Xianbaozi Monument is famous at home and abroad for its artistic value and historical and cultural value. It has long attracted scholars, calligraphy artists, Chinese linguists and historians at home and abroad, and is known as the "originator of true books" and "treasure". It is a famous stone carving cultural relic. As a famous monument in minority areas left over from the 5th century A.D., Xianbaozi Monument is a typical material to study the calligraphy style and art of the transition of Chinese characters from official script to regular script in China, which is enough to study the gradual change of Chinese characters from official script to regular script, and plays an important and unique role in the history of Chinese character development and calligraphy art in China. At the same time, it is also a precious physical historical material to study the local history of Yunnan and the historical civilization of ancient ethnic minority areas in northeast Yunnan, the integration of ethnic minorities and Han nationality, and the cultural and artistic exchanges and integration between ethnic minority areas and Han nationality. It is a rare treasure in the history of southwest minority areas and even in the history of China. It was announced as the first batch of national key cultural relics protection units by the State Council on March 4, 19 1. Its classification number is No.2 among the national historical sites protection units, and it is now hidden in the glass cover of the historical site pavilion on the campus of Qujing No.1 Middle School in Yunnan Province, managed by a special person, and the protection condition is good.

The calligraphy art of Xianbaozi Monument is unique and interesting, and the combination of Lishu strokes and seal characters has the artistic characteristics of the times. The art of calligraphy and strokes is changeable, a combination of "trinity", simple, rich and ingenious. Calligraphy art is rigid inside and soft outside, and its brushwork is vigorous, just like a knife and axe. The fonts are uneven and interesting, and the same word is written differently, and no word is the same; The layout of the rules and regulations is patchy, looking at each other, echoing from beginning to end, running through the whole article, letting it be natural and harmonious. Xi 'an Baozi Monument is an artistic treasure with beautiful fonts, neat strokes and exquisite carving. Its stippling, font, style and rhyme are natural, unique and light. After it came out, it was valued by the world and loved by historians. Mr. Kang Youwei, a master of Chinese studies, praised the immortal steamed stuffed bun tablet. In his book "Guang Yi Zhoushuangji Monument", he said: "Simple and honest Gu Zhuo, full of strange state, should be the first of the ancient books and strange stones." Kang commented that the tablet of Xianbaozi plays a connecting role in the history of calligraphy art and the evolution of Chinese characters, that is, "the upper is the difference of Chinese characters and the lower is the ancestor of real books"; He also said, "I love historical sites more than Gu Lang, Gao Xiu and Cong Baozi ..... so I can study their origins by changing them from official to official." He also made a concrete figurative metaphor: "The ending of Cong Baozi is as simple as an ancient Buddha." At the end of the Qing Dynasty, a poet wrote a poem after reading two "tablets": "Two calligraphy books are rare. How much does Pu Sumao know about the world?" I'm partial to the guest and read the monument against the light. "This is also a compliment. The calligraphy art of Zancongbaozi Monument in Li Genyuan is "vigorous as iron and charming as a goddess". It can be seen that its simple appearance can't hide the charming beauty of the stone tablet. Zhou Zhongyue endowed it with the reputation of "South Monument Treasure". Han Tianheng, former vice president of Shanghai Painting and Calligraphy Institute, once wrote a poem praising: "There are no ancient books in southern Yunnan, and the books are wonderful. You can't sigh when you talk about a treasure. "In modern times, many calligraphers at home and abroad have devoted themselves to practice, copied and learned the calligraphy methods of the Xianbaozi Monument, and after absorbing the essence from the brushwork structure of the Xianbaozi Monument, they have made great innovations and become great calligraphers, which is admirable. The calligraphy art of "Cuanbei" is used for book cover inscriptions in today's cultural and artistic life, such as "Cuanbei History" and "Nanzhao unofficial history Zheng Hui", which is simple and lovely. The subtitles used in movie titles are also very beautiful, such as the title of Lin Zexu and the subtitles of A River Flowing East. Calligraphy is the most widely used art in Guangzhou.

Not only China people are interested in the study of Xianbaozi Monument, but also Japanese people are particularly keen on the study of Xianbaozi Monument. The research is extensive and in-depth, and a variety of research monographs have been published. Japanese calligraphy lovers of "Yao Xue" and "Yao Ti" have traveled across the ocean for many times, and they have come to the pavilion on the campus of Qujing No.1 Middle School to appreciate the ancient and unique features of the Bao Zi monument. The purpose of Japan's "Mysterious Calligraphy and Taoism Society" is to study the calligraphy art on the tablet and the true meaning of the evolution of Chinese characters. Mr. Masayuki Kagawa, Professor of Calligraphy Taoism Department of Tokyo University of the Arts, accepted the invitation of the State Education Commission of China and went to Fudan University in China, China Academy of Fine Arts and Yunnan University for academic exchange on September 1996. During his stay in Yunnan, Mr Ji Chuan was very excited when he saw the two "stone tablets" haunted by dreams. He hopes to hold an international academic seminar to discuss the value of "stone tablets".

In the middle of the gate above the gate and on the pillars on both sides of the gate, there are three seal characters of "Cuanbei Pavilion" written by Mr. Yuan Jiagu, the champion of economic specialty in Qing Dynasty, and their couplets: "The treasure of the Eastern Jin Dynasty has been enriched by 300 words, and the small stone tablet in southern Yunnan has lived for two thousand years." The stele pavilion seal script written by Mr. Yuan Jiagu is round and full, beautiful and simple. The couplet regular script is vigorous, smooth, beautiful and healthy, free and easy, and it is also a rare and precious cultural relic of calligraphy art.

The 1500-year-old historical, cultural and artistic nutrition accumulated in the tablet of Xian Baozi has nourished generations of Chinese and foreign calligraphy artists, China philologists and "Xian Xue" researchers, which is amazing. Over the years of reform and opening up, there have been an endless stream of people who have come to Qujing, Yunnan Province to copy and study the tablet of Xian Baozi. Even overseas friends, experts and scholars, calligraphy lovers and Chinese descendants living abroad are not far from Wan Li. They traveled across the ocean to Qujing to appreciate the cultural relics in the Xianbaozi tablet, appreciate the unique charm of its history, culture and art in ethnic minority areas, explore the evolution of Chinese characters and the true meaning of calligraphy art, and study the historical civilization in ethnic minority areas. Xianbaozi Monument plays a bridge role, and plays a positive role in cultural and artistic exchanges between China and foreign countries and the development of international friendship. It is amazing: it is really a national treasure of China!