But why do some people get high marks when there is no one like them? Because the marking teacher doesn't know who you draw, the only condition for the marking teacher to judge whether you draw like it or not is that the structure of the person you draw is correct, and it is a person who conforms to the proportion, structure, skull and muscles of the person. (Only applicable to real avatars)
2。 Complete. Picture integrity is the key to sketch. (Do you have an avatar)
What do you mean the picture is complete? Even if the shape is complete, the light and shadow you draw is complete. The so-called completeness of light and shadow does not mean that the deeper you draw, the more complete you draw, but that the relationship between black, white and gray is correct, which means that the sketch relationship is often said to be correct, and the picture can be said to be complete.
3。 There is a turnover. Especially the hair, (because many of them are not well drawn), if not, you will draw in vain.
Volume represents the thickness of the object, and the performance of volume should be based on understanding the structure.
The head is an approximate sphere and the nose is an approximate cuboid. . . That decomposition, or what you practice when painting plaster/faceted images, is to understand the structure and learn to express the volume.
Second, painting colors is not like sketching, which is very rational. If sketch is compared to a cultural lesson like mathematics, then the color is Chinese or English, which needs to be felt. This is called color vision.
Boys' color feeling is not as good as girls'. What should I do? But you don't need so much feeling to take the color test, and you can enter the Academy of Fine Arts if you know it (as long as you don't take the oil painting test, you won't get too much after going to the Academy of Fine Arts)
Have confidence in yourself.
Drawing a good sketch is the basis of drawing a good color. For example, if you can't draw interlining with colors, then you can't draw interlining with sketches, at least not well.
The main reason why you can't draw the interlining well is that you can't grasp the volume of the interlining. It was flat when it was painted, but there seemed to be only a few dirty lines on the interlining.
Then you have to draw the sketched interlining first and divide it into blocks (very important, a necessary step). If you can draw a very deep sketch, deeply analyze its turning point, the relationship between folds, and its volume, light and shadow, and express it in blocks (don't draw circles). If you draw 2-3 pieces and then color interlining, then the sketched surface is the brush strokes of color interlining, so even if the color is not right, it will be a real interlining at first glance, which is a successful step. In fact, the color is that the pen is wider than the pencil. Can you still draw?
2。 A big problem with color.
Not to mention details such as interlining, do you use tones to draw colors? What is a tone? Tone is what color is covered in your painting? To put it bluntly, the tone of the exam painting is basically the color of your interlining, and a little (less) of this color is added to the dark part of each object. Well, there is a connection between the objects in the picture.
Timbre is the basis of music score. No tone, nothing. Scenery pays more attention to hue, so pay attention.
3。 If you are painting a landscape, you should paint it as a still life. Don't take landscape painting seriously, just like still life painting. The main object of the jar is the house. The mezzanine is a big background with mountains and rivers. Trees are apples and bread. In the same way, I practice and experience it myself.
4。 Many candidates don't pay attention to not only the contrast of lightness, hue and purity, but also the most important warmth and coldness. In cold light, the bright part is cold, the dark part is warm, and the warm light is the opposite. Understand?
Without this, it's over.
Finally, say a little truth, observe as a whole, and observe as a whole when painting!
It's not myopia for others to squint at objects, but to compare the color relationship between objects, which is warmer and which is bluer. Overall observation is very important ~
Three: there are sketches.
Finally, sketch should draw more hands, feet and heads. Many candidates shy away because they find it difficult to draw, that's all. Copy the structure if you don't understand it. In short, if you want to improve your sketching level quickly, you should eat when you eat, sleep and go to the toilet, and don't stop writing for three minutes. When your sketches can be counted by gold instead of Zhang, you can get high marks in the exam. The method of learning sketch.
① Copying more: Copying excellent works is the fastest and easiest way for beginners to learn. Through copying, on the one hand, it can be used as a means to train modeling ability, on the other hand, it is more important to learn its expression method and use it in future study.
② Practice makes perfect: The sketching tool is relatively simple, and you can record all aspects of your life anytime and anywhere with a sketchbook. Only by drawing more and practicing more can we improve our professional level.
(3) Use your head diligently: learning painting is a hard job, and sketching is by no means ... >>
Question 2: Why do you sketch the background? The background serves the subject, so don't show it deliberately, or you will usurp the role of the master. When painting plaster statues, because there are many white parts in plaster, in order to enhance the texture, people often use a large area of dark tones, but not necessarily. It can also be expressed in a soft voice. In view of what you said, please talk about the treatment.
1, if the background is dark, if you want to highlight the main body, then you'd better use reflective treatment, that is, the edge should be bright to distinguish it from the background. Remember, the darkest part of the object is not the edge, and the reflective details are not handled well. In another place, if the dark part and the background are merged, it is not impossible, but if the dark part is to be imaginary, there is no need to emphasize the outline. It is necessary to emphasize the sense of space, with the front protruding and the back blurred, which can better express a certain spatial relationship.
2. The plaster statue is the main body, and the background should serve the main body. Therefore, when dealing with the background, there is no need to deal with it in a dark tone, and there is no need to follow the objective phenomena you see. At this time, we should properly handle the tone and set off when it is time to set off. When you don't set off, you should cherish ink like gold and make the subject perfect.
3. In addition, when dealing with the outline, we should also pay attention to avoid being stiff and protruding, or being integrated with the subject or background, otherwise the edge will run forward and destroy the sense of space. In fact, the keynote is to set off each other and contrast each other. A strong, a weak, a weak, a strong, so as to distinguish clearly, or mixed.
Above, I hope to help you, thank you.
There is a shortcut to drawing. Judging from your question, you should be painting a still life (because there is a village cloth as the background), so the space must come out, that is, the front is solid and the back is empty. How to do this is not to paint the dark part as dark as you see when you texture the canvas. Even if the fabric texture is actually dark, it should be artificially brightened. If the light part is actually bright, it depends on the color of your main object. If the main object is white or light, it will turn gray in the bright part. That's it.
I can't see.
But half of them are like this.
Wipe, hand, flannel, rubber, dry brush, etc. , the effect is different.
Scrapes, blades, scrapers or other sharp things, Russian sketches are more common.
Brush with water, ink or toner.
etc
Technology is generally combined. There are many techniques in a painting, but sometimes some techniques are dominant.
The front is real, and the back is virtual.
Pull the space ``'
The space is open.
The score will go up `
Of course, the thin one should be thin and the thick one should be thick.
Lying is definitely not the same as being vague.
This thing really can't be expressed in words.
Practice more. '
Practice more and you will naturally understand.
Question 3: How to draw the background line in the sketch? You usually don't learn to draw the background in the initial sketch. Background can enhance the sketch effect of the main object, make it look more solid, and draw the background carefully. Usually, the dark background is called bright background, that is, when you set the dark background, draw a little bright spot to look breathable, and draw black spots on the bright background to enhance the contrast. The edges of dark objects are merged into their own projections and the edges of bright parts are merged into the background. This is the simplest, and you will understand it naturally if you draw more.
Question 4: The lonely girl sketched her back. Thank you. Are these all right?
Question 5: How to draw the sketch background and how to draw it well? When drawing a background, we can't start from a fixed concept and regard the background behind the main object as a fixed color. We must understand the interdependence between them from the perspective of visual laws. That is, the background behind the outline of the light-receiving part is dark, while the background behind the outline of the dark part of the main object will be bright. This is the illusion effect produced by black-and-white contrast.
Simply put, a bright background is darker and a dark background is brighter.
In terms of space, the further the distance between the subject and the background, the clearer the outline of the subject and the stronger the contrast between black and white, and vice versa. This is another law dealing with the relationship between subject and space.
1. When the still life is dark, the background should naturally be bright.
2. When the still life is light, the background needs to be set off with dark color. But it doesn't have to be full of depth, and the deep and light pictures are very vivid.
Question 6: How to draw a sketch box should be very detailed, and a method of drawing the background is needed. Thank you. Method of sketching a cube:
1, drawing: use a hard charcoal pen or a small pencil B. Firstly, the approximate positions of up, down, left and right are gently marked with straight lines, and long straight lines are drawn to connect them to determine the basic shape of the cube.
2. Add dark side and projection: draw the dark side and projection of the cube quickly with 6B pencil or soft charcoal pen.
3. Further widening the relationship: Only by deepening the bottom of the cube can the relationship between the dark surface and the projection be widened. Draw the gray face of the cube. Put some lines in the background.
4, adjust the picture: adjust the whole picture, open the black and white gray, deepen the background. Use a pencil or hard charcoal with a small B number to show the bright side.
5. Describe the details: Describe some damaged places on the cube. At this time, it is necessary to sharpen the pen and choose a small pencil or charcoal pen of size B. It can deepen the lines between the cube and the bottom, and enhance the solid feeling of the cube.
Note: Pay attention to the big relationship when drawing, and don't dig into the details. Only when the big relationship is handled well can we control the black, white and gray, and don't dig deep into the details, which is absolutely bad for painting.
Question 7: I want to find some pictures of boys' backs. The requirement is a sketch. The more, the better. I can't find them. The requirements are too high.