The first time, in primary school. That's a child reciting a poem, like a jingle, writing it down, memorizing it, and coping with the exam. There are not many requirements for understanding the content of poetry. As for the years to come, it will still be monotonous and repetitive. Night Sleeping by the Maple Bridge is a poem that every normal child will recite from childhood, and I am no exception.
Encounter, in Hanshan Temple. The tour guide recited a whole beggar gang in his explanation. "Fengqiao" refers to Jiangcun Bridge and Fengqiao Bridge, and "Mianmian" refers to Mianmian Mountain (lonely mountain? ), the midnight bell is not the original bell. There is doubt that if the maple bridge refers to the bridge and the melancholy sleep refers to the mountain, how can the poem achieve poetic beauty? There are so many poems about Hanshan Temple in the fence. Why do Zhang Ji's poems shine in the long river of history?
Poetic beauty is full, and reality is skinny. This is the most direct experience of many people to tourist attractions. I am no exception. I've never heard of bells, and I've never seen Maple Bridge. I'm a little confused. The bell tower of Hanshan Temple is under maintenance. After China in the Air was broadcast, Qiao Feng attracted the enthusiasm of tourists. At present, it is in the preparatory stage of a new scenic spot-Qiao Feng Scenic Area, which has been surrounded.
When we travel, we often get lost and shout, "Poetry is a lie, articles are a lie, and fairy tales are a lie." For example, Guilin's landscape is the best in the world. The water is "quiet and green" and the mountain is "fantastic". However, what I hear most is that the water in rainy season is too turbid to see the expected picture at all. Why is this?
Visitors will feel "thumped" when they interpret a night stop near Fengqiao through textual research on the guide words of Hanshan Temple, and they will suddenly remember what is written in the poem "Oh". So here I am, stuck in a rut.
As a tourist, I can see it everywhere, but I just want to take photos for filing, so I feel uneasy and careless. If we look at the scenery in poetry by textual research, we will ignore the mood, feelings and wishes of the poet at that time. Scenery is scenery, and tourists visit monotonous and objective scenery. However, poetry is no longer a poem, and its beauty no longer exists. The scenery is just a tourist attraction. So every time I want to go out, I will do my homework well, give my heart a shot first, enrich myself and understand my destination. Disappointed things will be reduced, things to see will increase a lot, and the mood will be much happier.
They are both "Bell" and "Maple Bridge". People who look at them have different worlds, different meanings and different perspectives. From the perspective of tourists, we can see that Jiangfeng is two bridges, Jiangcun Bridge and Qiao Feng Bridge. From the reader's point of view, walking into Zhang Ji's heart and restoring the historical scene, Fengqiao is a poet's unique personality experience and a concrete manifestation of "melancholy". If we think so, the "Maple Bridge" we see is a scenic spot that spans history and continues to this day, with charm and poetry. Do more raiders and homework, and the journey experience will be better.
As it happens, the library of Xiamen University saw the book "Image of Beauty" yesterday and gave a systematic explanation of "image". What impressed me most was Liu Zongyuan's words: "Beauty is not self-beauty, but shines for people." Beautiful things show different beauty because of different people watching them. In other words, beauty only appears when there are observers.
Zhang Ji can be regarded as the most outstanding admirer and "passer-by" in Qiao Feng. Bells, Bells in the Midnight and Bells in Hanshan Temple are the embodiment of Zhang Ji's creative and unpretentious "worry", and also the comfort to the sleepless people who stayed at Fengqiao in the Tang Dynasty. Scenes such as Moonsetting, Crow, first frost Full of Sky, Fishing Fire and Midnight Bell bear the poet's feelings of crossing the long river of history, leaving an emotional experience in everyone's heart and producing emotional songs. As the stars change, so do the sun and the moon. When people see the same thing from generation to generation, they will naturally think of Zhang Ji's poems and have an emotional impact. With one's own experience and life situation, things are no longer things, but the embodiment of scenes and aspirations. This is the emotion represented by "image". This makes the journey, historical and realistic, become a dialogue across time and space, and the truest feeling of good things.
I have been puzzled since I walked through Hanshan Temple. How to choose between poetic beauty and realistic scenery in realistic teaching?
Later, I met the poem "Sleeping at the Maple Bridge" for the third time, and I was finally puzzled.
Goodbye, this is a lecture room. Teacher Wang Songzhou became the guest speaker of Lecture Room and gave a lecture about falling in love with Chinese. In the second episode "People and Emotions in Poetry", Mr. Wang accidentally shared "a night-mooring near maple bridge". Seriously, I was so excited.
He answered my doubts these days and helped me step on watermelon skin. Teacher Wang understands "Jiang Feng" like this.
How to explain "Jiang Feng"? Poetry is unintentional, but it is still pluralistic and bounded. This world is "poetry interpretation". What is "interpreting poetry with poetry"? Interpret poetry with poetry.
It also shows how to teach the bell. It's really enjoyable, and listening to the explanation is really a pleasant spiritual enjoyment.
My deepest impression of Mr. Wang Songzhou's class is that the Chinese class should have Chinese flavor, so don't classify the class as history class or geography class. According to China people's pursuit of beauty, we should interpret Jiang Feng and Zhong according to poetry.
I have to say, he is a master. You can watch the video specifically.
Before, I was fortunate enough to listen to teacher Wang's lecture "Ailian Shuo" in the class focused on meeting famous teachers. A lesson deeply planted lotus culture in children's hearts, which is also a kind of cultural transmission and inheritance. What children see is not a lotus, but an image, noble and upright. In Teacher Wang's "Romantic" group text teaching, we have seen more about an educator's responsibility and responsibility for the spread of China culture and China culture.
The night parking near Fengqiao has been recited many times. But as far as reading is concerned, it may be the third time. Always reading and always being new need to meet new opportunities. I have memorized all the poems and articles, and most of them stay in the first stage, looking at the back. A few exist, ask questions. Few people can read. Probably because of trouble and hard work, it is a coincidence that I study less, or I am tireless and deeply in love. I don't know if I can read anything new when I meet you for the fourth time. Is it the luck of poetry or mine?