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Why did Wong Kar-wai use Liang Bo's songs?
Among the younger generation of singers, I admire two most, one is Zhao Lei and the other is Liang Bo.

Both of them have a very precious * * *:

"abandon impetuousness and focus on music creation."

Speaking of which, they are all people who have nothing to do with the entertainment industry. Unless a new work comes out, it will always be in retirement. They won't accept variety shows or Shang Yan, but they will get a group of loyal fans.

A few months ago, Zhao Lei, who had disappeared for a long time, quietly released a new album and instantly ignited the folk circle.

After all, good music is in everyone's eyes, and musicians who work hard are often remembered even if they don't start a business.

A while ago, Lei Zi released a new album, and we talked about Zhao Lei. Today, we gave pens and ink to the missing person Liang Bo.

When did Liang Bo become a missing person?

Probably from the "Good Voice" after winning the championship.

20 12 Liang Bo, the first champion of The Voice, disappeared, that is, when she debuted.

Almost never toured, didn't pick up Shang Yan, except for occasional appearances when releasing works, most of the time there was no trace.

Weibo's update frequency is not high, and only a few states are basically promoting new songs.

According to him, if you take anything out to work, you will not work.

Therefore, when a work is "born", it appears; When there is no job, he disappears.

The last time I saw Liang Bo's name on the screen was in an advertisement shot in Wong Kar-wai. The soundtrack was Liang Bo's classic song "Appear and Leave".

Liang Bo's storytelling voice adds soul to the characters' emotions, and Wong Kar-wai's unique literary photography style makes this short film, which is only three minutes long, more and more full.

This song uses the live version of "I am a singer", which begins with bagpipes and music, and the story begins with a frame-by-frame beating picture.

"You and I should have been good and bad." Liang Bo's voice, the atmosphere is full directly.

Wong Kar-wai's style is highly compatible with Liang Bo's Appear and Leave. The lyrics at the end of the short film are "Don't say it seriously, I can't bear to part with you, there are people in every future." The emotional rendering of the story is as delicate as Liang Bo's songs.

This song "Appear and Leave" is very similar to the state of Liang Bo.

Although it is only music, it is already one of the few businesses in Liang Bo.

Pushing forward, the business Liang Bohan saw was an online concert in Cui Jian in April this year.

Being on the same stage with Cui Jian is Liang Bo's pride and affirmation.

They performed this song "Light Freezing" together on the stage.

This song is included in Cui Jian's 20 15 album "Light Frozen".

The original Cui Jian's interpretation is like an old man struggling to shout, and the upward force forms a powerful aura. .

With the addition of Liang Bo, this version of the ice lantern has a sense of explosion from the inside out.

Liang Bo's interpretation tends to be quiet in both singing and arrangement.

Three or two strings, slow drums, Liang Bo quietly singing, as if he were a child with many longings and expectations for the world.

In Cui Jian, some drums are aggravated, the rhythm of guitar is from slow to urgent, and the words in vocal music are forceful.

Two forces form a huge magnetic field, eight minutes of singing, harmony, drums and guitar sounds, like two forces competing with each other, and the instrumental solo that ends in more than one minute is quiet and sometimes noisy.

He broke the world like an old man and told young people the bloody truth.

Before singing, Cui Jian said:

"The bigger the gap between young people, the more you can break the shackles of time."

From Cui Jian to Liang Bo, this performance is more like the inheritance of the rock torch.

10 years ago, Na Ying and Liang Bo, a student, met Cui Jian for the first time backstage in The Sound.

As a newcomer, he timidly asked to sing his own songs for his idol Cui Jian.

Looking at his intoxicated appearance, I know that the boy's love for music is sincere.

Ten years later, he met Cui Jian again.

The reunion after ten years seems to have witnessed the growth of Liang Bo for ten years!

Time has proved that this boy is really a rare musical genius. He has always kept a low profile and is passionate about music.

In recent years, the state of Liang Bo can be basically divided into two types: disappearing and appearing.

When he disappeared, he must have been absorbed in his creation. As soon as he appears, new works will be born.

He has kept such a low-key and down-to-earth pace.

Create for a while, come out for a while.

Voice/kloc-disappeared for five years after winning the championship 0/0 years ago.

It was not until 20 17 that it quietly appeared on the singer's stage.

An original song "Soul Singer", the name Liang Bo was mentioned again.

They were so surprised that they even forgot him:

"It turns out that he is the champion of good voice."

Later, when he returned, "Boy" touched the audience again.

After the two traffic windows of The Voice and The Singer, Liang Bo's attitude remained firm.

After the program "I am a singer" was broadcast the year before last, his works were played the most.

Liang Bo ushered in the third traffic window after its debut.

But he was too axial and quietly faded out of the heat again.

Some netizens said that he was invited by major music this year, but Liang Bo refused.

He has always been a low-key and awe-inspiring Liang Bo.

It is not easy to start business without new works.

Even if it makes him miss the Heat or even be forgotten, he is not afraid.

Just like his "I am a singer" insisted on singing a seven-minute song "Statement".

"It is disdainful not to live for the eyes of others and be yourself completely and truly."

I think it is this low-key and reverence for music that keeps Liang Bo creative.

20 12 opened a small station in Douban when he participated in Good Voice, and he wrote in his diary.

"Our life is like Artest's delusion. It always summarizes yin and yang, heaven and earth, day and night, reincarnation in a philosophical way of thinking ... we have no ability to change its rules. So people often go back to the past and go to the present without end. "

Liang Bo is the same with music, and he is often caught in a dilemma. He hopes to find a breakthrough in this Tai Chi.

So every time a work is published, he goes back to his shell.

Continue to create, continue to find an outlet in music.

And all we have to do is wait for him quietly at the mouth of the cave. When he finds the treasure, he will naturally break into the house with his guitar on his back.