"I want to eat your pancreas" is a classic Japanese-style animation, which expresses the youthful love of boys and girls with a beautiful and fresh tone.
However, under this ambiguous feeling, the film lacks a formal aesthetic feeling, and the connection between the characters and the emotion between the characters are progressive, which seems a bit hasty and abrupt.
Of course, the jumping rhythm can be regarded as the author's deliberate "accident" in highlighting this realistic theme, but this radical expression, although enhancing the attraction and uniqueness of the story itself, can also greatly reduce the quality of emotional expression in the film.
However, fortunately, this film relies on its powerful story core to support the box office and word of mouth.
Where will you go, to live is to live, the meaning of life, the true meaning of love ... With the help of the personal experience of the protagonist "I", the author shows these profound topics one by one, and uses the film as a bridge of communication to draw the audience away from these topics, induce the audience to sing and think, and let the audience reflect on themselves and resonate with the characters in the play.
Men and women have diametrically opposite personality settings, one is lively and clever, and everyone loves him; One is dull and dull, which keeps people away. Although this combination of two people is full of different views, it also makes the emotional transformation of the characters somewhat far-fetched, especially after the sudden death of the female host, the whole emotional clue is broken, and the reappeared Haruki changes the decadence of the past and becomes clear and clear, and her words are also full of firmness and confidence.
Although the audience can already foresee such a change from the moment when men and women meet, it can't be said that the design of the plot direction is unreasonable, but at least this kind of story lacks a gradual ending and exceeds the audience's expectations in guidance.
In the production of the film, the pure pink cherry blossoms and the clear blue sky and blue sea were actively rendered, especially the colorful fireworks that night pushed the tension of the picture to the extreme. On the one hand, it strengthens the sense of melody in the background of the story, which plays a role in setting off the atmosphere, on the other hand, it promotes the progressive change of the relationship between characters through the environment.
From the aesthetic point of view of animation, movies still have a lot of room for improvement.
First of all, in the close-up picture, the proportion of characters is too large, and both indoor decoration and outdoor scenery are not painted exquisitely enough.
In the distant scene, the strong halo treatment makes the background feel a little rough, and the details of the perfunctory characters are also exposed at this time.
Although these have no influence on the expression of the plot, compared with many classic cartoons, the film is not pleasing to the eye in visual experience.
In recent years, the overall trend of Japanese animation market has begun to break away from the fairytale beauty, and gradually rooted in the thinking of reality, focusing on serious topics such as life, humanity, good and evil. This animation is just one of the popular trends.
The tragedy of the heroine's terminal illness and sudden death makes the atmosphere of the whole animation more and more heavy, eclipsing the scenery full of spring. For those who watch Japanese animation in a relaxed mood, this movie may disappoint you a little.
There are countless realistic film and television works with "terminal illness" as the breakthrough point of contradiction, but they have just emerged in mainstream animation works in recent years, and there is no successful masterpiece worthy of appreciation so far.
On the one hand, because the theme involved is too grand, it is difficult to find a solid foothold in the plot and characters, and it is difficult to find an emotional balance line between vigorous and small jasper. On the other hand, it is also because the temperament of this serious literature and the character of animation itself are not acclimatized, and the result of their forced integration is naturally self-evident.
Generally speaking, although the film has many formal shortcomings, it is sincere and touching at least in the nature of the plot itself. It may not be a high-scoring aesthetic classic, but it is a masterpiece hidden in the heart.
Sakura lit up the night in Haruki's life with the light of human nature and changed his life. In this ambiguous youth experience, the audience is happy, moved, humming and thinking, which is enough for an animation.