65438-0976 transferred to the art picture editing room of Shandong Publishing Bureau to engage in cover design, illustration and album editing; A unique gouache poster entitled "Raise a new upsurge in studying Marxism-Leninism in Mao Zedong Thought" was published.
1978 studied in the oil painting advanced class taught by famous teachers such as Wang, Xu Junxuan, Quan Shanshi of Zhejiang Academy of Fine Arts.
1979 graduated from Zhejiang Academy of Fine Arts. After graduation, he created an oil painting "Wish" and published it in newspapers and magazines such as China Youth.
From 65438 to 0980, he worked for magazines such as Going to the World in Art editor.
198 1 created and published oil paintings such as Heroes and Silver Flowers Everywhere, and created some Chinese paintings, gouache paintings and cartoons.
From 65438 to 0984, he began to create modern ink painting and embarked on the road of seeking a series of new ink painting techniques.
1990 "Sketch Exhibition of Yi Yin, Liang, Yu Wenjiang, Zhang Qiang and Li Yong" was held in Shandong Art Museum and Yantai Painting Academy.
199 1 year, the exhibition of works of Liang and Yu Wenjiang was held in Mexico; China Radio and Television Press published the Chinese, English, French, Russian and Japanese versions of Yi Yin Ink Painting Collection.
1992 "Yi Yin Art Exhibition" and "Yi Yin Ink Art New Exploration Press Conference" were held in Beijing Xinhua News Agency News Building.
1993 "Yi Yin Art Exhibition" was held in Philadelphia and Los Angeles. Won the "California National Seal Award" of the United States.
From 65438 to 0994, he went to Taiwan Province Province to participate in "China Modern Ink Painting Exhibition" and "China Modern Ink Painting Academic Seminar". "Canxue Series" and other works (4 pieces) were collected by Taiwan Province Provincial Art Museum; The work Silver Tide (later renamed The Call of the Wild) was selected for the 8th National Art Exhibition.
More than ten works, such as Joy of Life from 65438 to 0995, participated in the "Six-person Exhibition of Japanese Famous Painters" and were exhibited at the China-China Friendship Hall in Tokyo, Japan.
1997 planned and presided over the exhibition of eight works of modern ink painting; As a national first-class artist.
1998 "Yu Xining, Sun Molong and Yi Yin roving exhibition" was exhibited in fifteen cities in Shandong province.
1999 The Call of Life (ten modern ink and wash cartoons) was selected for the 9th National Art Exhibition and won the Excellence Award;
"Yi Yin Limited Reproduction Works Exhibition" was held in Germany.
In 2000, the work "The Movement of Water" was selected for the second China Flower and Bird Exhibition and won the Excellence Award. Yi Yin's art studio was established in Leipzig Expo Center, Germany, and in the following years, he traveled back and forth to Germany and European countries for art inspection, exchange and creation.
200 1 transferred to Shandong Federation of Literary and Art Circles Creation Research Office; Participate in the "China Modern Art Exhibition" organized by China Artists Association in South Korea; Established Shandong Modern Ink Painting Research Institute (later renamed Shandong Modern Art Research Institute); In the book Essays on Literature and Art in the New Century published by China Federation of Literary and Art Circles Press, he published his paper Essays on Chinese Painting.
In 2003, he published the academic monograph Fission in Germany. Metamorphosis-Modern Ink and Wash Art in China, edited by Wu Guanzhong, Zhou Shaohua, Du Dakai, Qiu Deshu, Yi Yin and Tian Liming. He also published the paper Fission of Ink and Wash Art, which was published in Hong Kong (A Case Study of Modern Painters: Yi Yin by Tianma Bookstore in February 2003), Taiwan (Modern Art in February 2003) and Beijing (Xiyuan Press "Ink and Wash" series in July 2003). Go to Taiwan Province Sun Yat-sen Memorial Hall to hold "Chinese mainland Modern Ink Painting Exhibition". Among the eight works on display, Music in the Water was collected by Sun Yat-sen Memorial Hall. Co-chaired an academic seminar on "The Position of Modern Ink and Wash Art" with Liu and others, which was attended by many artists from both sides of the strait; Initiated the research project of art ecology, and wrote the investigation report "The social environment pollution of Shandong art survival and development is serious". This report was published in Qilu Evening News on March 20, 2004 after an exclusive interview with reporters, which aroused strong social concern.
In 2004, he served as a member of the presidium of Shandong Artists Association; Go to Seoul, South Korea to participate in the "Exhibition of Works of the Presidium of Shandong Artists Association Visiting Korea"; Establish Shandong art history database; The thesis "Fission of Ink Art" won the first "Taishan Literature and Art Award"; Write and complete the investigation report "Serious Problems to be Solved in China Fine Arts Industry"; Enjoy the special government allowance of the State Council.
In 2005, he published a paper "On Shandong Art Circle"; Plan and host the "China-Korea Modern Art Exhibition".
In 2006, he participated in the "Fashion Ink and Wash-the First Taipei Contemporary Ink and Wash Biennale" held in Taiwan Province Province and exhibited it in the United States. Internationally renowned artists such as Liu and Liu participated in the exhibition.
In 2007, the thesis "Manifesto of Modern Pen and Ink" was compiled by German expert Wu Sula. The Atlas of Modern Pen and Ink is an academic monograph edited by Toyo and published by Zhuhai Publishing House. It contains the works and papers of six artists, including Liu, Wu Guanzhong, Qiu Deshu and so on, and systematically studies the theory and creation of modern pen and ink for the first time. Transferred to China Academy of Arts and Crafts of the Ministry of Culture; Participate in the "New Face of Ink and Wash-Modern Ink and Wash Exhibition and Academic Seminar" in Hong Kong; He presided over the planning of "China Modern Ink Painting Invitational Exhibition" and "Modern Ink Painting Academic Seminar", and served as keynote speakers with Liu and Zhong Rugan.
In 2008, he participated in the "Chinese Painting China-Entering Sichuan" art exhibition, went to Emei Mountain, Wutai Mountain and Hulunbeier Grassland to collect wind and sketch, and created Shan Ye series and grassland series works.
In 2009, the scientific research projects of "Ecological Research on Chinese Painting Art" and "Research on New Materials and Techniques of Chinese Painting" were officially launched. Investigate the art market in many places, cooperate with many art institutions and art colleges, start the pre-research of the authentication system of calligraphy and painting scientific records in the practice of ecological research and scientific appraisal of calligraphy and painting, and combine the research of calligraphy and painting materials with the exploration of creative techniques;
On 20/0/0, the works of seven painters, Liu, Liu, Liu, Liu, Liu, Liu, Liu, Liu, Liu, Liu, Liu, Liu, Liu, Liu, Liu, Liu, Liu, Liu, Liu, Liu, Liu, Liu, Liu, Liu, Liu, Liu, Liu, Liu, Liu, Liu, Liu, Liu, Liu, Liu, Liu, Liu, Liu, Liu, Liu, In this monograph, he published some thoughts and suggestions on the art of Chinese painting, expounding the new theory about the three forms of painting works; Editor-in-chief of the academic monograph New Exploration of Art Appraisal published by National Library Press. In this book, he published the article "Historical Turning Point of China's Calligraphy and Painting Appraisal" in China Culture News; Published a paper entitled "The Competition between Calligraphy and Painting" at the 20 10 World Chinese Collectors Conference in Shanghai; In Science Pictorial, he published a paper "Distinguishing authenticity with a golden eye-the scientific way of China's calligraphy and painting appraisal"; Held in Beijing "Application of New Anti-counterfeiting Technology in Chinese Painting-Comparative Exhibition of Original Works and Replicas from Zhao Jiancheng, Yi Yin and Tian Liming". He visited Jiuzhaigou and other places with the expert holiday group of the Ministry of Culture, and created a series of works of beautiful homeland.
20 1 1 went to the Sun Yat-sen Memorial Hall in Taiwan Province Province to participate in "The Fission and Aesthetic Trend of New Ink and Wash Styles in the 2 1 Century-Seminar on New Aesthetics of Contemporary Ink and Wash" and published a paper "Thinking about Ink and Wash"; Participated in the "20 1 1 International Symposium on Scientific Appraisal Technology of Cultural Relics and Artwork" and published a paper "Analysis of the Present Situation and Strategy Research of Calligraphy and Painting Appraisal in China" at this symposium; Invited to give academic lectures in Taipei, Taichung, Tainan, Kaohsiung and Yunlin; Published a paper "New Ideas on Appraisal of China Painting and Calligraphy" in China Collection Auction Yearbook published by Xinhua Publishing House; Five works, such as Swan Lake, Impression of Snowland, Music in the Water, Scared Sting and Sleepwalking in the Mountain, went to the Sun Yat-sen Memorial Hall in Taipei to participate in the "New Ink Fission-Cross-Strait Contemporary Ink Innovation Exhibition"; He visited Zhangjiajie, Hengshan, Xiangxi and other places, visited many places in Heilongjiang Province, and created a number of works expressing mountains, clouds and trees. By the Ministry of Culture as a national cultural industry high-skilled personnel;
20 12 went to Huashan and Yandang Mountain to collect creative materials, and created a number of works expressing rocks, clouds and vegetation. Editor-in-chief's academic monograph "Cognition and Management of Painting and Calligraphy" was published by Culture and Art Publishing House, in which the article "Understanding and Thinking of China's Painting Art" was published. He mainly planned the international academic conference "Expert Meeting on Cognition and Management of Painting and Calligraphy". More than 40 experts from China, Taiwan Province Province, Germany, Sweden, Australia and the United States gathered in Hunan to discuss a series of issues on cognition and management of Chinese painting. Published the paper "Chinese Painting and Technology" in the No.1 1 issue of Art and Science Research published by China Radio and Television Press; The "China Painting Exhibition-Zhou Shaohua, Yu Zhixue and Yi Yin Painting Exhibition" jointly sponsored by China Arts and Crafts Society, Hunan Provincial Department of Culture and Yachang Group was exhibited in Hunan Provincial Art Museum. In the "Academic Lecture on Scientific Cognition of Chinese Painting" held by the Hunan Provincial Department of Culture, he served as the keynote speaker with Zhou Shaohua * * *; Won the fourth innovation award of the Ministry of Culture;
20 13 created a series of new ink paintings, such as the flying magpie in the pine forest, the winding path to the sky, overlooking the peaks, the impression of snowy areas and a scene in the mountains. Participate in the joint exhibition of Chinese paintings in Beijing, Shandong, France and Japan; In the third issue of Art magazine, he published a paper "Talking about the Construction of Painting School" and published a paper "Thoughts and Suggestions on the Art of Chinese Painting" in Art Newspaper. Published a paper "Observation and Reflection on Liu's Art Influence" in the Collection of Liu's Donated Works published by Shandong Fine Arts Publishing House; Held a lecture at the Central Cultural Management Cadre College and Yachang Art Network, "The Scientific Road of Appraisal and Management of Painting and Calligraphy in China"; Planning and presiding over the "First China Academic Exchange Conference on Art Record Certification";