three volumes. "Lu Ye's" Zhan Ran lay man ",17 volumes incomplete Zhuzhutang bibliography:" Lu Ye Zhan Ran lay man seventeen books "near the ancient hall bibliography: Zhanran lay man collection. Xuanshangzhai Bibliography: Collected Works of Zhan Ran laity [14] Li Zetang Bibliography: Collected Works of Zhan Ran laity, four volumes, by Lu Ye Chucai. The fuzziness of the records makes it difficult for us to study the version of the twelve volumes. The fourteen-volume Collected Works of Lairan Jushi, which is popular now, mainly has the following types:
First, the four-volume edition published by the Commercial Press 1926 is the most popular one in the past. Judging from the original version, it was written by Hideo Luita of Sun Shi, and it should be the earliest one ever seen. The book consists of four volumes, half a page, eight lines, eleven to nineteen characters, thick black mouth, left and right sides, and the following words are sealed: "Shanghai Hanfen Building borrowed Xiaolutian Tibetan Garden in Sun Shi, Wuxi to write this book. The original book was built with a height of five inches and eight minutes and a width of four inches." This book is in the order of (1234), (1233), Meng (1233) and Li (1233). As can be seen from the fourteen volumes, nine volumes have the sequence of three people, namely, Meng and Li, all of whom are in your company (1233). A prominent problem in this edition is that the catalogue does not match the actual poems collected. There are poems in some catalogues, but they are not actually included. For example, there are three poems in Volume 4 that are full of joy and charm, but only one is actually included. The fifth volume is called "Rhyme with Zheng Xue", but actually it only includes one poem. The title of the seventh volume is "Three Poems with Gao Chong Xiaoyun", but in fact it only includes two poems. Some poems are actually included without a table of contents. There is no "another poem" after the third volume of Ten Poems with Zheng Jingxian, but this poem is actually included. There is no "another poem" after the fifth volume "Five Poems of He Yun", but this poem is actually included. In addition, the directory name does not match the title of the article. The title of the sixth volume is "The Old Man in Puhuacheng Dreamed of Lin Wan", but the title of the article is also called "The Old Man in Puhuacheng Dreamed of Song Wan". The title of Volume 6 is "Send to ZhangZijian", but the title of the article is also called "Send to Zhang Ziwen".
Secondly, Wen's Sikuquanshu should be the same as the previous work, but the poems actually included in the above catalogue are basically the same.
Once again, it was written by Guang (1895) in the last years of Qing Dynasty, with an unwritten postscript in the preface to Guang Unknown Man and Guang Xu Dinghai (1887) Li Wentian, and some double-line notes were added to the poem. According to the printed books of villages in western Zhejiang, there are mainly commercial printed books, the first edition of series integration (1937) and the universal library. The Basic Series of Chinese Studies published by Taiwan Province Commercial Press 1968 and the New Series Integration published by Taiwan Province Xinwenping Publishing Company 1984 were also printed according to Nishimura House.
In addition, there are some 14-volume manuscripts of Collected Works of Zhan Ran Layman in China. According to the Bibliography of Rare Chinese Ancient Books (Collection Department), there are 19 manuscripts in domestic libraries, mainly in Beijing Library, Shanghai Library and Nanjing Library.
Finally, the new punctuation published by Xie Fang and Zhonghua Book Company 1986. Based on the four series, this book revised Nishimura's books and took the series as a reference. There are collations at the end of each poem. At the end of the book are Tombstone, Lu Ye Zheng Wen Gong Zheng Chronology and Lu Ye Zheng Wen Chronology Notes, which are of great value to the study of Lu Ye Chu Cai's life.