Fuchun was written by Huang when he was 79. This long scroll, 33 cm long and 636.9 cm wide, is his masterpiece living in Fuyang with Fuchun River as the background. In order to paint this painting well, he worked tirelessly on both sides of Fuchun River all day, observing the wonders of the changing clouds, enjoying the victory of fishing in Jiangshan Beach, carrying a pen and paper with him, and sketching at any time when encountering good scenery. Many mountain villages along Fuchun River have left his footprints. In-depth observation, real experience, rich materials, so that the creation of Fuchun Shan Jutu has a solid life foundation, coupled with his perfect pen and ink skills in his later years, so he wrote leisurely. Qian Shan Wangu, the more exotic, the deeper the better. It not only vividly reproduces the beautiful features of Fuchun landscape, but also vividly shows its essential beauty features. This magnificent masterpiece was not completed until shortly before his death. It took about seven years of hard work and was the crystallization of the blending of the painter and Fuchun landscape. The unfolding picture shows us the scenery of Fuchunjiang area in early autumn: the mountains are undulating, the peaks turn around, the rivers are fertile and the sand cities are numerous. Clouds cover huts, and water waves wrap around fish boats. Trees are lush, streams and mountains are far-reaching, and flying springs are upside down. Pavilion and small bridge, each in its place, birds and flowers, vivid and moderate. It is "the scenery moves with people, and people move with the scenery" that achieves considerable artistic effect step by step. The layout of this long scroll of landscape painting is widened from plane to depth, and the space is extremely natural, which makes people feel real and cordial. Pen and ink techniques contain the strengths of the former sages, and they are created by themselves, with faint ochre as the color. This is the "shallow crimson method" initiated by Huang. The whole painting is concise and lively, combining reality with reality. There is a wonderful idea of "clear water produces hibiscus and natural carving", which shows Huang's artistic characteristics and spiritual realm and is praised as "Lanting in painting" by later generations. Today, when people cross the Qiantang River from Hangzhou into Fuyang with picturesque scenery, they will naturally associate Fuchun Shan Jutu with the harmony between the two sides in form and quality, and admire the author's great ability to understand life and grasp the essence of objects, and then refine them into artistic images. Since the Yuan Dynasty, painters, collectors, connoisseurs, and even the feudal emperor Huang Youquan have admired Fuchun Shan Jutu, and had the honor to witness the original work with their own eyes, which made this treasure map highly respected and experienced many vicissitudes. In the process of spreading, it triggered an interesting "Fuchun mystery" during the Qianlong period, which made Emperor Li Hong fascinated and misjudged the authenticity; It has also been burned and disfigured by collectors.