Cao Fei, male, 1963 was born in Yangquan, Shanxi, and 1985 graduated from the Chinese Department of Shanxi Normal University. He received his Ph.D. in 2009 and is currently the deputy director, professor and doctoral supervisor of the Institute of Traditional Chinese Opera and Cultural Relics of Shanxi Normal University. Teaching courses include: art aesthetics, literary theory, investigation skills of traditional Chinese opera cultural relics, photography and video recording. He is mainly engaged in the study of Jin Opera culture, and has participated in many national social science projects, projects of the Ministry of Education, international exchanges between China and France and national philosophical and social science projects. He has published 2 monographs and 4 cooperative publications, and published more than 30 academic papers in such publications as Drama Research, China Opera, Folk Quyi (Taiwan Province Province) and Journal of Shanxi Normal University (Social Science Edition).
Wang, 1954, from Taigu Village, Taigu Township, Daning County, Shanxi Province. 1972 1972 After graduating from high school, I worked as a private teacher in middle school. 1March 1978 entered the Chinese Department of Shanxi Normal University. 1982 After graduation in June, he was assigned to edit Pu Opera Art magazine in Linfen Pu Theater. He used to be deputy editor-in-chief and editor-in-chief, 1998. 1998- 10 was transferred to the Institute of Traditional Chinese Opera and Cultural Relics of Shanxi Normal University as an associate professor. In 2006, he was the tutor of master students majoring in drama and opera, and was awarded the technical position of professor in 2007. 20 1 1 doctoral supervisor of drama and traditional Chinese opera. He has published 2 independent monographs, participated in the writing and publishing of 6 monographs, and published more than 30 academic papers and drama reviews in such journals as Drama Research, China Drama, Drama Newspaper (namely, China Drama), Drama Film Newspaper, Friends of Drama, Pu Opera Art, etc.
Yan Baoquan, 1964, from Xiyang County, Shanxi Province. ** * party member. 1985 graduated from the Chinese Department of Shanxi Normal University and worked in the Institute of Traditional Chinese Opera and Cultural Relics. 1988 —— 199 1 year to study for a master's degree,1991year to graduate with a master's degree in literature. He is currently the dean, professor and doctoral supervisor of the College of Literature of Shanxi Normal University, the deputy director of China Opera Research Center, the key research base of humanities and social sciences in Shanxi Province, and the deputy editor of China Opera. He is also the director of China Popular Literature Society and China Ancient Opera Society. He is the author of Li Daokong's Luo Wenqing Guanzhong Collection and Feng Mingji's Comments. Editor-in-chief has "Research on Pingyang Song, Jin and Yuan Opera Cultural Relics"; He participated in the compilation of Textual Research on the Inscriptions of Shaanxi Opera, Collection of Inscriptions on Water Conservancy in Jiexiu, Hong Tong, Collation of Quanyuan Qu, Collation of Quanyuan Qu, and China Dictionary of Interesting Studies. He has published dozens of academic papers in journals such as Literature and Art Research, Cultural Relics, Folk Quyi (Taiwan Province Province), Drama Research, Literature, China Opera, and National Art. Wang Fucai, 1950, is from Hunyuan. 1978 After graduating from the Department of Political History of Shanxi Normal University, he stayed there to teach. 1984 was transferred to the Institute of Traditional Chinese Opera and Cultural Relics. Member of China Opera Society and China Nuo Opera Research Association. At present, he is a professor and deputy director of China Opera Research Institute, a member of the editorial board of China Opera, and a tutor for master students majoring in drama and drama. His published works include Comments on Sixty Kinds of Songs, Comments on Embroidery (the first author) and Investigation Report on the Divine Spectrum of Fans and Drums in Renzhuang Village, Quwo County, Shanxi Province (the second author), and he has published many papers on cultural relics, operas, studies on operas and folk music arts.
Wang Zhifeng, female, was admitted to the Chinese Department of Shanxi Normal University with a bachelor's degree 1994 and to the Institute of Traditional Chinese Opera and Cultural Relics of Shanxi Normal University with a master's degree 1998. After graduation, he stayed in China Institute of Traditional Chinese Opera and Cultural Relics, and was responsible for the editing and publishing of China Opera, the journal of China Opera Society. In 2006, he was admitted to the School of Film and Television Art of Communication University of China to pursue a doctorate. In 2009, he joined the postdoctoral mobile station of the Central Academy of Drama. He is currently the deputy director of China Institute of Traditional Chinese Opera and Cultural Relics, and the deputy director of the editorial department of China Opera.
Fan Chunyi is from Anqiu City, Shandong Province. 1September 1992 to1July 1996, studied in the Chinese Department of Qufu Normal University and obtained a bachelor's degree. 1From August 1996 to September 2002, he was engaged in Chinese teaching in middle schools in Anqiu. From September 2002 to June 2005, I studied in the College of Literature of Qufu Normal University, studied drama under Mr. Xu, and got a master's degree. From September 2005 to June 2008, I studied in the Institute of Classical Literature of Nanjing University, studied classical philology under Mr. Cheng, and obtained my doctorate. After graduation, I went to work in the Institute of Traditional Chinese Opera and Cultural Relics of Shanxi Normal University. 20 10 12 was promoted to associate professor; 20 1 1 won the honorary title of young academic leaders in Shanxi province. Now he is the tutor of master students in the direction of classical philology. Huang, 1938, from Kaiping, Guangdong. 196 1 Graduated from the Chinese Department of Sun Yat-sen University, and was admitted as a postgraduate in the history of China literature in Sun Yat-sen University. He studied under Professor Wang Jisi, specializing in China ancient literature and ancient opera, and graduated from 1965. He has been engaged in teaching and scientific research in Shanxi universities for a long time. 1980 as a lecturer, 1986 as a professor of Shanxi Normal University, 1990 as a master tutor, and in 2002 as a professor and doctoral tutor of Shanghai Normal University. He used to be the director of the Institute of Traditional Chinese Opera and Cultural Relics of Shanxi Normal University, the editor-in-chief of China Opera, the executive director of China Opera Society, the vice president of China Nuo Opera Research Society and the vice president of Shanxi Classical Literature Society. At present, he is also the consultant of China Nuo Opera Research Association, Shanxi Classical Literature Society and China Opera Editorial Committee. 199 1 was rated as an expert with outstanding contributions and enjoyed special government allowance from the State Council. 1999 won the second prize of Ceng Xianzi Education Foundation Teacher Award.
Dou Kai, male, professor, editor. Han nationality, born in February, 1928. 1953 graduated from Beijing Normal University. He has served as a teacher of Chinese traditional opera school and head of teaching and research group. Editor of Journal of Shanxi Normal University, consultant of Institute of Traditional Chinese Opera and Cultural Relics of Shanxi Normal University, tutor of master students, and deputy editor of China Opera. He is currently a director of China Opera Society, a director of China Nuo Opera Research Association, a director of China Sanqu Research Association, a director of Shanxi Branch of Chinese Dramatists Association, an executive director of Shanxi Normal University Senior Citizens Association, a consultant of Linfen Sanjin Culture Research Association, and the president of Pingding County Zhang Sanmo History and Culture Research Association.
Feng Junjie, born in 1943, is from Mudanjiang City, Heilongjiang Province. 1982 graduated from the Chinese Department of Shanxi Normal University with a master's degree in literature. At present, he is honorary president, professor, doctoral supervisor and editor-in-chief of Shanxi Normal University Theatre Academy. He is the author of Notes on Zheng Guangzu's Collection, Notes on Pipa, Textual Research on the Inscriptions of Shaanxi Opera, Comments on Sixty Kinds of Songs Edited by Chief Editor (in cooperation with Mr. Huang), Textual Research on Taihang Temple Opera and Saishe, Selected Works of China Ancient Literature, etc. His monographs include Drama and Archaeology, Shage Opera Man in Pingyao, and Shanxi Temple Fair Theater. In recent years, he has published dozens of papers in newspapers and periodicals such as Literature and Art Research, China Opera, Drama, China Culture Newspaper, Taiwan Province Folk Quyi, and North Korea China Opera. He has won the 13th China Book Award, the second prize of the first excellent paper in Shanxi Province, the first prize of the fourth outstanding achievement in social science research in Shanxi Province, the third prize of Ceng Xianzi, and the outstanding teacher award in Shanxi Province. Yang Taikang, 1936, from Pinglu, Shanxi. 1962 graduated from the Department of Education of Shanxi University, majoring in school education, and stayed on as a teacher. 1972 was revoked and transferred to the Academic Affairs Office of Shanxi Normal University. He used to be the head of the teacher department. From 1980, we began to investigate and study traditional Chinese opera cultural relics, and set up a research group on traditional Chinese opera cultural relics. From 1984, the Institute of Traditional Chinese Opera Cultural Relics was established as the deputy director until 1989. From June 1987 to June 10+0 10, he went to Bill University in Austin, Tennessee and Bridgewater College in Massachusetts to hold a one-month China Opera Culture Exhibition, and gave eight lectures as an associate researcher. Since 1979, he has published many comments and papers in Journal of Shanxi Normal University, Pu Opera Art, Qu Yuan, Folk Quyi (Taiwan Province Province) and other periodicals, and has written a book Textual Research on Sanjin Traditional Opera.