After reading 1 Reflections on the Cultural Journey
I may want to say too much when I mention it, and my full words are accumulated in my heart, which may be extinguished at any time. But I still want to just open a small mouth, let the words flow out like a trickle, and then moisten myself.
The first essay after reading is the first work of his cultural journey-The Tower of Taoist Temple. When I first saw it, I was indignant; Reading for the second time, helpless; Watching it for the third time will only lead to depression. Witnessed the amazing loss figures, my depression and its existence. The king is a sinner and there is nothing wrong with him. However, blaming him for the loss and betrayal of Dunhuang culture is more like self-mockery-such wretched and short-sighted people can be seen everywhere in China in the early 20th century. Because his humbleness really doesn't deserve this. He didn't realize the greatness and glory of this civilization. He only knows that a hundred scrolls of paintings are worth a copper coin, and a car full of ancient paintings is worth three oceans. He only knows that as long as a little white lime is brushed on Tian Fei's sweet and mysterious smile, the wall will be clean; He only knew that Stein, who came here as a robber, was a man who came from the west to the East to "learn from the scriptures". He is too humble to bear this crime! My frustration and these humiliations persist. As Mr. Yu shouted, "I hate it!"
Finally, the Mogao Grottoes followed closely, which made me a little gratified. Mr. Yu described the dawn of the flourishing age of the early Tang Dynasty with bright oil colors on Dunhuang murals. Fortunately, after all, our thick land has preserved, or attracted, some civilizations that have been bred for 3,000 years with their magical power. Even the fragments of civilization can make future generations pick up the essence and bathe their souls. After the Tang dynasty, the style changed again and again, and the sandstorm shook here again and again, but the character of the wind never disappeared. Then, fly to the mysterious smile of the sun that never sets. Behind this smile is resentment, frustration and helplessness. ...
Reflections on the Cultural Journey II
Some people say that the sky of China's prose is starry sky, while the cultural journey is a river system, and every star exudes unfathomable aura, with extraordinary charm. The "cultural journey" showed me historical sites and teachings, which I have in mind …
Ecological civilization! People have gone through many cultural detours and finally embraced again with shame and blue eyes. Mountains and rivers are the foundation of human culture and the bottom line of China culture. Only by finding the way of life in mountains and rivers can we stick to a corner of this culture with a short life.
Generations of emperors fought for rivers and mountains, and finally lost to ecology. After repeated helpless migration, repeated wilderness development and repeated smoke rising, the ambitions of emperors will still be defeated by this natural force, and no one can stop the change of climate and environment. In the face of this nature, human beings are so small and insignificant. According to the instructions of nature, people are alive and prosperous, and all wars and invasions are finally abandoned between heaven and earth. Following the author into the book, we have to move forward because of the promotion of history and culture-the caves of Mogao Grottoes appear in front of us, the caves are still spectacular, and the statues and murals are still silent. Follow the author and watch the changes of light and shadow projected on the stone wall quietly, just as they watch the changes of Dunhuang for thousands of years. The first excavation thousands of years ago opened the glory of the Mogao Grottoes after thousands of years. It suffered a disaster. Today, many years later, that mysterious and satisfying cave can attract everyone's attention, not because of its dazzling appearance, but because of its profound humanity.
Following the footsteps of the Chinese nation, he used his unique observation and insight to think deeply about the profound culture of this ancient nation. Exquisite brushwork, rich vocabulary and shocking words are accompanied by this arduous journey of Chinese culture. People always want to go against the will of heaven and earth, look at the earth from a distance, and find how boring it is for people like ants to cross the ocean on the planet to invade their companions. They observe the faces and eyes of mountains and rivers, occasionally look up at the sky and guess whether the universe has forgotten the earth. Just forget, once you think about it, a series of terrible disasters will happen, because this is a punishment for our rudeness.
"The newspaper said I write relaxed and natural and unrestrained, in fact, it is not the case at all. This is a hard job that I can't finish. As soon as I started writing, I felt that my age was growing. Whether it is the warmth of spring or the coolness of autumn, it is great joy and great sorrow. In the end, I always close my eyes, let my heart calm down, and return to the indifference and rationality of history. " This is the preface of Professor Yu's Cultural Journey. The catastrophe a thousand years ago must not be just a passing sight. We should learn a lesson and store the cultural spirit of China forever!
Reflections on the cultural journey 3
"The newspaper said I write a book relaxed and natural and unrestrained, actually it's not the way it is. This is a hard job that I can't finish. As soon as I started writing, I felt that my age was growing. Whether in the Spring and Autumn Period or in great joy and sorrow, I always close my eyes, calm my heart and return to the indifference and rationality of history. " This is the preface of Professor Yu's Cultural Journey.
No wonder you have to read this book slowly and carefully. The thinking inside is very thought-provoking and let people see it. I still remember his "stormy days", alone, no! A family bears the fate of sticking to a library, and Fan Qin left a library for the vast China, which has been preserved until now. There are other bibliophiles and books, but in several generations, the dust of history buried them. However, what did Fan Tianyi Pavilion stay on, persistence and firmness, or the willpower beyond passion, hobby, talent and even time? He once rudely contradicted Guo Xun, a powerful and powerful person, and was put into prison with a scepter. He seems to have no pity for anything, honest and honest, and his career has failed. In the end, even Quan Yan couldn't help him. "A successful bibliophile is at least a person with a strong personality," Yu concluded here.
Seeing this, we should reflect. If we were book collectors in those days, would we be like Fan Qin? I don't think so. Fan Qin's persistence, at first glance, is unreasonable. Let's get started. It's hard! We are teachers, educating students, and we must have willpower, but how many can we really do it? Who stood up in the face of setbacks? Living, for what? Isn't that what we should think about?
Looking down, I found another "strange thing": Fan Qin, who is 80 years old, finally came to the end of his life. When he divided his property, he divided it into two parts, either a collection of books or twelve thousand pieces of silver. He let future generations choose. I think, if I have to choose, let everyone choose, which one should I choose? Either take two thousand pieces of silver and live happily for a lifetime, or stick to a library from generation to generation. To tell the truth, Master Fan's move is a good way. I admire this ancient man who has been separated from me for hundreds of years. It is precisely because of this that Tianyi Pavilion stayed. But this is a difficult problem. I am thinking: If this matter is put aside today, who will take risks and who will choose Tianyi Pavilion, including me? Miraculously, however, his eldest son, Fan Dachong, is willing to inherit Tianyi Pavilion. This is a reality, not a story.
Reflections on the cultural journey 4
The lights are dim, the tea smoke fills the air, spiraling up, and the light and shadow blend. Holding a "cultural journey" in hand, let the tea turn from hot to cold, leaving a sadness in my heart.
Thirty-seven cultural essays, a preface and postscript, bitter aftertaste in the text, comprehension after anxiety, relaxation after meditation, and aging youth are all deeply caught in the eye, engraved in the mind and left in the deep heart. What I can't forget for a long time is only sadness, desolation and bitterness.
Put on the costume of long-distance love, you left your hometown, abandoned all your sadness and doubts, and chased the tide of homelessness. So you went around and arrived at the Mogao Grottoes. The rise and fall of the Yellow River civilization, which is barren in the desert, is even more sad when the sun sets and the north wind blows hard. When countless Dunhuang cultural relics were sold far away from home in tears. "There, the wounds of an ancient nation are bleeding." One car after another, one box after another, one cart after another. The scrolls were cheated by several fairy tales. "Yuck! I even want to be unforgettable. " Hate was born a century earlier. The decisive battle was in Dunhuang, and Qian Fan was allowed to die. This is just a bubble. Time is endless, and those past events have become the past.
After leaving Dunhuang Mogao Grottoes, you met again in Suzhou. In the beautiful ancient city, you think about Suzhou's grievances and don't understand the rise and fall of Suzhou, the gentle bridges and flowing water, and the fresh and graceful Jiangnan culture. Only this ancient city can give people a real rest. Even if it bears a kind of "if you want to add a crime, why not have a word?" Charge, but still sit quietly, welcome to send, in peace.
After bidding farewell to the ancient city, take a walk and come to Tianyi Pavilion. There is only one library left in China. The library rose in the Ming Dynasty and was built by Fan Qin. This building was described by Ruan Yuan as: "Fan's Tianyi Pavilion, which has been self-evident for hundreds of years, is the only book collector in China." The concept of intellectuals' love for books and the mode of book collection also originated from Fan Qin. So cherish and love books, Fan Qin himself must be deeply attracted by ancient books and ancient culture! Strong scroll breath, ancient historical scroll, like an old man standing in the library. The cultural connotation that has been sealed for a long time has poured out with the opening of Tianyi Pavilion. Writers wander here and feel the profound China culture. Unfortunately, however, half of Tianyi Pavilion's books were stolen, and that long-standing culture was lost in the world.
Reflections on the cultural journey 5
Writing, the arduous journey of writing culture. Describe the ups and downs of history. -inscription
China's splendid civilization is being obliterated by time. I wonder if those people who reminisce about that sad history in the corner while lambasting historical sinners have really closed their eyes, calmed their hearts and returned to the indifference and rationality of history. I have always admired scholars who understand history and dare to criticize it. At the same time, I think Mr. Yu, a professor at Shanghai Theatre Academy, is a hero among countless scholars, and his Cultural Journey is the most outstanding top grade among thousands of literary and historical prose works.
This book is Mr. Yu's first collection of cultural essays. Some of these articles won the first prizes of various literary awards. The main purpose of this book is to seek the secrets of cultural soul and life with the help of scenery, and to explore the historical fate of China culture and the historical composition of China literati. These articles by Mr. Yu, with their profound knowledge of literature and history, rich cultural perception and artistic expression, not only reveal the great connotation of China culture, but also provide a brand-new example for contemporary prose circles.
Mr. Yu attracts readers with his unique writing charm, which is a bitter memory, an understanding after anxiety, a relaxation after meditation and a youth after old age. Like many educated youth scholars, he once sighed deeply in this book, but the same sigh appeared in different places, and the charm was far from the same. As he said, "I can be young", his life is flexible. He always upholds the passion of his youth and enjoys the leisure of his old age to spend his rich middle-aged time. Therefore, Yu Xiansheng is a half-breed at any time. So his articles are always mixed with different feelings. For example, his sadness about the loss of China culture is full of young people's insults to dissatisfaction, middle-aged people's helplessness to the world, and old people's regret for vicissitudes.
Maybe some ideas are completely unintentional, but the inspiration for writing this book is definitely intentional. Obviously, he discovered the dusty place of China's history and culture. In today's era of vigorously promoting China's splendid civilization, it is naturally more striking and thoughtful to put forward such a specious view. China's ancient civilization once created a prosperous time in ancient times. In order to preserve its prosperity, people handed down splendid culture from generation to generation, and successively built large buildings such as Mogao Grottoes and Dujiangyan. Even ordinary arched buildings and library buildings are printed with cultural traces. But people's ideals are always good, but time is against people and changes endlessly. What people want to preserve will still be washed away by time within a certain limit. Although some of them are artificial, in the final analysis, they still come from the blank of historical roulette. Some historical dust can't be left behind, and many scholars are sad and regret it. They always live in a past that doesn't belong to them, and they will never get out alive. Therefore, "facing up to the past and the present" is an important topic I learned from this book at present, and I also think it is the theme of Mr. Yu's research and warning. Because only those who truly understand the historical situation can print their own rut marks on the basis of conforming to the wheel of history.
Reflections on the cultural journey 6
As a right-hand man, I can't understand the mystery of officialdom and the truth in business, so I can only follow my heart. Besides, I was born in bad karma, and I am close to the word bitter. Therefore, when I saw Mr. Yu's Cultural Journey, I had an impulse to read it. After reading it, I understood the word "bitterness" in the previous "Cultural Journey": I thought it meant nothing more than the hardship of traveling, but now I know that this is really a naive understanding. In fact, it doesn't matter if you are physically bitter, but it is really bitter in your heart. The author once said with emotion: "Scholars seem destined to be attached to suffering." In my opinion, this is the greatest wealth of literati. After the bitterness, there will always be a trace of aftertaste-the understanding of history, culture and life are all melted in this bitter aftertaste.
After reading this book, I feel that I have a deeper understanding of ancient culture. This collection of cultural essays makes me feel that this is a bitter memory. I only know it after anxiety and relax after meditation. It is also mixed with dissatisfaction with the cultural decay of young people, and it is also a pity for the helplessness of middle-aged and elderly people to the world and the vicissitudes of the elderly.
From the beautiful south of the Yangtze River to the desolate northwest, from the colorful Mogao Grottoes culture to the solemn Northern Wei Dynasty, isn't it a kind of accumulation and symbol of human culture that is displayed in the book?
There are white-haired Suzhou, small towns in the south of the Yangtze River with soft and fresh scenery, pavilions and pavilions as smooth as flowing water in the wind, and random thoughts on Qingyunpu Scenic Resort scenic spots, all of which show the humanistic feelings behind the scenery with characters as the background. At the same time, there is also a passionate reflection on war in Mogao Grottoes, which is completely different from Jiangnan, and a calm reflection on war in It's really quiet here. The author's reflection in every place is a hard exploration of culture and a yearning for happiness.
Select six 600-word articles from the post-reading feeling of "Cultural Journey";
★ Six 600-word reading notes on "Cultural Journey"
★ Notes on Five 600-word "Cultural Journey"
★ Five Comments on Yu's Prose Collection "Cultural Journey"
★ The seventh grade composition of the 600-word novel "Cultural Journey"
★ Notes on 600-word "Cultural Journey"
★ Six 500-word reading notes on "Cultural Journey"
★ Six 800-word reading notes on "Cultural Journey"
★ 7 Notes on Cultural Journey
★ 6 Notes on "Cultural Journey"
★ Notes on Five 500-word "Cultural Journey"