Producer: The task and producer are basically the same. He is responsible for the "catalysis" of the whole film, urging everyone to finish the film quickly and ensure the quality. At the same time, he is also the "manager" in the filming process, responsible for supervising the whole filming process to ensure that everyone does not "cheat" and waste investors' money, which is similar to the role of project supervision.

2. Consultant: If it is a film with historical themes or other professional themes, in order to make the film more convincing or credible and provide necessary guidance and help, the producer will invite authoritative people to be film consultants.

3. Director: Responsible for carving the characters in the script and using various shooting resources (props, venues, actors, etc.). ) to interpret the script, make a movie and copy.

4. Deputy Director: He is both a director and a producer, and he is the director's right-hand man.

5, producer: mainly for the script, in order to keep the original script for the director's shooting work.

6. Attendance (audience seated): responsible for providing necessary items and convenient measures for shooting, such as preparing props, selecting scenes, maintaining the order of the studio, and providing logistics services.

7. Editing: As there will inevitably be many repeated or redundant shots in the shooting process, in order to make the overall effect of the film natural, harmonious and smooth, and at the same time take into account the style requirements of the director and the script, the editors need to cut the unnecessary shots in the whole film.

8. Composition: Arrange the appropriate music for the film. Correspondingly, there will also be bands, conductors, singers and other personnel.

Extended data:

Matters needing attention in documentary shooting

1. Decide as soon as possible what role you will play in the film: peeping tom, who will not be noticed, or will actually appear in the film.

2. Documentary preparation should include a shooting outline, determine the basic narrative context, and list the minimum required audio-visual materials. With this list, filmmakers will be able to determine which video materials can be found through libraries or archives and which new content must be obtained through shooting.

3. Don't expect all narrative duties to be realized by voice-over or annotation. If the truth you describe in the picture is not obvious enough, then no matter how you repeat it and write it, you can't convince the audience. For a pacifist, the picture is full of bloody, sacrificed and injured soldiers and civilians, which is enough to make him turn a deaf ear to any war carols and passionate words.

When interviewing people, try to make the interviewee feel comfortable and relaxed.