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Wang Yiyong's Search for Ink
As early as three years ago, I knew the name Wang Yiyong, but I didn't know what he looked like. I really got to know Wang Yiyong after being introduced by a friend. Wang Yiyong, born in March 1977, is an outstanding modern writer and calligrapher. He is currently the vice president of China Shuihu Society, the president of Hangzhou Three Kingdoms Shuihu Culture Research Association, the president of Hangzhou Dream of Red Mansions Culture Research Association, the president of Hangzhou Journey to the West Culture Research Association, the executive vice president of Zhejiang Romance Society, the executive vice president of Zhejiang Sunquan Research Association, the president of Fuchunjiang Celebrity Land Research Association, and the president of Fuyang Zhong Yong Painting and Calligraphy Institute. Executive director of China Painting and Calligraphy Artists Association, member of Painting and Calligraphy Committee of Hangzhou Ancient Capital Culture Research Association. There are nearly 20 books including Sun Quan the Great, Selected Works of Sun Quan, Water Margin Hangzhou and Water Margin Competition.

In order to really understand Wang Yiyong, we made a search of Wang Yiyong's ink. Wang Yiyong's ink can be used in towns and villages, and also in places where people travel in deep mountains and forests. His vigorous pen and ink are constantly interpreting wonderful calligraphy myths. The reporter and his party began a wonderful journey to find Wang Yiyong's ink. At first, our destination was around Hangzhou. On July 19, the morning light was dim, and it began to rain in Mao Mao. The trees on both sides of the street are full of vitality under the washing of rain. There was a long queue on the street because of the constant traffic. The reporter and his party are full of anxiety and excitement, and they can't help complaining about this helpless road condition. They really can't wait to visit, so they have to hold back their joy and pretend to be calm, but their minds have already flown to Wang Yiyong's ink.

The rain beat wildly on the window, as if urging us to speed up. The long journey, coupled with the eagerness, has become even longer. After a few miles, I finally arrived at the first stop-Yanshou Hospital in Dongshan Village, Fuyang City. In our country, temples pay attention to introversion, so there is a saying that "ancient temples hide deep mountains" Although Yanshou Hospital doesn't live in a deep mountain, it has a high geographical position, surrounded by mountains and waters and an elegant and pleasant environment. Nowadays, temples are not only places where people convert to religious beliefs, but also places where history and culture meet. Among them, calligraphy is an important factor that constitutes the temple culture. Opposite the gate of Yanshou Hospital, the inscription "Southern Guanyin Bodhisattva" on the walls on both sides stands out. This is the first ink found by Wang Yiyong. Calligraphy with such a texture can be described in one sentence: ethereal and speechless, the ancient road is clearer. After admission, I saw a huge "Buddha" engraved on a stone, which was written by Wang Yiyong. The overflowing righteousness and masculinity could not help but make people gasp in admiration. Smoke, rain lingering, a little hazy, a little expectation. About in the depths of the bamboo forest, the reporter was delighted to find that a stone tablet was clearly engraved with Wang Yiyong's signature. Calligraphy is profound and bold, which makes reporters and their party more interested, and they quickly drive to find the next surprise.

The longer the journey, the clearer the weather. I don't know whether it's regional differences or changeable weather. All the way to Luzhu Town, Deng Lu, we got a lot of ink, such as Huagang in front of Huagang Hotel, Lianqiao Village in Luzhu Town, Fuyang City, Daluoshan Park, No.2 Primary School in Dengxin Town, Fuyang City, and Baxian Bridge. "One water doubt is a fairyland on earth, and the second bridge flies in half a day." This is the inscription on the Eight Immortals Bridge. The words are sharp and eloquent, and what you see at this moment has been included. It is understood that in order to promote the filial piety culture, Luzhu Town has established the "Zhou Xiong Research Branch" and the "Zhou Xiong Memorial Hall" in combination with history and folk customs. People will always remember Zhou Xiong's filial piety spirit, and many touching stories have been handed down from generation to generation. In Zhou Xiong Memorial Hall, there are many precious ink marks left by famous painters and painters at home and abroad, and Wang Yiyong is one of them. "Zhou Gongxiong's Daxiaofang was built in the Great Song Dynasty" and "Zhou Xianling's Wang Dian" are Zhou Xiong's filial piety, adding luster to the traditional filial piety culture. Intoxicated by the world of calligraphy, we continued to search and came to dongqiao town, Fuyang, where we experienced the wonders of local landscapes and the beauty of humanity. Dongqiao town is the hometown of Shi Jian Wu, a great poet, Taoist theorist and qigong health care practitioner in the Tang Dynasty. Within the administrative area of 147 square kilometers, dongqiao town has the natural and cultural landscape of "three mountains, three springs, three villages, two temples, one island, one lake and one museum". It is said that Emperor Qianlong once visited Jiangnan, just like a pearl hidden in the northwest mountainous area of Fuyang. It is understood that Wang Yiyong, who is also a native of Dongqiao, also edited the Collected Works of Shi Jianwu to publicize and study Shi Jianwu. It can be said that while Wang Yiyong felt the artistic achievements of his ancestors, he brought the plastic arts of China Chinese characters to the extreme. Next to the provincial highway in dongqiao town, the word "clean and harmonious" is striking, with rich brushwork, restrained essence, dignified pursuit and more power. This kind of "political harmony" is not only Wang Yiyong's love for his hometown, but also an expression of his humanistic spirit. His political affairs are accessible, his people's hearts are smooth, and he has a charm.

All the smells in life and feelings in the depths of the soul may be absorbed by sensitive calligraphy artists in soft strokes. This is a magnificent world with clear scenery. The scene before us: the river is light, several people are fishing by the river, and a pavilion named "Wufeng Pavilion" stands by the river, setting off the mountains. This attracted people to stop and go. Reminiscent of Wang Yiyong's trip here, he was also fascinated by the scene before him, so he named it. Calligraphy casts love, and it is quiet and far-reaching. Literary calligraphy and Qingming mountain and river pictures complement each other and are fascinating.

Over the years, Wang Yiyong, who devoted himself to the study of Sun Quan, also wrote an inscription for Sun's ancestral hall. It is understood that Sun's ancestral hall was listed as a municipal cultural relics protection unit in 2004, which is inseparable from the hard work of researchers. Walking into Sun's Ancestral Hall, a strong historical and cultural atmosphere came to my face, and what caught my eye was the golden characters on the beams and columns. Going further into the inner hall, you can see the paintings left by Wang Yiyong's ancestor worship. These are subtle spiritual traces, and an art lover is eulogizing historical deeds and ancestors in his own way.

Wandering in the world of calligraphy and painting all day, I suddenly found that the twilight was getting darker and darker. We have to stop our inner curiosity and announce that Wang Yiyong's search for ink has come to an end for the time being, but his ink is far more than that. Art is endless, and love is a painter. I think this is the portrayal of Wang Yiyong. His passion and persistence in calligraphy art is simple, so he can devote himself to creation.

(Reporter Yang Qu, Xu reports) The famous writer Wang Yiyong wrote Sun Quan the Great in 600,000 words and renamed Sun Quan (182-252) as. The founder of the state of Wu. Zhong was born in Fuchun, Wu Jun (now Fuyang, Zhejiang). In the fifth year of Jian 'an (200), he followed his younger brother, Sun Ce, in the six counties of Jiangdong, and Cao Cao named him the general and the leader of the army. He recruited talents, helped the mountains and Vietnam, and gradually expanded his strength. In the 13th year of Jian 'an (208), he joined forces with Liu Bei and defeated Cao Cao in Chibi. In the twenty-four years of Jian 'an (2 19), the attack on Jingzhou and the capture of Guan Yu were all based on the risks of the Yangtze River. In the first year of Huang Wu (222), Liu Bei was defeated by Yiling. In the first year of Huanglong (229), he proclaimed himself emperor in Wuchang, with the title of Wu, and then moved to Jianye. Excerpted from the Dictionary of Romance of the Three Kingdoms edited by Shen Bojun and Tan, 14 1 page, published by Zhonghua Book Company in July 2007.

Wang Yiyong, a native of Fuyang, Zhejiang Province, is an up-and-coming painter and modern outstanding writer in the new period. He has devoted himself to the study of Sun Quan for many years and has achieved remarkable results. In 2005, Sun Quan the Great, the first historical novel, and Battle of Red Cliffs, the first volume with 600,000 words, were published by Writers Publishing House.

"As a Fuyang person, it is the responsibility to publicize Sun Quan." Wang Yiyong said that domestic studies on the characters of the Three Kingdoms, such as novels and biographies of Cao Cao and Liu Bei, have blossomed everywhere, but there are few research materials about Sun Quan, so I don't know how to start with novels and biographies. "Sun Quan is both a historical celebrity and a Fuyang person. I think everyone in Fuyang has the responsibility and obligation to publicize him, reproduce his life and make it a brand of Fuyang tourism culture. " Wang Yiyong said.

In 200 1 year, Wang Yiyong began to collect and sort out information about Sun Quan. When he went out for an inspection, the first thing he thought of was Sun Quan's tomb, Nanjing. He often goes to various libraries and archives to borrow books about Sun Quan. He also entrusted friends all over the country to buy and collect information about Sun Quan.

In July 2002, he began to write Sun Quan the Great. He made a one-year timetable, stipulating that he should write at least 3000 words every day, otherwise he would rather stay up late. His persistence was strongly supported by the main leaders of Fuyang Municipal Committee at that time. As a result, the creation of Sun Quan the Great began in full swing.

Some people say that the premise of success is constant self-confidence and strong will. After three and a half years, in February 2005, the first volume of Sun Quan the Great written by Wang Yiyong finally came out. It lasted several days and nights. Perhaps, like others, we can't fully understand that kind of mood, but after reading Sun Quan the Great, we can deeply understand the meaning between the lines.

Sun Quan, widely recognized by the public, is Luo Guanzhong's Sun Quan. However, Wang Yiyong believes that Luo Guanzhong's Romance of the Three Kingdoms contains too many subjective things, fake things and substitute things, which mislead future generations: Liu Bei is orthodox; Guan Yu has many shortcomings, but he can become a god; Zhuge Liang didn't have the ability, but "borrowing an arrow from a straw boat" and "borrowing the east wind" all found him ... Wang Yiyong emphasized that the purpose of writing this book is to tell the historical truth and correct Luo Guanzhong's point of view.

"Summary of Sun Quan the Great" said: The Three Kingdoms is a vigorous and talented era. Sun Quan played an extremely important role in the Three Kingdoms period: the protagonist of the Three Kingdoms; First-class political strategy; Diplomacy is the best; Military is not inferior; The development of Yizhou (now Taiwan Province Province) has the longest influence. These characteristics of Sun Quan seem obscure in Luo Guanzhong's works.

"Sun Quan is a historical and cultural celebrity. I hope others can learn about Sun Quan through Fuyang, and learn about Fuyang through Sun Quan. I am a member of ordinary citizens in Fuyang, and I only hope to do something for Sun Quan culture. " Wang Yiyong said.

Wang Yiyong's book Sun Quan the Great is to rehabilitate Sun Quan. (Text/Yang Qu) Three and a half years later, the 600,000-word novel Sun Quan the Great was renamed Sun Quan. Wang Yiyong, president of Fuchunjiang Scenic Spot Research Association, who has been devoted to the study of Sun Quan for many years, recently published his first historical novel Sun Quan the Great, the first volume of Battle of Red Cliffs. The book has 600,000 words and is published by Writers Publishing House. Wang Yiyong said that novels and biographies about Cao Cao and Liu Bei have been published in China, but there are few research materials about Sun Quan, and novels and biographies have not yet come out. "Sun Quan is from Fuyang. I think everyone in Fuyang has the responsibility and obligation to publicize him, reproduce his life and make it a brand of Fuyang tourism culture. " Wang Yiyong said.

In 200 1 year, Wang Yiyong began to collect and sort out the information of Sun Quan. When he and his wife went sightseeing, the first thing that came to mind was Sun Quan's tomb, Nanjing. He often goes to various libraries and archives to borrow books about Sun Quan. He also entrusted friends all over the country to buy and collect information about Sun Quan.

In July 2002, he began to write Sun Quan the Great. He made a one-year timetable, stipulating that he should write at least 3000 words every day, otherwise he would rather stay up late.

His creative thinking was also supported by the main leaders of Fuyang Municipal Committee at that time. In the summary of Sun Quan the Great, it is said that there are too many things that Luo Guanzhong misled future generations: Liu Bei is orthodox; And * Cao; Sun Quan is a supporting role; Guan Yu has many shortcomings, but he can become a god; Zhuge Liang didn't have that ability, so "the grass boat borrowed an arrow" and "the east wind" fell on him. ......

Wang Yiyong said that Sun Quan played an extremely important role in the Three Kingdoms period: he was the protagonist of the Three Kingdoms; First-class political strategy; Diplomacy is the best; Military is not inferior; The development of Yizhou (now Taiwan Province Province) has the longest influence.

"Sun Quan is a historical and cultural celebrity. I hope others can learn about Sun Quan through Fuyang, and learn about Fuyang through Sun Quan. I am a member of ordinary citizens in Fuyang, and I only hope to do something for Sun Quan culture. " Wang Yiyong said. Wang Yiyong said, "Battle of Red Cliffs, everyone thought that Zhuge Liang used the east wind to burn the Wulin, but it was not. Indeed, the wind created the Chibi War, but where did the wind come from? "

He believes that the real reason for the formation of the southeast wind is that there are several sunny days with high temperature in the Wulin area of Chibi every year 1 1, and Chibi area is a sharp turn of the Yangtze River, and its geographical location is just to the west of Poyang Lake, the Dongwu Navy Base. The surface of Poyang Lake is quite wide, and the water has the function of temperature regulation. According to the weather principle, when the temperature between the two places reaches a certain gap, the cold air on the surface of Poyang Lake will move towards Chibi, where the temperature is higher, forming a temporary southeast wind. Zhou Yu was summoned by Sun Quan when he was training a navy division in Poyang Lake, and predicted that Wu Dong's navy division would go up the Yangtze River and reach Chibi, waiting for the arrival of Cao Cao, so as to postpone the decisive battle with Cao Cao to the middle and late of 1 1 month, thus using the sudden southeast wind to carry out fire attack. There is a temporary southeast wind around Chibi, which is unlikely to be known by northerners such as Cao Cao and Zhuge Liang who are far away from the Yangtze River. Zhuge Liang's main role in Battle of Red Cliffs was actually to help Liu Bei establish the Sun-Liu Alliance.

"This southeast wind is the only secret skill if Sun Quan and Zhou Yu want to defeat Cao Jun, who is on the verge of collapse, and Cao Cao, who has military talent." Wang Yiyong said