The first chapter is the epic of Hakka material civilization and spiritual civilization.

First, the inheritance of Central Plains culture

(A) the Central Plains architectural culture heritage

(2) Social bodies

(3) The living fossil of ancient ritual system in Central Plains.

(D) the embodiment of Confucianism

(5) The reflection of Buddhism and Taoism.

(VI) Small-scale peasant economic base

(7) Rolling development camp

(8) "Geomantic Treasure Land"-a masterpiece of harmony between man and nature.

Second, unique architecture.

(A) careful site selection

(b) Local materials

(3) large scale

(4) Strict layout

(5) Corridor housing

(six) fully functional

(7) Strong defense.

(eight) the integration of temples and houses

(9) Rich in connotation

(10) Natural Harmony

Third, the rhythm of Fiona Fang's variation.

The second chapter is the style of Hakka in Fujian, Jiangxi and Guangdong.

First, a glimpse of Hakka wai in western Fujian and southern Jiangxi

(A) Hakka Tulou in western Fujian

(B) Gannan Hakka Tuweizi

Second, the Hakka customs in South Guangdong

(1) Plaza building

(2) Circular buildings

(3) Half Moon Building

(4) ellipse circumference

(5) Bajiaolou

(6) Wei Longwu

(7) Four-corner buildings and other corner buildings

(8) Tang Hengwu

(9) Bar building

(10) Castle-style fence

(1 1) Wei Chun

(12) Diaolou

(13) Chinese and Western style closed buildings

(14) Freestyle closed house

The third chapter is the regional evolution of Hakka wai in South Guangdong.

1. Square and round earth buildings are distributed in Raoping, Meizhou Dabu and Jiaoling.

2. Half moon buildings in Raoping and Tai Po

Three, located in Meizhou Meijiang District, Meixian District, Xingning and other places around Longwu.

Located in the four corners of Xingning and Wuhua in Meizhou.

Castle-style paddocks distributed in Huiyang and Shenzhen.

Intransitive verb Weichun village, Shenzhen

Seven, distributed in Yingde, Wengyuan and other places, four high fences and "Hu Er" gables.

Eight, distributed in Shixing and other places, "Chessboard Wai" and watchtowers.

The fourth chapter is the relationship between Hakka wai in South Guangdong and She nationality, Fulao, Guangfu and foreign cultures.

First, the relationship between Raoping and the She nationality in Tai Po Hakka area

(1) past lives of She Village, Wu Lan, Raoyang Town, Raoping County

(2) Lanjia in Tai Po, a Hakka of Han nationality, calls himself the ancestor of She nationality.

Second, the relationship between Raoping and Tai Po Hakka wai and Fu Lao culture.

Third, the relationship between Hakka wai and Guangfu culture in Shenzhen

Fourth, the relationship between Meizhou and Shenzhen Hakka wai and foreign culture

The fifth chapter is the cultural connotation of Hakka couplets in Meizhou and Shenzhen.

First, the door couplet

Second, the temple fair

Third, the hall number

(a) the county hall number

(2)No. of Moral Articles Hall

(3) mascot elephant hall number

Fourth, church associations.

Verb (abbreviation of verb) Ji Qinglian

The sixth chapter is the inheritance of the architectural cultural characteristics of Meizhou by Hakka Wai in Shenzhen.

First, the cultural characteristics of Shenzhen Hakka Wai

inherit

(2) Compatibility

(3) Innovation

Second, the protection and utilization of Hakka enclosed houses

postscript

Postscript of series compilation