Ding (1547 ~ 1628) was a Ming painter. Yu Nan was born in Xiuning, Anhui. Date of death is unknown. Five years after the Apocalypse (1625), I'm still doing Zhan Jingfeng's master Baima. Calligraphy, learn from Zhong You and Wang Xizhi. He is good at drawing figures, landscapes and Buddha statues, all of which are exquisite. The line drawing is like Li, and he learned to choose money by color. Between silk and hair, the urgent task that needs to be completed cannot be done by people with magical powers at the writing end. Part-time landscape and flowers. In middle age, he used exquisite brushes, which were slightly close to the painting methods of Wen Zhiming and Chou Ying. In his later years, his style was simple and vigorous, and he became a family of his own. Dedicated to the palace for more than ten years. He made friends with Dong Qichang and Zhan Jingfeng, so many of his works were praised by Dong Qichang and Chen Jiru. Dong Qichang gave the seal and wrote "Good Living Pavilion". This is a job to be proud of. Give it a try. In the eighth year of Wanli (1580), the spring fan in Jiangnan, and the hidden map of fishing in the stream in the first year of apocalypse (162 1).

Artistic achievements His paintings are most famous for figures, Buddhism and Taoism. Some commentators say that there are Ding, Chen Hongshou and Cui in figure painting in the late Ming Dynasty.

Ding's paintings are full of loyalty. Ding's figure paintings in his early years were neat and beautiful, elegant and elegant, but later they tended to be calm and simple. From the existing Yuan Party Xiong Tu and Three Religions (both in the Palace Museum), we can see the changes before and after. Landscape painting also has certain attainments, and has its own style on the basis of learning from Song and Yuan Dynasties. Early show, late Gu Zhuo, leveling is the law. It can also be used as bluegrass, and there is a "Chu Liu Ze Fang Tu" (Palace Museum). Many of his works handed down to later generations are fakes. Ding actually wrote Lu Tong's Tea Making Map, which is a collection of money collected by the National Palace Museum in Taipei. Ding lived in Huizhou, where the book engraving and ink making industries were developed, and also drew many illustrations for books and periodicals, which played a certain role in the development of Xin 'an woodcut.

Ding is the most famous figure painter after that. His brushwork is no less than Chou Ying's, but the ancient prose seems to have passed. His best subject is Buddhism. Buddha, Bodhisattva and Lohan are both vivid and solemn in his works. This picture of Wei Moyan's Religion by Li depicts 53 characters and several animals. Vessels, mountains and rivers, trees in the hall and auspicious clouds are all carefully crafted, and it will take a month or two to do this. Dong Qichang and Ding are close friends, and once wrote the painting Five Statues of Guanyin: "What Ding Nanyu wrote at this time was built by Gu Guanglu in Wusong. It has a history of more than 30 years, so it is very wonderful. I can't do anything since then, and many old people are dealing with it. "

Handed down works handed down from generation to generation include "Catalogue of China Painting History", Volume II, "Waiting for the Axis"; The axis of "Khufu Zun Zhe Tu" is now in the Anhui Provincial Museum; Axis of "White Horse Governing Classics" in the National Palace Museum in Taipei; "Image Processing" Axis, China Art Museum; Shanghai Museum's "Luoyue Map Axis" and "Lu Jiu Map Axis"; "The Dragon King worships Guanyin", Nelson Art Museum, USA; "Xishan Haze Map" is collected in Nanjing Museum; "Joe's route map" of the central axis, in Tianjin Art Museum; "Dharma Map" axis, in Shenyang Palace Museum; "Boiling tea" axis, in Wuxi Museum; Six Ancestors Axis, Rong Baozhai.

Besides, most of the pictures in Cheng's Mo Yuan and Fang's Mo Pu were written by himself.