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Masked Knight W is a masterpiece? Or a normal job? Tell me your opinion. . .
I think this is a masterpiece. After all, compared with some previous works, its playing is quite stable, all the foreshadowing has been recycled, and there is no unfinished tail. When I first watched Money Doping, Philip collapsed because of his memory of his family, and at the same time, the picture always switched back and forth between the protagonist and Yuan Yun's house-when I looked back, I found the hint was quite obvious.

The plot of the movie battle is also in line with the TV set. Different from the story of Nobuyoshi Oda, ooo has many bugs, but it also explains the night of begin and all kinds of skeletons.

The theatrical version does not have the feeling of "wtf" like the story of leather war, and it is quite smooth as a whole.

The spread of accel and Eternity, on the one hand, perfects the emotional line between the dragon and the director (and gives the dragon an enhanced form), on the other hand, enriches the character image of Katsumi Daido, and rises from a completely heartless "devil" image in the theatrical version to a real knight with tragic color.

In short, W's series of works are quite good, and the plots of each part complement each other, which makes people deeply impressed with the characters in Fengdu, and each character is quite lovable whether it is decent or villain. Although it may be an exaggeration to call it a masterpiece, after all, there are many powerful players in the new decade, such as ooo armored driver, but in general, it is well-deserved to call it a masterpiece.