The silkworm pond in Zhongnanhai Lake (diagonally opposite the old Beijing Library) 1703. 1887, Zhongnanhai was demolished due to expansion. Later, the Qing government allocated 452,000 yuan to build Xi 'anmen Xishiku. /kloc-When it was renovated in 0/900, it was elevated to a higher floor and became the solemn and beautiful North Hall we see today.
Beitang is a typical Gothic building. It was first built in xi 'anmen Silkworm Pond by French missionary Jesus in the thirty-second year of Qing Emperor Kangxi (1693) and completed in 1703. After the death of Kangxi, Yongzheng issued a religious ban. Until the Daoguang period, Beitang was abandoned and confiscated by the Qing government in 1872.
1860 British and French troops invaded Beijing, and the Qing government returned Beitang land to the church. 1866 was completed. 1885, Cixi expanded Xiyuan, 1887 moved Beitang to its present site, and 1900 was completed. 1985 the state allocated funds to rebuild and restore normal religious activities.
There are three pointed arched entrances in the front of the church building. Four icons, such as St. John and St. Paul, are engraved between the entrance arches. The doors and windows on the front of the building are decorated with white marble carvings. There is a magnificent round rose window on the main span of the main entrance, and there are 80 glass windows of different sizes around the chapel.
Above the pointed arch gate in the center of Xishiku Church, the wooden tablet reads "The Catholic Church was built in the 13th year of Guangxu". Beitang lobby has a building area of about 2,200 square meters, a height of 16.5 meters, and a bell tower spire of about 3 1 meter. There is a platform in front of the hall, with white marble railings on three sides. The front of the hall is inlaid with white marble and engraved with the icon of the good shepherd of Jesus.
The buildings around the Gothic church are traditional abutments in China, surrounded by white marble railings, and the railings and decorations on the railings are all traditional designs in China. There is a Chinese pavilion in front of the main hall, which is designed as yellow glazed tile and rests on the top of the mountain with double eaves. In the hall, there are two sets of royal plaques written by Emperor Qianlong, four China stone lions and a pair of stone offerings inside the pavilion.
Before the Qing Dynasty, it was a circular hall, and the existing square hall was rebuilt in the 29th year of Kangxi (1690). There are seven rooms in the east, Zhanlai Hall in the east and Zhaiqing Hall in the west. Behind the temple, there is an umbilical worship hall, which is 15 rooms wide, and rockeries are piled up on both sides according to the terrain.
On the east side of the temple, there is a tall and vigorous Chinese pine with a vigorous crown, which has a history of 800 years. Emperor Qianlong of the Qing Dynasty once named it "Yin Hou". There is a wooden niche in the back building of the temple, dedicated to a white jade sitting Buddha carved in all jade, with clear color and a height of 1.5 meters. Red-green spar is embedded in the top of the head and clothes pleats, and there is a knife mark on the left arm, which was cut by Eight-Nation Alliance in 1900.
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