Einar is changing both physically and mentally, while Gerda is changing her emotional feedback on Lily's appearance. The whole film is not touched by fierce conflict or confrontation, but is told in the most basic narrative way. The panic, sensitivity and fragility of Einar (or Lily) are directly displayed by the camera, which makes the spectators intuitively feel the struggle. He (she) falls into the quagmire of pain, crashes into the wall, learns to look at himself directly, even examines himself, then accepts himself as a woman, and finally affirms himself. This long process is easy to explain, Eddie freckles? Redmeni, the Oscar winner, I can only judge his performance lightly, like a calm lake, dropping a stone. You can only see ripples, but you can't imagine how deep the stone will sink. The subtle calm under the stormy waves. And Gerda's selflessness can be said to be the most touching place in the whole film. Gerda held Lily's hand and gave her the courage to be true to herself when she went through the double tests of body and mind. The pain far exceeds Lily's. Gerda went from shock to acceptance. I can't imagine what a wife feels like, watching her husband become a best friend, watching the happy and beautiful past that is getting farther and farther away from her, turning around and holding Lily's hand, pulling her out of reality together, firm and firm.
The picture of the film is like a Nordic painting, gorgeous, exquisite and charming. The colors of light and shadow are amazing, and the service is amazing. In addition, Gerda painted one portrait after another for Lily, and Lily pushed her to the peak of creation, and her paintings were incomplete. How many colors should I use to draw lilies? No one answered.