Sketch and sketch are the basis of shaping formal art and an independent art form. This independent form was established in Europe after18th century. Prior to this, sketch was only the preparation stage and recording method of artists' creation. The schematic diagram is as follows:
Extended data
First, the impact is stronger.
On a piece of white paper, black is very jumping, so how can our works and sketches jump out of tens of thousands of pieces of paper? That is strength! First of all, darken and depress the works around you, so that the teacher who graded the papers during the exam can see your works at first sight. Even if you have less details, it will give the teacher a bright moment. They grade the papers in a very short time, almost two or three seconds. For example, A is generally painted but dark and powerful, and is assigned to the first grade. Then after two comments, other teachers took a look. Then call me 90. Then, for example, B, who draws well, deeply and carefully, is too shallow, which causes B's paper to be pressed by those who hold charcoal pens, or Chinese 8B or super thick pencils, which causes B to enter the file, and then other teachers take a look. It was good and the details were in-depth, but the teacher couldn't help but give B the highest score, 89, which was the first step. China 8B pencil is recommended as the first choice. It is inevitable that some hairpins pull paper, and the strength of charcoal pen can also be reflected by the strength of pencil.
Second, choose the angle.
The effect is good, but also consider the angle of painting. We can't start drawing as soon as we sit still in the examination room. You should learn to be smart. Don't move the angle slightly like the big side. Three quarters of it is very beautiful. Don't make a profile just because you don't want to draw a face. This is absolutely wrong. There are few things that are first shown on the side, and there are few things that can be described relatively. And the picture is easy to handle badly, leading to top-heavy. So don't draw the big picture. There is also the front, which is better for the master. However, if the model is standing, it is difficult to show the dynamic front, and it is easy to draw people flat on the front, so try not to draw the front, so if you choose the right angle, you will have a great chance of success. If it is a test photo, you can only draw it honestly from the original angle of the photo.
Third, grasp the facial details.
Use strength! Watch the angle! After that, the most important thing is the details. The specific way to steal points is to save face! The face must be thin, beautiful and vivid. Let me tell you a secret. The fineness of face painting can cover up some mistakes in your picture. If you are a senior one or a senior two student, how should you practice sketching? If you don't just learn painting, don't copy some basics. It is useless to copy without a destination. Explain the reasons why copying is useless here, because many people are lazy now, and copying without thinking is tantamount to copying in vain. Too much copying can easily lead to some habits, which is commonly known as "hand disease". Of course, we should copy a good painting, but only if it is good. Now those dog blood sketches on the domestic market can only be used miserably.
Fourth, dynamic, legs
Now explain the character dynamics of the exam. Some basics might as well buy Berman. Of course, it's no use buying too early. It's best to buy it after the details. Someone asked how to draw dynamics. This question may really be impossible to answer in words, just some simple dynamics that can be used in exams and can be explained clearly in words. The posture of the exam is the dynamic of the exam. How to do the posture in the exam? Its legs are the main ones, and it is the most energetic. How to draw? First, it is simply understood as a block triangle.
V. Relationship and rhythm of black, white and gray
At present, it is estimated that people still don't know how to sketch black, white and gray, which is a serious problem. Black, white and gray sketch: the hair is very thin and the color is very heavy, which can be defined as black! There are many lines on the coat, but it is not as heavy as hair, forming ash! Finally, the pants are simple and clear, indicating the dynamics. The color density is much less than the head and coat, forming white! With contrast, black, white and gray, the whole painting looks very harmonious and rhythmic. No face. Hair is a face.