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Appreciation of artistic conception of brush calligraphy in high definition
Brush calligraphy is a form of traditional calligraphy in China, which plays an important role in China. Nowadays, pictographs in brush calligraphy have very high artistic charm and value and are loved by many people. The following is a high-definition picture appreciation of the artistic conception of brush calligraphy that I have compiled.

Chinese characters, also known as Chinese characters and Chinese characters, are widely used in the cultural circle of Chinese characters. They belong to morpheme syllables, which were invented and improved by China people in ancient times. At present, the exact history can be traced back to Oracle Bone Inscriptions in Shang Dynasty around 1300 BC. From Xiao Zhuan in the Qin Dynasty to Xiao Zhuan in the Han Dynasty, they were all named like this? Chinese characters? In the Tang dynasty, it was converted into the standard regular script of handwritten font used today. Chinese characters are the main characters that have been used for the longest time so far, and they are also the only characters that have been passed down to this day in various ancient writing systems. In China, Chinese characters are the main official languages of several generations. Calligraphy in a narrow sense generally refers to the methods and laws of writing Chinese characters with brush in later generations. Including writing, calligraphy, stippling, structure, layout (distribution, lines, composition) and so on. For example, the pen refers to the palm and the five fingers are Qi Li; The pen carrying center is unfolded; Stippling is the same as a pen; The structure is shaped by words and echoes each other; The distribution is intricate, the density is appropriate, and the virtual and the real are born together, and the whole chapter is full of gas fields; Every word is ancient for literacy, and every word is big and small, and high is not as good as low.

Appreciation of Artistic Conception of Brush Calligraphy Many Japanese calligraphers abandon the linguistic nature of characters and establish them. Visualization? , appeared? Ink elephant? Schools, with the weight of the pen, Ji Xu, the opening and closing of the pen tip and the change of writing position, etc., write various images of words. All these (of course, not only these) can be seen that calligraphy, like other things, is constantly developing and changing, and must be highly valued by people in the calligraphy field.

Calligraphy Style in Eastern Han Dynasty and Southern and Northern Dynasties: Seeking Degree and Rhyme

Calligraphy in Han Dynasty can be divided into two forms: one is the mainstream system of stone carvings in China; One is tile seal, and the other is bamboo and silk alliance calligraphy and ink. ? Since the later Han Dynasty, where are the stone tablets in Yun Qi? It is a sign of Han Li's maturity. Among the cliff stone carvings (words carved on cliffs), Ode to Shimen is the most famous, which calligraphers regard it as? God product? . At the same time, Cai Yong's "Shi Ping Jing" has reached the requirements of restoring ancient ways and creating interesting tires. Inscriptions are the most important art forms that reflect the times and rhythms, among which Feng Longshan, The West Chamber, Kong Zhou, Yi 'e, Chen Shi, Zhang Qian and Cao Quan are especially admired and imitated by later generations. It can be said that each monument is unique and has no similarities. The northern book is beautiful, and the southern book is simple. What does it reflect? Scholar? 、? Hey? Different aesthetic pursuits of social classes. As for the tile seal and the simple silk script, it embodies the combination of artistry and practicality.

The prosperity of calligraphy art began in the Eastern Han Dynasty. Calligraphy theory's works appeared in the Eastern Han Dynasty, and the earliest calligraphy theory author was Yang Xiong at the turn of the Han Dynasty. The first calligraphy theory monograph was a cursive script written by Cui Yuan in the Eastern Han Dynasty.

Calligraphers in the Han Dynasty can be divided into two categories: one is calligraphers in the Han Dynasty, represented by Cai Yong. One is cursive writers, represented by Du Du, Cui Yuan and Zhang Zhi.

Bamboo slips calligraphy can best represent the characteristics of calligraphy in Han Dynasty. There are many inscriptions in the Eastern Han Dynasty. The inscriptions in this period were carved by Han Li, with square fonts, strict statutes and clear waves. At this time, the official script has reached its peak.